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302 pages, Kindle Edition
Published December 29, 2022

The cobalt-blue piece was cool against my palm. It was roughly the size of a quarter, its once sharp edges smoothed by months or even years of being tossed through waves and sand. I rubbed my thumb over its opaque surface, feeling some kinship to the little piece of glass— tossed around in the world, changed, remade, but still here. — Jeremy Fitzgerald
Warnings: In the author's words "One MC is in recovery for addiction. There is also a description of a past suicide attempt. There is one instance of a homophobic slur written on page." I will add to this that there is a past sexual assault.
Moonlight is so easy to fall into. Once I started reading I found it exceptionally difficult to stop. Jeremy is such a sweet soul. Sean is gorgeous inside and out. Their chemistry is electric, I didn't expect them to fall into bed as fast as they did nor for them to form such an easy bond. They have this instant connection beyond the physical. They do burn up the sheets, don't get me wrong, but there is so much more to them than that from the very start. Much of the tension of the story that in other stories often comes from within the relationship comes from without. Jeremy and Sean are solid from start to finish, there are pressures on them from the past and just good old-fashioned homophobia. It is pleasing to read someone writing something a bit different and sticking the landing.
Jeremy Fitzgerald is a famous pianist on break from live performance after a car accident, panic attacks and addiction. He has an undeniable sweetness to him, and his talent is undeniable but to a degree, he doesn't know how to be him. Jeremy promised his best friend, Evan, that he would perform at Evan's upcoming wedding on the Jersey Shore. After consulting with Jeremy's therapist Evan hires him in a hotel room for 4 weeks to get him out of his comfort zone and to hopefully able to perform in front of crowds again. Enter the Moonlight Inn and owner Sean O'Neill. Sean inherited the Moonlight Inn from a man who respected him and his talents. Openly gay and comfortable in his own skin, he is good at what he does running his business and making people comfortable. Sean has this Irish charm to him. He is drawn to Jeremy and his air of sadness from the first time he sees him, fully not knowing who Jeremy is. One of the funnier lines is "I think I’m being punked." this is Sean upon meeting yet another person in his social circle who knows who Jeremy is. Despite Liam, the brother Sean is very close to, being a talented pianist Sean has no idea who he is. But everyone else does. It is just lovely to see Jeremy get happiness with a man who has absolutely no interest in his money. I don't really want to talk about them suffice to say I adore them, they made me all gooey inside. There is something of a soulmate, there you are, where have you been all my life vibe to Jeremy Fitzgerald and Sean O'Neill's relationship. It works well, better for them than any other pair I've ever read trying to use the same trope (?) and they do acknowledge the oddness of their connection.
The supporting cast is quite extensive. I'm going to mention the antagonists first. Firstly, Pierce is a massive issue, well written, but an issue. He is introduced in the prologue and even if you think he may be redeemable from the scenes at the outset you will likely be disillusioned rather quickly. Pierce was horrible. He sexually assaulted Jeremy at least once which we are told of. He was an abuser if not physically certainly, emotionally and psychologically. But I felt he was necessary, it was important to see a look at the life Jeremy it expected to leave and to see the human ghosts in his past. The antagonists applicable to Sean are also written in a decent way, playing with the idea of the rich wanting to get richer and the little rich boy not wanting to take no for an answer.
There is so much love, joy and beauty in the friends and family around Sean and Jeremy. Jeremy is largely supported by his found family. His bodyguard Tony and his large intimidating family, his best friend Cellist Evan Williams and Evan's fiance Raphael Alvarez, also Jeremy's lawyer. They are a very small circle but the group are fiercely protective of Jeremy. The only people who know about Jeremy's overdose attempt are Evan and Raphael. Tony is a friend as well as an employee, if you see the title Piano Man on amazon review Tony is why that is his nickname for Jeremy. I like the teasing fun relationship that Evan has with Jeremy, it is through him that we get insight into how Sean is changing Jeremy for the better, healing him. Evan is a brilliant way to develop emotion. Sean has his mother, Moira and younger brother, Liam and the staff of the Moonlight Inn, specifically Caitlin Barnes. We also spend time around some of his friends from high school, also musicians, and Caitlin's daughter, the absolutely adorable Maya. I love Moira she makes me smile, she is so supportive of her boys despite being scared for the safety of her youngest. Caitlin is so caring, treating Sean as something of a brother, and having nothing but respect for him. Sean has a fantastic support system but we spent more time with Jeremy and his healing.
