Shouting at Crows

by Sadie Maskery, Alien Buddha (Contributor)

Poetry to read to the monsters under your bed.
Shouting at Crows is Sadie Maskery's first full collection,
exploring the borders between dreamscapes and landscapes,
love, loss, laughter and lies.

Genres: Poetry

Paperback

Published October 25, 2022

Reviews

[Lawrence Moore · Rating 5 out of 5]

Chock-full of talent and steeped in wry, self-deprecating humour, Shouting at Crows is worth purchasing for the brilliant opener, 'Beginnings', alone.

[Sam Szanto · Rating 5 out of 5]

Have you ever read a book you’re scared to review in case you don’t do it justice? I never had, before this one. Sadie Maskery’s ‘Shouting at Crows’ is so broad that it would take a brighter mind to pin it down with one, or even a few sentences. The collection is simply (although there’s nothing simple about it) astounding. Lyrical, incisive, wry, funny, poignant, devastating in places. The poems feel as if they cover everything from sex, love, nature, friendship, mental health, physical illness, religion to pants. Every poem contains so many beautiful lines and pithy concepts, and the voice is always fresh, fearless and unusual. Maskery uses form perfectly to fit the sense of the poems, with some stanzas tightly contained and other lines splayed across the page. Clever concepts vie with seemingly simple lines like ‘I walk away yet feel you / across the room …. We’ve met. we’ve met. we’ve met’, from the gorgeous opening poem ‘Beginnings’, reminiscent to me of Carol Anne Duffy in ‘Love Poems’, while the fantastically surreal and yet terrifying ‘Hair’ about a man killing his wife because of a stray facial hair made me think of Vicki Feaver. And yet it’s impossible to compare Maskery to any other poet, as she so clearly walks her own path - one which may be on the stony edge of a cliff top but has a stunning view of the sea and everything within it.

There are not many other writers out there doing what Sadie Maskery is doing, and I can’t wait for her next collection. Incredible and important poetry.

[Juliet Wilson · Rating 4 out of 5]

Sadie Maskery is a poet I first encountered by chance on Twitter, in what feels the dying times of that social media platform, which, though much maligned, has been important for many writers to connect with each other. Sadie was offering copies of her latest poetry collection, and I accepted eagerly, attracted by the title and the cover art.

Aside from the fact that this isn't as nature themed as I thought it would be given the title, this is an excellent collection of powerful, sometimes angry, sometimes disturbing poems.

Some of the poems are rooted in nature, such as in there is a beach, in which crabs 'infant faces etched into their backs' remind the narrator of her dead child, and the comfort of animals in Pet

It is not people who comfort me
but soft fur and the warmth
of small bodies, simplicity
with no need for question
or answer, just trust.

The benefits of being outdoors crop up in Allotment about a man who relieves the boredom of work by digging in his allotment garden and Cubicle whose narrator dreams of 'cool forests' while enduring a boring job.

Harvest subverts expectations of a poem about fruit and abundance by describing a bloody ritual carried out to ensure a good harvest. This poem also is one of a few in this collection that uses non-standard formatting successfully:

'fear cured by rites of flay / and / burn / and / lash
the sound dis solv ing into sparks / and / ash'

Several poems in this collection are about witches, including the mistreatment of women accused of witchcraft and the hypocrisy of the church in its attitude to witches. The best poem about witches for me is Magic, which looks at connections between magic and physics:

Witches can idly turn a bubble
inside out without breaking its surface:
They grasp the universal law
that every atom is all places at once -

Mortality and reincarnation are common themes too, as in Pass On

'Death is just
An adjustment. She is
Still here, in fragments.',/i>

While in Ghost - someone is reborn as a mosquito ('zithers curses with her wings') rather than as the white butterfly that ghosts are sometimes expected to be. My favourite poem in the collection, Suffer the Children, considers reincarnation in the context of a growing world population, looking first at old souls:

souls recycle to the core of us
and some, therefore, are old motes,
suspended, that saw how
henges caught the moon
or patterns became words.

going on to describe the potential problems faced in an overpopulated world with too many new souls

"A peerless population of ego
untethered by accrued wisdom"

And Kind People Will Say furnishes us what seems like a good motto for life

This is your life, not a scoreboard
with crosses where you fail.

This is an excellent collection of intense poems that repay re-reading, but may be best read a few at a time as the mood is often quite dark and could become overwhelming.

[Matthew McGuirk · Rating 5 out of 5]

Sadie Maskery's collection is a page turner. The poetry ranges in content and style showcasing her unique set of skills. This is a book that presents topics of life and death, religion, relationships and other aspects also. I had many favorites, but could see myself coming back to it and picking others the second or third time around.