This is a book I looked forward to reading, because I’m a big fan of the author, Elizabeth Conte, as a poet. Finding Jane is her first venture into novel writing and I hope it won’t be her last. There are two qualities that distinguish this novel from other contemporary works: its beautiful, emotive, figurative language and its compelling story line. Conte’s use of her wonderful poetic voice is evident throughout the book, especially in her close attention to the visual details of the setting, the faces and physical qualities of the characters, the food and clothing, all of which are described in vividly imagistic words, which bring the reader right into each scene as if he or she were actually there. The reader, along with Jane, the protagonist, is transported completely into the early 19th century where the bulk of the novel takes place. The beautiful descriptions give the Eaton estate, much of the books’s setting, and its rooms, its atmosphere, and its grounds a magical quality that thoroughly convince the reader, along with Jane, that she belongs in that era.
The story told in the novel is a captivating one. When Jane, a young woman recently abandoned by her unfaithful lover, is suddenly transported nearly 200 years into the past, will she encounter an opportunity for love that has the power to heal her broken heart? As she acclimates to the customs and manners of upper-class English gentry, will she find a new home or desperately want to return to her former life? The story is filled with twists and turns, ups and downs, with as much suspense as a modern mystery or thriller. The characters are well-drawn, each an individual in him or herself and the complications Jane encounters keep the reader guessing right up until the end of the novel.
This is a literary novel. It would qualify as one simply on the basis of the figurative language, which brings each scene alive in the way a poet can paint a picture with words. It is also a romance, in the tradition of great romances, such as Pride and Prejudice, Wuthering Heights, and Jane Eyre. The characters fall deeply in love, their thoughts and actions, their hopes and fears, are shaped by their love and the reader falls right along with them, hoping, in this case against logic and against probability, that their love will be strong enough to bring them together in the end. Nothing is easy. The characters are real, complex people with their own tragedies and foibles to contend with. Jane, the young woman is headstrong, independent, and determined, often at odds with the role of young women in the era in which she finds herself, yet she is sensitive, generous and caring, capable of great love and faithfulness, as well as unselfish moral behavior. One finds oneself both rooting for Jane’s success and simultaneously learning to value, as she is learning it, the traditions and mores of a more rigid, but also more genteel society.
As a genuine romantic novel, Finding Jane certainly qualifies as “women’s fiction.” I am a man who ordinarily reads mysteries and science fiction, although I also love becoming swept up by the, usually, larger, more sweeping stories of literary novels of earlier times. This novel swept me off my feet. I read the last half of the book non-stop, eager to find out what destiny had in store for Jane and whether or not she would accept or defy that fate. I discovered that it is really a novel for anyone who loves an absorbing story and who hasn’t lost their yearning for an old-fashioned tale of love. I can heartily recommend it.