Moonlight is Evie McGlynn's first novel. It doesn't feel like it should be. It is well written, balances characters and plot well and takes a risk in the plot development that most authors wouldn't dare. I found it to be very readable and will certainly read more when she publishes more. The second story is already set up, likely to pick up about 90% of the way through this one, with main characters Marco D'Angelo and Liam O'Neill. Liam has proved himself to be a poor liar though that could just be because Sean knows him too well. Marco is the ultimate protector. I spotted at least one more MC in here. Miguel, now working as a manager for Sean and maybe one other though there was never much said on his sexual identity. Finally, Moonlight has such a lovely and well-constructed cover. I like the focus on the piano, including an actual background and the vaguely concerned face on the model. It's just appealing. And compliments the blurb greatly. Just a massive shout out to Reese Dante Designs for their oft-underrated work. I really hope that McGlynn continues to use them for future covers.
I'm going to finish this with some quotes and notes:
• I'm not sure I've ever read a book with twin prologues before. One for Jeremy in which he is involved in a bad car accident. One for Sean in which he and his brother Liam unexpectedly inherit the Moonlight Inn. Honestly, I think it is very smart. Everyone has a past that impacts their present. Why not include a slice of it?
• “Maybe you need to wander around in different circles for a change. Maybe find someone more down to earth. Someone who’s not afraid to get a little messy.” — I really like this. Sean is so different to Jeremy's normal type. (Evan)
• I closed my laptop and squeezed my eyes shut against the tears that threatened to fall. God, I was so afraid for him. Mom and I watched the news every day, checking for violence in the region. — I love Liam's job, he works in Syria for Doctors Without Borders or, more properly, Médicins Sans Frontières. But this, doing this will just drive you mad. I spent time worrying about a man in the Middle East, in a warzone, do not watch it.
• The Moonlight Inn is stunning. Particularly the dining room especially when you take the concert grand piano into account
• As it was with every time I sat in front of a piano, I felt my soul settle. The tortuous five months I spent recovering from the accident were some of the worst of my life— if I didn’t count rehab. I placed my fingers on the keys and let out a soft sigh. It felt like home. — It's interesting that he calls it home because as a pianist of that calibre, it probably does. But he also refers to the O'Neill family house as home. That is what he feels the second he walks in the door of Moira's house. (Jeremy)
• He cleared his throat and answered, “Club soda with lime, please.” Then his eyes slid away from mine like he was ashamed of his choice.
“Coming right up,” I replied without missing a beat. I knew that look. I’d seen it dozens of times— including on my father’s face. People with drinking problems felt ashamed that they weren’t drinking when everyone else was. My dad was an alcoholic who had been sober for more than twenty years when he died. The cutie at the bar might be going through the same thing, or maybe he just didn’t like drinking but liked hanging out at bars. Who was I to judge? I put his drink together and slid it back to him with a smile. — This is the first time Jeremy and Sean interact. The first time we see the non-judgemental attitude that marks him at times. This is after he gives us a flattering description of Jeremy. (Jeremy and Sean)
• Alcohol was not my drug of choice. I could sit at a bar, a party, whatever, and not crave the taste of alcohol on my tongue. But one drink would lead to two and often three. Then I forgot why I shouldn’t try to find those sweet little white pills. I forgot that they almost ruined my life— almost took my life. I forgot that the high didn’t even really feel that good. I forgot that I had people who loved me, and I didn’t need a drug to fill those empty spaces. — This is happening simultaneously to the above quote. I love the description. (Jeremy)
• The black ink was accentuated by his fair skin. So yeah, I wanted to explore that tattoo in great detail— with my tongue. — Look I can't see a book with this quote and not share it. It's just a mood for me. Just everything going on with Sean's appearance is stunning to me. Long hair, tattoos and piercings. (Jeremy)
• “Good. Really good.”
