“The Traitor” is not a bad novel. But it’s not the “electrifying thriller” its promotional materials promise. While author Ava Glass gives us a likable protagonist in Emma Makepeace and delivers a plot that includes action and some moments of tension, on the whole, I found it to be a tame and sometimes not very believable offering.
An MI6 analyst investigating Russian oligarchs and their secret multi-million-dollar sales of chemical weapons to rogue nations has just been murdered. Now, MI6 wants to gain evidence concerning that murder and those weapons. They assign top agent Emma Makepeace to pose as a stewardess aboard one oligarch’s yacht and find that evidence without getting caught or killed by the oligarch’s dangerous retainers, or by a traitor within MI6. In a nutshell, “The Traitor” is a murder mystery, a “mole hunt,” and a tale of action and adventure all rolled into one.
I requested it because of author James Patterson’s praise (in the blurb) of protagonist Emma Makepeace as “a worthy heir to the James Bond mantle.” Unfortunately, I found this not to be so. In fact, I had lots of trouble believing Ms. Makepeace could have success as a spy or “world-saver.” While she’s likable, she lacks any of the distinctive qualities, and the edginess, that have made other sleuthing or spying or “adventuring” heroes and heroines so popular. She doesn’t have Bond’s mixture of tenderness and toughness, even cruelty, wrapped inside that gadget-toting package of urbane savoir-faire; or Bourne’s or Reacher’s or Katniss Everdeen’s physical prowess and close-combat proficiency; or Lisbeth Salander’s quirky brilliance and tech genius, or Gabriel Allon’s skills as an assassin/intelligence officer/brilliant painter/art forger. As the old Sondheim song from “Gypsy” goes, “You gotta have a gimmick.” Emma Makepeace doesn’t have one.
Nor does she possess the laser-like focus and commitment, or steadfast belief in herself and her abilities, displayed by other successful protagonists. On the contrary, at certain times—indeed at crucial moments—her self-confidence crumbles, and self-doubt takes over. In other instances, she’s more concerned about the safety of secondary characters she barely knows than accomplishing her supposedly high-stakes mission. While these vulnerabilities may serve to make Emma Makepeace a character that readers can like or relate to, they do not help to create a credible heroine who can be relied on to "save the world."
Other important characters, such as the villains of the piece and Makepeace’s fellow agents, are not all that distinctly drawn. They’re not cartoons or cardboard figures, but their passions and desires—the things they want that drive them to villainy or heroics—are more assumed and implied than they are spelled out. An oligarch is evil because…well…he’s an oligarch and all oligarchs are obsessed with greed.
Finally, I thought the novel lacked specificity and cleverness when it came to the “nuts and bolts” of espionage. For example, at one point Emma is captured and locked in a room. Despite a lengthy description of her lock-picking skills, it’s not those skills that free her. Instead, another character simply opens the door. And while Emma is given a special phone with lots of special apps, I don’t remember any of those apps being specified, much less used.
IMHO, all these deficiencies combine to render “The Traitor” a spy novel of the second tier. It’s readable, the plot hangs together, and the main character is a likable figure that some readers may care about. But it’s not the next Fleming or Silva or Ludlum or Larssen.
All in all, two and a half stars rounded up to three.
My thanks to NetGalley, author Ava Glass, and publisher Random House Publishing Group - Ballantine, Bantam for providing me with an electronic ARC. The foregoing is my independent opinion.