Possibly the queerest play I’ve ever encountered- and that’s saying something! As much as I would enjoy seeing an LGBT audience be transported by this fabulous mash up of gay London and Dorian Gray and Oscar Wilde’s own life, I would be equally enthralled by watching a straight audience trying to decipher the rapid, multi-layered gay cultural references. They would be hopelessly LOST. (But who cares. They have enough other things to enjoy).
My one critique is that I’m not sold on the Dorian Gray parts really succeeding as fully as they might have on their own terms. I found the Oscar Wilde scenes more compelling and was usually rushing to get back to his story. I also think there is perhaps a little too much levity. When things take a more serious turn, the play becomes far more substantial and memorable. There is a point where it stops being a campy drag show (which I love, by the way) and turns into something revelatory about gay men and their survival. I just wish it had turned that corner a little sooner.