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吠月

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萩原朔太郎被誉为“日本近代诗之父”,以前所未有的口语自由诗,打破旧制开创了日本近代诗歌的新局面。他的第一部诗集《吠月》,受到文豪森鸥外盛赞,一跃成为诗坛宠儿。他诗歌中充溢的寂寥感、阴郁和时而怪异的情绪,对后世产生了深远影响。

本书从《吠月》《青猫》《纯情小曲集》《冰岛》等萩原朔太郎的代表诗集中,精选百余首结集成册,为读者全面呈现这位天才诗人的诗歌与人生。

240 pages, Hardcover

First published January 1, 1917

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About the author

Please also see Sakutarō Hagiwara.

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Profile Image for Wei Lin.
76 reviews10 followers
July 19, 2025
Dark but very gentle poems. Hagiwara exhibits a lot of care to the tiny and overlooked. Some of these things are frail, but he also seems to find a kind of strength in them - a sense which I got with the recurring notion of being oriented towards the sky.

Hagiwara seems to be greatly generous to the forgotten world of austere things. There is a kind of communication here, in the Bataillean sense. The poem themselves seem to be, at least according to Muro Saisei and Kitahara Hakushu, consolations for the illness Hagiwara experienced. While Nick Land seems to paint communication as something seemingly violent (and somewhat sadomasochistic), Hagiwara seems to think it and feel it with a kind of love. It's almost maternal, in a way?

My favorite poems are the ones which clustered around the one about bacteria. The way 'bacteria' is written in hiragana has a kind of cuteness to it. The friendship between Hagiwara and Muro also seems to be really tender. I'm wondering what the figure of the shojo, though explicitly absent from these poems, might play here, given its centrality in the work of some male writers during this time.

My rating is not so high because it's not really to my taste. Nevertheless, it did give me a lot of things to think about.
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