Nell Starkeeper isn’t exaggerating when she claims her life is extremely normal. Despite her fairy-tale surroundings, she lives a very relatable life. Maybe your best friend isn’t a fairy and your dads do not run a star farm, but you’ve probably experienced disappointment, jealousy, uncooperative hair, and folks who would profit off of your community/members.
Nell of Gumbling is told in the format of diary-graphic novel hybrid. The record is an effort to practice her craft: visual art in comics form. She’s also hoping to create something museum-worthy for when she becomes a famous artiste, like local idol Wiz Bravo. Where previous attempts to journal left her bored, Nell is sure that her apprenticeship with Wiz will provide content worth archiving.
Nell doesn’t get that apprenticeship—the girl who is better at everything does—but Nell does find plenty of things to write about. One: how disappointed she is to be assigned a woman who looked “like a lady in a portrait in a haunted house” (22) and works out of the old castle dungeon. Two: “rude tourists” (31).
Nell’s disappointment in her assigned apprenticeship creates a strain with her two closest friends who were assigned their first choices.
“Good friends make disappointment easier to take. They’ll try to get you to feel better and help you have fun. But it’s probably hard to be a friend when something good happens to you and not to your friend. I’m afraid Myra and Gil feel like they have to do all this extra work so I’ll feel better. But I don’t know how to tell them I don’t need that.
Why is talking to your friends the simplest thing in the world sometimes, and then other times, there’s nothing more confusing?” (42)
Best friend Myra tries until Nell becomes that much of a downer. “It’s been a couple weeks, and I’m getting a little sick of hearing how awful your apprenticeship is. [….] I just think you could make over your attitude.”(52)
Fortunately for us, Nell’s disappointment isn’t a downer for the reader, because one: we’re experiencing Nell’s apprenticeship with her, and two: there are other things going on. Nell tapes artifacts on the pages like surveys, stories, menus… We spend time with Nell’s very charming family. And then there is the matter of the “rude tourists.”
The tourists in question, “Wet Nails” and “Teeth,” are looking to develop Gumbling into a destination called Castleworld. They will claim to be lost heirs to the throne (that politically no longer exists) to do it. Now this is a situation that should ease Nell and Myra’s strained relationship by bringing them back together over a shared purpose, but it doesn’t. When it comes to figuring out how to respond to the threat Castleworld presents, Nell feels inadequate. Myra can’t be bothered and finds an equally passionate ally in Leabelle. Nell feels replaced (again).
“Should I help, or should I listen” (108)? Nell of Gumbling is rich with relationship wisdom. It models some healthy conversations with parents and teachers, and even with the self. The hard conversations between friends and would-be friends feel authentic in their discomfort. Steinkellner does well in her differentiation between the adult-child conversations and those between young peers—and within each there is variation. I love the hard-won evolution of Nell’s relationship with Mrs. Birdneck.
The only thing to come together with any seeming ease is the book’s climax. It would feel convenient if Steinkellner hadn’t seeded the novel so well. All the pieces (the characters and their experiences) click into place—Nell’s the most impressively of them all. But that isn’t to say there wasn’t a twist and nice complication.
Steinkellner writes complicated well and illustrates it beautifully. I love her noses, and hair; the postures and facial expressions. I like the variety in bodies and skin-tones and personalities. The tales within the tale are lovely, and the puzzles are top-notch. Just as the tales/histories and their artifacts are worth telling and recording, Steinkellner creates the same effect with Nell of Gumbling. The things we can learn from her novel vary: finding our place may take time; not everything or -one is as they seem at first; everyone has something to bring to the table (or a cool 100-year-old puzzle); cultures and people are not to be exploited; “the only people who win if we feel too shy or too unqualified or too unimportant to fight are people like the Greatman-Bigbys” (106); friendships can be complicated; and celadon is 0.2% grayer than verdigris which is 0.6% bluer than celadon (50).
Stainkellner writes an exchange between Nell and her Pa where she tells him that she thinks she didn’t get the apprenticeship with Wiz Bravo because “I’m bad at art. A kid at school said my art wasn’t ‘realistic’.” (It was Voila Lala who said it, and yes, the naming in this novel is brilliant.) Pa replies, “I think your drawings have a lot of realism to them. You capture things the way you see them and create a world that is vibrant and interesting and funny and unmistakably made by you.” (18). This is Nell of Gumbling: vibrant and interesting and funny and unmistakable.
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Nell of Gumbling: My Extremely Normal Fairy-Tale Life has the realism that should appeal to contemporary fiction readers who love friendship, family, and school drama as well as food. Fantasy readers will adore the imaginative world and those who populate it. The artwork (style and palette) is really appealing. It’s a great novel to tempt prose and comic -readers into trying something different; though I think comic-readers will have the easier time navigating the novel. Nell of Gumbling would be a fantastic choice for middle-grade book clubs.
Something I really appreciate about how Emma Steinkellner approaches the prose-comic hybrid is how she gives us both descriptive text and visual representation. Nell of Gumbling could be a fun option for visual literacy or practicing metaphors and similes (e.g. “Her neck reminds me of violin strings”(22).)
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Noted: We get bonus content of more tales told in comic form; tales referred to in the novel.
Representation: diverse in sizes, shapes, skin tones; has gay dads, intergenerational relationships, and class difference.
Thank you Netgalley and Labyrinth Road for the eARC for review.