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The Escapades of Tribulation Johnson
From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage - a place where artifice and disguise are second nature and accommodates those who do not fit in.
'Karen Brooks demonstrates her considerable talent for capturing the historical moment in this richly told, immersive read that will acquaint readers with a woman whose name we should all know. ' Pip Williams, author of The Bookbinder of Jericho It's 1679 and into the tumult, politics and colour of Restoration London and its lively theatre scene comes the fierce and opinionated Tribulation Johnson. Cast out from her family as ungodly and unworthy, Tribulation is determined to forge her own remarkable path.
Arriving in London, Tribulation is astonished to discover that the widowed cousin she's been sent to live with is none other than the most infamous woman in the former spy and traitor's mistress, the playwright and polemical poetess, Aphra Behn. Tribulation cannot believe her good fortune as she is thrust into city life and the heady, mercurial milieu of the theatre. Under Aphra's guidance, Tribulation is encouraged to write, think and speak for herself. But women aren't supposed to have a voice, or ideas, let alone wield a pen and write for a living, and there are harsh consequences for those who don't obey society's rules.
Together, Aphra and Tribulation must not only face vilification and mockery but terrible danger as plots to overturn the monarchy gather pace. When someone from Aphra's complicated past reappears, the women's loyalties - to King, country, and ultimately each other - are bitterly tested. Can their relationship survive the burning fires of religious hatred, suspicion and deceit?
When everyone plays a part, and all the world's a stage, who you trust? Praise for Karen Brooks
'So damn readable and fun ... This is the story of a woman fighting for her rights; it breaches the walls of history.' The Australian
'Karen Brooks demonstrates her considerable talent for capturing the historical moment in this richly told, immersive read that will acquaint readers with a woman whose name we should all know. ' Pip Williams, author of The Bookbinder of Jericho It's 1679 and into the tumult, politics and colour of Restoration London and its lively theatre scene comes the fierce and opinionated Tribulation Johnson. Cast out from her family as ungodly and unworthy, Tribulation is determined to forge her own remarkable path.
Arriving in London, Tribulation is astonished to discover that the widowed cousin she's been sent to live with is none other than the most infamous woman in the former spy and traitor's mistress, the playwright and polemical poetess, Aphra Behn. Tribulation cannot believe her good fortune as she is thrust into city life and the heady, mercurial milieu of the theatre. Under Aphra's guidance, Tribulation is encouraged to write, think and speak for herself. But women aren't supposed to have a voice, or ideas, let alone wield a pen and write for a living, and there are harsh consequences for those who don't obey society's rules.
Together, Aphra and Tribulation must not only face vilification and mockery but terrible danger as plots to overturn the monarchy gather pace. When someone from Aphra's complicated past reappears, the women's loyalties - to King, country, and ultimately each other - are bitterly tested. Can their relationship survive the burning fires of religious hatred, suspicion and deceit?
When everyone plays a part, and all the world's a stage, who you trust? Praise for Karen Brooks
'So damn readable and fun ... This is the story of a woman fighting for her rights; it breaches the walls of history.' The Australian
644 pages, Kindle Edition
First published July 1, 2023
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July 6, 2023
In 1679, Tribulation Johnson leaves her home in Chartham, Kent and travels to London to stay with her widowed cousin. Tribulation is happy to get away from her puritan father Howell Johnson and she will miss her older sister Bethan. Tribulation is tall for a member a woman, and her father has made sure she’s very aware of her faults and he's glad to be rid of her!
Arriving in an unforgettable way in London and Tribulation discovers her cousin Aphra Behn is a former spy and traitor’s mistress, now a playwright and she takes in lodgers to make ends meet. At Dorset Garden Theatre, Tribulation has a small role in a play and suffers from a bad case of stage fright, Aphra encourages her to write, speak up and not be so meek. At a time when women didn’t have a voice, let alone write for a living and Aphra is blazing the trail for future generations of opinionated women. Helping Tribulation navigate the way are Aphra, her companion Nest and actor Jonathan Rickman makes Tribulation’s heart flutter and is he really what he seems?
