Of course Ben Lerner blurbed this, and of course he says he thinks that Kunin is his “most contemporary contemporary.”
Anyway, the book, which is committed to basically formal explorations and linkages, is pretty good for the first four sections. It evolves in unexpected ways while remaining true to its strategies. But it falls apart in the last section, which includes a couple of uncomfortable passages about judging women (“I stopped going/Out with women/In order to study them…”) [?] and “guilt":
“To learn to enjoy atoning for your Inheritance
“Being held upside down or bound By a fire. Will this expiate?”
The important part here is that these don’t really seem like persona poems, unless the whole book is a book of persona poems, which I suppose for a book titled Cold Genius is entirely possible. But really nothing up until the fifth section prepares you for this or sets any groundwork for it. At another point, the speaker seemingly bemoans what the speaker would probably call “SJW poetry”:
“I have no idea what this/ Guy’s sexuality is! He’s willing to share any pointless or personal Detail but not that…”
It’s pretty shrill, especially in a book like this, which values flatness.
At another point, the speaker says something to the effect that you can put anything in a book of poetry and nobody will notice, so maybe this book, in content and strategy, is “exploring” the poetics of gaslighting.
Little dog, "little" toy, "little" Soul, where does my sense of humor Go when I am dead? Dear colleague In words and flesh Your routines held me "in" outright Prolonged laughter. Come on, "little toy," "words" spoken With his body to "his body" "My" name is Jo. "I am" "your" "soul" "Your" "little soul."