Jeff Apter, Keith Urban, Kensington Books Citadel, September 2023.
Thank you, NetGalley, for providing me with this uncorrected proof for review.
Jeff Apter has adopted an incisive and detailed, but accessible style which suits his topic – an Australian boy from Caboolture who wanted to succeed in Nashville. In particular, Apter has given the reader so much information about why the various people, as well as Keith Urban, might have acted as they have, but does not pass judgement. This is a style that enhances the biography in which Urban’s attempts at rehabilitation, his behaviour toward managers, bands, other performers, his marriage and attitudes towards expressing himself, are covered. There are plenty of clues to dwell upon as to why an attitude, behaviour or event might have occurred – but there is no overt or covert opinion expressed by this most delicate of biographers. I enjoyed the Australianness of the early chapters, they give Urban a background that cannot be eradicated by his life in America, and this resonates as a reality. At the same time, Nashville becomes an experience for those who know little about it, along with the development of a style of music that has changed over the period. So, too, do we learn about Urban as a songwriter, a man struggling towards success, and then eventual success in his personal and public life and someone as at home in each of the various spheres he now works and lives in.
Professional success did not come easily to Urban, and the stories of his work from a young age in Australia, move to Nashville to live out his dream, successes and failures are compelling reading. That Urban was successful in Nashville before becoming known and well regarded in Australia is interesting reading, particularly when the likes of Slim Dusty and other Australian icons were part of his Australian experience.
Personal success was also elusive, although Apter writes of Urban’s various relationships, always dealing with them sensitively. Nicole Kidman’s impact on Urban, and his on her, is also covered thoughtfully. This is a biography that, while being truth telling and making a picture of Urban, his family and friends that is open, also avoids gossip and maliciousness. There appears to be no resiling from the reality of Urban, his life and his attitudes, but what is presented is a story about Urban that is readable, and begs to be read.
And then, the music and song writing – what a history of the period through this medium is presented by Apter. Alongside the personal story there is such a wealth of information about the way in which styles were adapted and enhanced, bands were brought together, and recordings were made. As I read about Urban and his music I thought of the Ken Burns documentary, Country Music, and how enthralling I found it despite my lack of interest in country and western music in general. The story of Urban’s music and country music and its development is also well rendered by Apter, making a fine contribution to understanding Urban and his work.
Jeff Apter’s biography of Keith Urban is a readable, fascinating and informative work. I am pleased to have read it and shall look for more of this author’s writing.