With a Popish Plot to overturn the monarchy and Charles II and it’s a volatile time to be living in Restoration London. England is full of theatrics and the audiences are unruly, politics, plotters, spies, scandals, religious differences, cultural barriers and it’s getting ready to explode! Aphra’s loyalty is questioned to her country and to King Charles II and has she being lying to a gullible Tribulation and could the cousins be caught up in the ultimate betrayal?
I received a copy of The Escapades of Tribulation Johnson by Karen Brooks from NetGalley and Harlequin Australia in exchange for an honest review. Dr. Brooks is a wonderful historical storyteller, and the six hundred and forty four pages were a delight to read, with just the right amount of literary drama and ebbs and flows. A narrative about the first woman to make a living as a writer and playwright in England, Aphra Johnson Behn, she paved the way for women to speak up and about anything, and her prose was radical for the time.
Tribulation’s fictional character is funny, delightful, bumbling and she discovers a big secret about herself, it’s her light globe moment and she's rather smitten with the elusive Mr. Rickman. Five stars from me, an absolute pleasure to read and I highly recommend.
Arriving in an unforgettable way in London and Tribulation discovers her cousin Aphra Behn is a former spy and traitor’s mistress, now a playwright and she takes in lodgers to make ends meet. At Dorset Garden Theatre, Tribulation has a small role in a play and suffers from a bad case of stage fright, Aphra encourages her to write, speak up and not be so meek. At a time when women didn’t have a voice, let alone write for a living and Aphra is blazing the trail for future generations of opinionated women. Helping Tribulation navigate the way are Aphra, her companion Nest and actor Jonathan Rickman makes Tribulation’s heart flutter and is he really what he seems?
With a Popish Plot to overturn the monarchy and Charles II and it’s a volatile time to be living in Restoration London. England is full of theatrics and the audiences are unruly, politics, plotters, spies, scandals, religious differences, cultural barriers and it’s getting ready to explode! Aphra’s loyalty is questioned to her country and to King Charles II and has she being lying to a gullible Tribulation and could the cousins be caught up in the ultimate betrayal?
I received a copy of The Escapades of Tribulation Johnson by Karen Brooks from NetGalley and Harlequin Australia in exchange for an honest review. Dr. Brooks is a wonderful historical storyteller, and the six hundred and forty four pages were a delight to read, with just the right amount of literary drama and ebbs and flows. A narrative about the first woman to make a living as a writer and playwright in England, Aphra Johnson Behn, she paved the way for women to speak up and about anything, and her prose was radical for the time.
Tribulation’s fictional character is funny, delightful, bumbling and she discovers a big secret about herself, it’s her light globe moment and she's rather smitten with the elusive Mr. Rickman. Five stars from me, an absolute pleasure to read and I highly recommend.
July 7, 2023
An epic novel set in London in the late 1600's this book tells the story of a young woman, Tribulation Johnson, who really lives up to her name and causes quite a lot of trouble mostly for herself. At a time when young ladies lived quietly and did as they were told, including marrying whoever their father dictated, Tribulation did exactly the opposite.
Fortune led her to find a home with Aphra Behn, a writer and a woman with the same feelings as Tribulation about women's freedom to think for themselves. Together they wrote political plays, in Tribulation's case anonymously, and caused quite a lot of controversy and some unfortunate repercussions.
Everything about the book was excellent - the London scenes, the atmosphere of the theatre, the politics of the day. Unfortunately for me I did not find Tribulation a really likeable character which meant I was never emotionally involved, which in turn made the book seem very long. I remember enjoying this author's The Good Wife of Bath very much indeed but in that case I know I also found the main character entertaining. Nonetheless The Escapades of Tribulation Johnson is a good book and well worth reading.
