The author is the granddaughter of Orville Nix, the amateur photographer who captured one of the two most important live action films of the shooting in Dallas in 1963. During the chaotic and dangerous setting, Mr. Nix provided the opposite perspective to the simultaneously documented Zapruder film. If for no other reason, a book about the origins and aftermath history of the Nix film has value on its own terms. This book is seriously sourced for the context of the story it tells, which is an achievement considering the book is also intended to keep faith with a family legacy of disappointments and outrageous treatment at the hands of government, media, and technical professionals who time and again seemed to bait-and-switch Mr. Nix and his heirs in their dealings regarding his footage. Ms. Nix Jackson has every right to argue passionately for reputational and historical justice that her family has been denied much more than it has been offered. Even though the book is highly personal, with narrative force that can come only from a family member who lived through the events, the author resisted the temptation to turn the book into a platform for elevating herself in some kind of heroic Hollywood way. I admire that she balances the story of mistreatment by some with offering her own gratitude and credit for those who helped her along the way in her efforts to tell an important story of a man and his place in history. At the heart of the story is the mystery of the lost original out-of-camera color print of the shooting, and the inconceivably reckless and destructive way the film was handled for investigative and commercial use until it was declared lost by the very people to whom it had been entrusted – the US government and its professional preservationists at the National Archives. The mystery of what happened to the original – critically important because only the original can reveal most clearly what evidence it contains about the possibility of additional shooters on the grassy knoll area – remains unresolved. There are chapters here that are necessary for context, but not particularly valuable in their rendering. The chapters that attempt to review the range of criticisms, conjectures, and research on the assassination, for example. Those are better understood in their original, rather than summarized form. But the book overall is valuable to serious researchers and buffs alike, for several reasons. First, the final chapters and the appendices contain a roadmap to internet-era material she discusses, most importantly the work that has been done, in good faith, to bring clarity and perspective to what is on the footage itself. There is a detailed chronology of events related to the history of the film, and a bibliography of sources. But the great achievement of the book, and its historic value, is the story Ms. Nix Jackson tells from within her own family’s journey. That story can only be told the way she tells it, from family members who were present throughout it. Some readers may not care for the novelistic narrative techniques the author uses to describe not just events she didn’t witness, but thoughts and emotions happening within Orville Nix. I don’t see it as inappropriate or unreliable. I read it as a family member recounting what she saw and heard throughout her life, a life that took shape in relation to this famous film and the events surrounding its use and loss. Ultimately, I deeply admire the author’s work to keep faith with her grandfather, a man who captured historic evidence that is now a cultural fixture. Sadly, Orville Nix was overwhelmed by institutional agendas, deceit, and the enveloping darkness of a dark moment of fate to be standing where he stood looking through a viewfinder on November 22, 1963. I am unfamiliar with her work since publication in 2015, and only vaguely informed on her court battles to get the film back with her family and estate heirs. But with this book, Gayle Nix Jackson has given back to her grandfather the dignity of his own life and his own achievement in history. Orville Nix and his granddaughter, Gayle Nix Jackson, deserve respect for honest efforts to do the right thing as citizens.