David Leatherbarrow, Mohsen MostafaviA study of the building surface, architectureï,¿½,s primary instrument of identity and engagement with its surroundings. contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation
In a time when almost all of the elements used in the building process are pre-made in a factory or workshop, architectural construction has become a process of assembly. No longer does site labor involve the cutting, joining, and finishing of “raw materials”; instead it entails the installation of components that have been preformed and prefabricated somewhere other than the building site. Construction these days tends to be largely a dry not a wet process, the elements of which are not only precise and exact but meant for specific assembly procedures. The book is narratived of style of facades from Le Cobusier, to functional of glazing of Mies van de Rohe, to formless of Frank Gehry.