Detective Adam Garret is on the fast track in the Boston police department when a terrible murder shocks the city. Garret leads the investigation, hoping to use it as a springboard to a promotion, as well as being driven to catch a predator stalking the streets. After solid police work leads to an arrest, Garret just has to take care of the paperwork. But when Tanith Cabarrus, a self-proclaimed witch, walks into the station proclaiming that the wrong man has been arrested, and that there are more bodies out there, with more on the way, Garret's world is turned upside down, and his Catholic upbringing runs straight into a supernatural world that he never imagined.
If Book of Shadows doesn't make Alexandra Sokoloff a household name, something is very wrong. It is one of the most compelling stories I have read in quite some time. I spent far too many nights staying up much too late, wanting to know where the story would take me next. Adam Garret is a wonderful leading man who dominates the book. He is a down-to-earth detective with high ambitions, as well as a lapsed Irish Catholic who begins to question what he knows of the world when the supernatural encroaches on his investigation. Garret's partner, Carl Landauer, breaks the mold of the stereotypical overweight, chain-smoking detective. He has his partner’s back, even when he disagrees with what Garret is doing. Throw in an overbearing, ultra-religious boss, and a social climbing D.A. girlfriend, and Sokoloff has a great cast on the 'official" side of the story.
When Tanith Cabarrus is introduced, Sokoloff takes us from a well-written mystery novel into a slightly off- kilter supernatural thriller. Or does she? Sokoloff uses many tactics to make us question whether the "magic" we see is truly magic or just sleight of hand, hypnotism, and drugs. Tanith's natural spiritualism is a nice counterpoint to Garret's "real" world. Is Tanith really a witch, or is she a charlatan? Does she truly want to help, or is she insinuating herself into the investigation for her own underhanded reasons? Sokoloff keeps us guessing until the end.
Sokoloff beautifully depicts Massachusetts’ autumn, as Halloween approaches. The descriptive passages flow smoothly, never slowing down the action. The language is poetic without being flowery, and I could almost hear the crackling leaves and smell the scents on the breeze. The action scenes are fraught with tension. I found myself holding the book tightly, flipping the pages faster and faster. Compelling barely describes the pace. Anyone looking for a good mystery, a good scare, great characters...look no further. The highest recommendation for libraries and, well, everyone.
Contains: Strong language, violence, some gore, and sexual situations.
Review by Erik Smith