American artist and writer Allan Sekula spent seven years photographing harbors and port cities around the world. Starting out in Los Angeles and San Diego, he traveled as far as Korea, Scotland, and Poland, photographing the prosperity, poverty, and political powers that continue to play out in major port cities across the world. The result was Fish Story, a seven-chapter illustrated tomb with more than 900 color photographs, that questions what remains of our port cities in the wake of a globalized economy.
Benjamin Heinz-Dieter Buchloh is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
Not without interesting material, both textual and photographic, but deeply confused and confusing in an unfortunately typical post-modernist manner. I saw an article about the book that praised it for “visualizing globalization, intertextuality, and critical realism” - in other words, just a bunch of academic concepts thrown at the wall. There is much genuinely to be said about globalization in relation to the sea, but for this crowd, a bunch of tags is enough, and eliminates the need to actually say anything coherent. There are quite a number of essays about the book available online, and every single one that I looked at was heavy on “theory” and International Art English, in keeping with Sekula’s own practice.