1.5 stars
Note: I read the translated version of the book only, therefore some of the texts I used in the review might not be the same in the original English version.
Prophecy of the Sisters, like many other best sellers out there, has an attractive cover, but past experience had already taught me the importance of don't judge a book by its cover. Therefore I waited till the public library put book 1 and book 2 of the series up before getting my hands on them......
The opening of the story is catching: the mysterious death of a beloved father, the hint of a forbidden Dark Room in the family's mansion and a mother who died in it years ago. Both serve to be a good setup of a Gothic tale about ancient family curse, a strange prophecy and the twisted fate of a pair of twin sisters who were destined to battle one another.
What follows after such a strong opening isn't bad neither: Lia discovered her younger sister Alice's strange and frightening behaviors, also there's the discovery of a mysterious book and the prophecy which foretold a Guardian and a Gatekeeper, and the return of ancient evil. The Guardian's duty is to protect Earth from the evil force, while her twin, the Gatekeeper might end up becoming the gateway to let evil in.
All of the setup mentioned above have lot and lot of potential, but I soon found myself having problem with how the story is exercised, also I found it difficult to stomach the characters, their emotions and how convenient, made-believe everything in the book seems to be.
First, the main character Lia Milthorp sounds like a worn out woman in her middle-age than a 16 years old girl. She lacks curiosity and liveliness that would suit her age. Her evil twin Alice is the poster child of selfishness and mean-spirit, to a point that Alice's character comes off pretty much stereotyped.
As to Lia's love interest James (a male lead he is not), is too vague and insignificant a character to a point that he's barely there in the book. (Poor James!) Furthermore, his romance with Lia is so paper-thinned that I felt awkward just by reading about them together. Supporting characters like Sonia and Luisa, have a lot of promise in the beginning but soon their existence become very much like a plot device than anything else.
It also looks to me that Lia, as a young woman who lived a privileged, wealthy life, had absolutely no interest or awareness of what was going on outside the walls of her family's mansion and her private school. Why would I say such thing!? Simply because we got zero background information about the 1890 Victorian era society which the sisters were supposed to live in. I can't help thinking as a 'heroine', Lia is shockingly small-minded, seemingly unwilling to leave her comfort-zone and look at what's going on outside. (To think of it, many of Jane Austen's characters are more worldly and aware than Lia...who's supposed to be well learnt book lover.)
Plus, as the narrator of the story, Lia gives us not even a mention or a simple reference on any historical detail (e.g. the mourning custom, dress, social events, the customs of the upper class society, etc). It took me at least a good 50 pages before I figured out the sisters weren't living in the modern era. I really wish the author would bother herself to pen down a few historical details now and then, it won't hurt anyone.
*plot spoiler warning*
After discovering the strange book and the prophecy in it, Lia went seeking for some answer, and her quest leaded her to a young psychic called Sonia. Sonia told Lia the tale of fallen angels, the twins who seduced them, and the eternal battle of good and evil revolving around the twins' descendants......in no time at all Lia was buying this strange tale, without much of a second thought. Just...what the---? Am I the only one who thinks Lia's reaction is quite unbelievable?
As the story progresses, the tale of a pair of twin sisters, one evil and one good, who might serve to be the end of humankind or the end of the evil spirits who lurk in the dark spiritual worlds out there, is being reveled to us. So what's the origin of those evil spirits? Oh well, they actually are the Watchers, who fallen from God's good grace by their act of lust with mortal women.
In other words, the villains of the book are fallen angels who bedded the daughters of men, once upon a time. The Arch Evil of the story, the leader of the fallen angels is the guy who's supposed to be Satan. Oh well, a very original idea isn't it? (Thinks: Angelology, Hush, Hush and Fallen)
Wait! Since when Satan is supposed to be God's most beloved angel and one of the fallen Watchers who bedded mortal women? Did Miss Zink ever check Wiki to figure out who the hell is Lucifer, who the hell are the Watchers and who the hell is Satan?
In the first half of the book, Miss Zink wanted to lead us to a merry-go-round of 'Who Lia is supposed to be? The Guardian or The Gatekeeper?' From the way the story is progressed, I guess Miss Zink really, really did try very hard in order to give us the surprise. But the problem is, she tried too hard, and the 'surprise' becomes---well, not much a surprise after all. Nice try, Miss Zink; but next time please don't think your readers are all that stupid, okay?
And then in the middle of all these, the other characters figured out Lia is an angel.......yes, an angel......OMG WHERE DID THIS COME FROM DAMNIT? Sadly even to the end of the book, I still can't figure out whether she literally was an angel, or was 'angel' just a metaphor.
In the latter part of the book, Lia and her friends start to travel from the material world to the spiritual ones, but the description of those spiritual worlds is very weak and unremarkable. The Gothic aura we once recognized in the beginning of the book, is by now all stripped away. When there's a supposedly scary scene, I don't find it scary; when there's a supposed ominous scene, it isn't dark enough to me, when there's a supposed magical scene of wonder, it's plain and lacking in description. If Miss Zink aimed to create a dark gloomy Gothic tale, then I'd have to say she had failed.
To make things worse, many of the plots and setting look forced and made-believe as well, again and again I was told something was important but by the way people handle said issues--simply sitting down and talking the issues over, then decided to do this or that thing, without much planning or cautious. And we're supposed to believe the future of humankind rests on those people's shoulders?!? I want to weep.
The ending part of the book, to tell the truth it's really frustrating, nothing is solved and nothing is achieved, more still barely a thing of any importance ever happens! Such ending really doesn't deserve much of a mention. Okay, to tell you the truth one character died in the end, but what his death had served? Nothing, just nothing. If his death is supposed to show us how cold-blooded Alice is, then Alice with all her cold-bloodiness and dark fearsome power, had done way too little to achieve her evil plan. Through out the book we can only see Alice hiding somewhere practicing dark magic, but what she had ever done with her fearsome power? Nothing of importance.
The Final Words:
Well, it's not a bad book but it isn't good neither. Read it when you can find it in the library. Also I'd suggest you to read Beautiful Creatures--it's a YA but it has better-built characters, more convincing romance and a lot more historical reference already; or Anne Rice's The Witching Hour.