At its best, this collection of essays and reviews can be clever and insightful, diagnosing commonplace issues in the world of Catholic liturgical music and parish life and sharing some unique ideas and suggestions. However, it also exhibits several major shortcomings, two of which are worth noting. First, the essays seem to have been complied rather haphazardly. One tires of hearing the same basic mantras repeated ad nauseam across essays (even when they are true!). And second, the target audience is unclear. It appears that the book is designed as essentially a "preaching to the choir" work, to be read by those who already largely agree with the author. Given that sources are not cited in support of many objective claims, subjective assertions, and generalizations made (especially about the state of liturgical music since the 1960s), one can't imagine this book would be compelling to one ideologically opposed to the author.