I opted for the audiobook version of Lofton's coming-of-age tale, which had its good and bad points. The good was that the narrator's Georgia accent always brought me back to the potent setting of this story (and it helped that his character voices were compelling but not so different from one another that it felt forced or awkward). The bad was that I was driving when I got to the last chapter and almost had to pull over because I was crying so much I thought I might get in a wreck.
Listening to a book also slowed me down, but that was both good and bad. As much as I might have wanted to keep reading longer than I was sometimes able to, it allowed me to savor the story, which spans more than a decade as Philbet grows from a little boy through all the awkward years until the story ends on the cusp of manhood.
Many of the markers of a typical coming-of-age novel appear here: life lessons, learning to see your parents as people, navigating first loves, first heartbreaks, first experiences with death, and morphing from the person people wanted you to be into the person you were meant to be. But because of the boundaries of this particular story (a boy with a disability who grows up to be gay, living in the South), there are also important themes about race, class, disability, sexuality, the meaning of family, and courage that make it stand out.
By far, my favorite passages are moments when Lofton slows down time, and things that only take a second -- declaring your love for someone, realizing a truth about yourself or your family, watching someone take their last breath -- are captured in slow-motion, with every conflicting emotion given its due.
Lofton is a wonderful writer, and Red Clay Suzie is a beautiful book.