Excellent audiobook, overly melodramatic novel
Elizabeth Cabot is the CEO of a charitable fund which she inherited from her wealthy aunt. Its main purpose is to invest in small, privately held, family firms. Jack Fairfax is a wealthy venture capitalist whose company specializes in salvaging troubled, small, privately held, family firms by providing leadership and training. Elizabeth and Jack have signed a contract to work together to bring the struggling family firm, Excalibur, out of the red and firmly into the black. Its biggest hope for success is through some breakthrough IT technology that utilizes a special type of crystal. The name of the prototype for that crystal is the titular Soft Focus.
Just prior to signing their joint Excalibur contract, Elizabeth and Jack had been dating for several weeks and falling hard for each other. In the opening scene of the book, we learn from Jack’s thoughts that the two of them had just had their first night of (offstage) sex, and he is disappointed that it was clearly a non-orgasmic event for Elizabeth. Worse, she did not even act like she was disappointed at that oversight, as if she expected nothing more than mild pleasure from sex with any man, including Jack. He is not satisfied with that outcome, and is determined to give it a try again with Elizabeth ASAP and do his darnedest to bring her to completion this time. But before he gets the chance to fulfill that laudable ambition, Elizabeth stages a very public scene with him in a restaurant where all the movers and shakers of Seattle congregate. She has just been informed by Jack’s half-brother—who loathes Jack, and is on a vendetta against him for 75% of this book—that Jack destroyed a small family firm owned by a personal friend of Elizabeth a few years ago. Though Elizabeth has no idea what Jack’s motivation was for his professionally out-of-character actions, she loudly informs him that he is the scum of the earth for his behavior. Jack responds that it was just business and adds the totally unnecessary putdown that she is an Ice Princess—obnoxiously blaming his inability to get her off in bed on her being frigid, even though he doesn’t really believe that. Naturally enough, that sexist insult enrages Elizabeth even more, and she yells that she is going to break their contract. Jack states that this is legally impossible, and she is stuck with him for the foreseeable future. Elizabeth responds by dumping a pitcher of ice water over his head and stomping out of the restaurant.
After that catastrophic implosion of their budding romance, both of them spend the next six months entirely celibate, not even dating anyone else, and Elizabeth shocks Jack’s expectations in her treatment of him when they see each other in person. Rather than vindictively obstructing him by every means possible at the monthly board meetings for Excalibur, she has been consistently backing him up when other members of the board attack him. However, other than those business encounters, they have had nothing to do with each other, until the day that the lab at Excalibur is trashed, and the chief scientist, who has been almost entirely responsible for developing Soft Focus, disappears with the only copy of its prototype. It is immediately clear to both Elizabeth and Jack that, if Soft Focus is not recovered within a matter of days, before a big meeting with some major investors in the company, disaster will ensue. The company will go bankrupt, Elizabeth will lose her fund’s investment in Excalibur, and Jack’s professional reputation as a corporate fixer will be tanked. Since it is vital that no one find out about this calamity beyond the two of them and the young CEO of Excalibur, Elizabeth and Jack decide it is up to them to work together to track down the scientist. Their first clue is the discovery that the absconding scientist has ploughed money into one of the indie films competing at an independent film festival dedicated to film noir, and he is listed on the film’s credits as its sole producer. It seems highly likely he will show up at the festival.
JAK never mentions the ages of Elizabeth and Jack in this novel, but given the fact that her heroines are always between 28-31, and most often 30, I would guess Elizabeth is supposed to be 30. JAK’s heroes are almost always between 37-39 years old, and I would guess that Jack is around 39. The opening scene presents both of them in a bad light, which is a poor introduction to two people that romance fans expect to like and respect. In addition, as a whole, this novel seems like some kind of artistic experiment for JAK. I’ve read all her books, and I’ve never seen any other novel like this one. The way the story is written heavily echoes the film noir theme of the femme fatale at the same time that a film noir festival is a central setting for the story. Unfortunately, the film noir themes frequently become so intrusively heavy-handed and melodramatic, if I had been reading this novel or listening to a typical audiobook recording with a single narrator, I would probably have stopped in the middle of the story and given up. What kept me plowing through to the end is the fact that I had the opportunity to listen to the 1999 audiobook recording of this novel narrated by the talented voice actors, Dick Hill and Susie Breck. Hill performs all the male characters, Breck performs all the female characters, and they both do a fabulous job. This recording was available for purchase through Audible only until around 2014 and, sadly, it is no longer currently for sale there. It can only be accessed if you have a friend or family member who purchased it back then, or if your local library purchased it back then, and you can check it out through them (which was the case for me).
If only every romance novel with dual narrators could be performed the way this one is—or forget using dual narrators at all! It is obnoxious when the voices of the two main protagonists change from chapter to chapter when the narrators switch off from one to the other. I have only encountered one other romance novel audiobook with dual narrators which is recorded the way this one is. That novel is All Night Long by JAK from 2006. The audiobook recording for ANL was also released in 2006 and was performed by voice talents, David Colacci and Kathy Garver. It was available from Audible until around 2015, when it was inexplicably dumped and ANL was rerecorded by Amanda Cobb.
In order to record a book this ideal way, the two actors have to be sitting in the recording studio together, but nothing like that ever seems to happen unless a script of a particular novel has been written, and a full-cast performs it as an audioplay, which GraphicAudio specializes in, and Audible Studios has begun doing with increasing frequency. If Audible can record audioplays, it makes perfect sense that they could also record romance novels with interactive dual narrators.
I rate this novel as follows:
Heroine: 3 stars
Hero: 3 stars
Romance Plot: 3.5 stars
Suspense Plot: 3.5 stars
Film Noir Theme: 3 stars
Audiobook Recording: 5 stars
Overall Rating Audiobook: 3.5 rounded to 4 stars