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A crisp, passionately argued answer to the question that everyone who's grown dependent on digital devices is asking: "Where's the rest of my life?"At a time when we're all trying to make sense of our relentlessly connected lives, this revelatory book presents a bold new approach to the digital age. Part intellectual journey, part memoir, Hamlet's BlackBerry sets out to solve what William Powers calls the conundrum of connectedness. Our computers and mobile devices do wonderful things for us. But they also impose an enormous burden, making it harder for us to focus, do our best work, build strong relationships, and find the depth and fulfillment we crave.
267 pages, Hardcover
First published June 29, 2010
“My tables,” as well as in the earlier passage about wiping away the mental clutter. What are these tables, anyway? They were an innovative gadget that first appeared in Europe in the late fifteenth century. Also known as writing tables or table books, they were pocket-sized almanacs or calendars that came with blank pages made of specially coated paper or parchment. Those pages could be written on with a metal stylus and later erased with a sponge, so they were reusable.
Tables were a new, improved version of a technology—wax tablets—that had been around for centuries. Instead of wax, their surfaces were made of a plasterlike material that made them much more durable and useful. They became enormously popular in Shakespeare’s lifetime as a solution to the relentless busyness of life. A harried Londoner or Parisian would carry one everywhere, jotting down useful information and quick thoughts, perhaps checking off items on a to-do list.
We don’t know that Shakespeare owned a table himself, but since he took the trouble to insert one into Hamlet and they were very popular among people in his world, it’s not unreasonable to imagine he did. It would have been useful to a man who was not only constantly writing plays (and collecting words and phrases to use in them) but also acting (he played the ghost in Hamlet), running a business of which he was part owner (the Globe), and investing in real estate on the side, all while trying to stay in touch with distant friends and family—his wife and children remained in Stratford, never coming to live with him in London...
What does this have to do with Shakespeare? I likened Hamlet’s erasable table to the smart phones we carry around today because, like the latter, it was a new gadget that helped people better manage their busy lives. However, it was a new gadget built on two very old technologies. I’ve already mentioned one, the older wax-based device. The other, much older technology was handwriting. Remember, this was a time when handwritten communication was, in certain crucial ways, on the decline. After centuries of handwritten texts, Gutenberg had come up with a much more efficient technology. People had immediately recognized the value of his invention, and printing had taken off.
According to the sliding-door school of thought, then, by Shakespeare’s time handwriting should have been relegated to a much smaller role in society and everyday life. In fact, the opposite happened. Though hand-produced manuscripts did go into a long, slow decline, beyond the small world of professional scribes the arrival of print set off a tremendous popular expansion in handwriting. Even as the revolutionary new Gutenberg technology was taking hold—and in some ways because it was taking hold—the older one gained new life.
There were a couple of reasons for this. First, as printed matter become widely available, the very idea of engaging in written expression suddenly became thinkable to more people. Previously, putting one’s own ideas into words on a page had been the province of the rich and powerful. With printed texts flying around everywhere, this rarefied activity looked less exclusive and intimidating and more appealing. Regular people wanted and often needed to participate in this new conversation. Since most didn’t have access to a press, handwriting was the best way to join in. Many who couldn’t read or write were suddenly motivated to learn...
As a result, all sorts of important new technologies for writing by hand appeared after the printing press, including graphite pencils and fountain pens. Print simply made more people want to write. The second reason handwriting became so popular was that it turned out to be a very useful way to navigate the whirlwind of information loosed by print—to live in a crazy world without going crazy oneself.
“When we were still emerging from the analog age and the technology was slower, days and weeks would go by when we didn’t hear from a friend or family member. Today we’re in touch by the hour, the minute.… The goal is no longer to be ‘in touch’ but to erase the possibility of ever being out of touch.”And it follows, as the night the day, we can’t give every man our ear, or only few our voice; nor take each man’s censure, but reserve our judgment:
“In less connected times, human beings were forced to shape their own interior sense of identity and worth – to become self-sufficient. By virtue of its interactivity, the digital medium is a source of constant confirmation that, yes, you do indeed exist and matter.… Who’s read my latest post? Are there any comments on my comments? Who’s paying attention to me now?”So what do we read, my lords? Words, words, words. To be honest, as this world goes, is to be one man picked out of ten thousand. Therefore we are dishonest all:
“When everyone is endlessly available, all forms of human contact begin to seem less special and significant. Little by little, companionship itself becomes a commodity, cheap, easily taken for granted. A person is just another person, and there are so many of those, blah, blah, blah.”Why, look you now, how unworthy a thing we make of social interaction. We would play upon our device; we would seem to know its buttons; we would pluck out the heart of its mystery; we would sound it from its keypad tones to the most annoying of its notification alerts. ’Sblood, do we think iOS is easier to be used than Android? Use what instrument we will, though we could switch it off, we cannot help but play upon it:
“Our busyness doesn’t just take place in our minds, it’s our minds that orchestrate it and allow it to happen. When anyone mentions the mind today, most of us immediately think of the brain, though they’re not the same thing.… Today there’s no more impressive lead-in than ‘According to a new neuroscience study … ’ Perhaps, the hopeful thinking goes, the answer will be found there.”Ay, there’s the rub: though that be method, yet there is madness in seeking the answer in neuroscience. As a philosophical writer, Powers (unlike Nicholas Carr in The Shallows) is exploring how our noble minds are o’erthrown. This is the faculty that sees yonder cloud that’s almost in shape of a camel and thinks it’s backed like a weasel, or very like a whale – not the organ that adapts plasticly to Plato’s scrolls or Gutenberg’s printing press or Apple’s swipe screen. For in this age of screens what thoughts may come, when we have switched off all our devices, should give us pause:
“In the sixteenth century, when information was physically piling up everywhere, it was the ability to erase some of it that afforded a sense of empowerment and control. In contrast, the digital information that weighs on us today exists in a nonphysical medium, and this is part of the problem. We know it’s out there, and we have words to represent and quantify it. An exabyte, for instance, is a million million megabytes. But that doesn’t mean much to me. Where is all that data, exactly? It’s everywhere and nowhere at the same time. We’re physical creatures who perceive and know the world through our bodies, yet we now spend much of our time in a universe of disembodied information.”Thus connectedness does make neurotics of us all; and thus the native hue of social interaction is sicklied o’er with the pale cast of LED backlighting.