MAN am I glad I'm done with that. I really want to give this two stars (one for me is "did not finish" .. but I did finish... just barely, so that's two, and for the historical importance I'll add a star, so three! Feels like too many).
But let's start with the good first. Kirby was clearly a talented artist. There are a lot of good panels and pages in this book. (And I assume this was especially true when compared to his contemporaries, but I don't have enough experience to judge this.) Marvel characters today are hugely popular and commercially successful, and that's down in great measure to Kirby and Lee. They had something. Creativity, tenacity, skill, a knack for making popular books. And so it's interesting to see 'where it all started' so to speak. The book itself is well made -- good binding, good paper, good reproductions of old material. There were two or three stories that I almost liked.
That's it!
The rest of it I really did not like.
Caveat first: I am a well-aged adult reading in 2021. I like books that are written for contemporary people, and for adults in particular (but not exclusively!). The comics in this book were written, I assume, primarily for children around 9-14? Somewhere around there, and published in the 40s to the 70s. I acknowledge that these comics were not written for me or for my time.
With that in mind, here's what really bugged me.
The characters are constantly speaking their thoughts, even when nobody is around to hear them talk. At one point we get a character who says aloud to no one for no apparent story reason who he is, where he is, and why. At another there is a bad guy who says aloud his history and motives where the only person present is
unconscious
. There's so much narration and exposition in the dialog. I'm sure the creators were dealing with space and pacing constraints, and I assume the young readers needed the story to be spoon-fed to them in this way. OK fine, but for me it was annoying and lazy.
The stories and characters have no depth.
Stan Lee's writing is so over-the-top. Corny, bombastic.
The female characters are awful. The Fantastic Four's Sue Storm / Richards is wifely and entirely subservient to Reed. Thor's Jane Foster has these lines in The Mighty Thor 135:
"Thor! What is it? What's happening?"
Thought bubble... "It looks like some impossible cross between a man and a wolf! But, how can it dare challenge Thor??"
"Thor! Is it -- really that serious?"
(to Thor) "Whatever you do, my darling -- take me with you! Whether you find triumph or tragedy, let us share it together!"
... and a couple more equally as lame
But that's not all... there are countless inexplicable and lame details. Like in one issue The Thing is upset about his girlfriend so he smashes a huge hole in a random building's brick wall and just walks away. Alrighty then.
There's more, but I need to stop. It's not enjoyable. I'm glad I'm done. (And also, I'm glad I read it. Now I know.)