There was complete silence on the other end. Then my best friend let out a whoop. “Oh my God! You got laid on your first night!”
I pulled the phone away from my ear until he was done. “You should speak up,” I said finally, “I don’t think they heard you in Brooklyn.”
“Pfft,” he retorted. “Now spill. I want all the details.”
I sighed. “First of all, how do you know anything happened?”
“Are you serious right now?” he scoffed. “How long have we known each other?”
“Fifteen years, give or take,” I answered.
“Correct,” Evan said smugly. “So I know the sound of Jeremy’s ‘I got laid’ voice. I. Want. Details.” — This is one of the best moments of Evan just being Evan, the supportive bestie that he is. (Jeremy and Evan)
• “There he is. There’s my Jeremy.”
Tears pricked the backs of my eyes. “Ev… I…” I swallowed hard. “I wasn’t gone. Just… lost.”
“I know, babe,” he said softly. “But it’s time to let your light shine again.” — I teared up at times with these two. This is Jeremy being realising who he is to a degree. (Even and Jeremy)
• Sean was always touching me. Little touches, as if to let me know he was there. His arms felt so good around me that I never wanted him to let go. How much trouble was I in with this man? — Jeremy suffers from a very mild form of touch deprivation. Sean knows contact is important subconsciously. I appreciate the choice to include it but not explicitly state what it is. It feels like this might be the first time he's noticed it. (Jeremy)
• “Mom,” I objected, “I don’t think…”
My mother’s voice grew stern. “Sean Michael O’Neil, are you telling me that you’re embarrassed by your own mother?” “No, that’s not what I meant,” — I adore Moira O'Neill, Sean's mother. Because of course less than 24 hours after they meet Jeremy has already met Sean's mother. (Moira and Sean O'Neill)
• I really lijke the repeated liknes. The lines we are seeing first from one mc then from the other as the perspective switches as does the focal point. I don't think enough writers use it as a device. The author isn't doing it a lot just often enough that when it is done you pay a bit of attention. And you get the impact from both protagonists.
• “I’ve been doing really well since I got here. Far better than I ever imagined. I don’t know if it’s this place or just timing or… you, but I have to keep the momentum going.” — This is just soft. It comes from one of the moments when Jeremy starts showing the true steel of his spine. His spine shows along with his big heart. But as a line this comes as something close to a confession in a way.
• Oh Evan Jesus. Jeremy was in pain and feeling so, so low, that is why he swallowed the pills. But for Evan to find out about the addiction only when he finds his best friend at death's door on his apartment floor would be utterly devastating. It puts the beginning in a whole new light.
• “I want to go out with you and your friends tonight. I don’t have trouble going to bars as long as no one gives me a hard time about not drinking.”
“Not while I’m around, they won’t,” Sean said gruffly. “They know better.”
“What do you mean?” I asked.
He adjusted so he could see my face better. “I don’t drink much because of my dad. People used to give me shit for it until I reamed a bunch of them out in the middle of a party. That got everyone’s attention. They never bothered me again.” — Oh it's so disappointing that it came to this but he is far from alone. This is at least part of the reason neither my brother nor myself drink. We come from a generation where drinking was expected and you were a killjoy if you didn't drink, I am aware that drinking culture is improving. (Jeremy and Sean)
• The LGBTQ+ choirs singing to drown out the homophobes is one of the best things.
• The use of music and Jeremy's milestones in their relationship are perfect.
“Look, Jeremy’s had a rough time. I just need you to be good to him.”
“Nothing could be easier,” I answered with a smile.
“You really like him, huh?”
“Yes, I do. But”— I cleared my throat—“ I should go before my dinner gets cold."
Tony laughed. “Yeah, yeah. I get it. Tell Piano Man I’ll see him soon.”
I grinned. “I will.” I hung up and handed the phone back to Jeremy. “Piano Man?”
Jeremy groaned and rolled his eyes. “He’s been calling me that since we met. He teases me because I like Billy Joel.” — Tony D'Angelo, Sean O'Neill and Jeremy Fitzgerald
Disclaimer: I received a copy of this book from Gay Romance Reviews, and this is my honest review.
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