Thanks to Netgalley and the publisher for the opportunity to read and review this book
Fortune led her to find a home with Aphra Behn, a writer and a woman with the same feelings as Tribulation about women's freedom to think for themselves. Together they wrote political plays, in Tribulation's case anonymously, and caused quite a lot of controversy and some unfortunate repercussions.
Everything about the book was excellent - the London scenes, the atmosphere of the theatre, the politics of the day. Unfortunately for me I did not find Tribulation a really likeable character which meant I was never emotionally involved, which in turn made the book seem very long. I remember enjoying this author's The Good Wife of Bath very much indeed but in that case I know I also found the main character entertaining. Nonetheless The Escapades of Tribulation Johnson is a good book and well worth reading.
Thanks to Netgalley and the publisher for the opportunity to read and review this book
July 20, 2023
“I’d always felt there had to be more to life than simply listening. For that’s what women did. From the moment we entered the world, we were compelled to keep our lips sealed and ears primed so our fathers, brothers, other men, God, could pour their wisdom into them. So they could tell us what to read, eat, when to retire to bed, attend church, when to speak and, most of all, when and whom to marry. All the while, we had to smile and nod, regardless of our opinion on the matter.”
The Escapades Of Tribulation Johnson is the fifteenth novel by best-selling Australian author, Karen Brooks. In the early spring of 1679, seventeen-year-old Tribulation Johnson is sent away from her family in Chartham to avoid marriage to a wealthy but boring old baronet.
Tribulation’s interest in writing mocked, barely tolerated by her father, Rev. Howell Johnson, and her wish to become an actress was met with disgust, but apparently noted by her older sister, Bethan, by whose machinations she ends up in London with her widowed older cousin, the rather infamous playwright and poet, Aphra Behn, whose “poetry is excellent, her political writing can be scathing and her ability to lampoon is exceptional.”
After an undignified introduction, “I marvelled that here I was, Tribulation Johnson, the daughter of a country vicar, tucked into a threadbare chair in a London parlour, my belly settled and sated, a glass of perfectly drinkable wine in my hand, opposite one of the most notorious women in the country. Drum roll. Sound the trumpets. The Aphra Behn. My bloody cousin.”
She finds herself with a tiny part in Oedipus, being put on by the Dukes Company at Dorset Garden but though she overcomes the stage fright of her first night, her theatre career goes in a different direction. She makes some friends amongst the cast and crew, but others believe her role was gained through nepotism: her relationship to Aphra. And even though she works tirelessly as the company’s bookkeeper/prompter, there’s a lot of resentment.
The other new member of the cast replaces lead actor Matthew Medbourne, arrested for his suspected part in the Popish Plot. As Jonathan Rickman, he is there to act, but intelligencer Gabriel Freeman is also in the employ of King Charles II’s recently removed spymaster, Joseph Williamson, to identify possibly papist contacts of possibly papist Medbourne.
Tribulation notices that he always listens but seldom says much. And he seems very interested in anything Aphra says or does. Their initial encounters are less than friendly, which doesn’t really bother Tribulation. Sure, she finds him attractive, but a man is the last thing she needs.
Gabriel Freeman has been trying to avoid London, and any reminder of the wife and baby daughter who died while he was conducting battles at sea. But now, the royal succession issue makes his presence essential. Grief and guilt still plague him, but in his role as Jonathan Rickman, he encounters the very distracting Tribulation Johnson, whose name seems apt.
Back when she was a country vicar’s daughter, Tribulation spent a lot of time reading to, and learning from the elderly Lady Adeline, a woman of very diverse interests. It broadened her knowledge and fed her appetite for writing. Some months after she has joined the cast at the Dukes, the unfairness of a certain incident makes her so angry, she impulsively writes and publishes an essay which brings her to the notice of the King, with a surprisingly positive result.
Thereafter, she is encouraged by Aphra to write, this wholehearted support a marked contrast from Howell Johnson’s attitude. Aphra explains that most of all, she wants to reach people: “As a woman, I cannot argue in Parliament or even in a coffee-house. I cannot vote in a guild nor run for office. I cannot take arms but I can write. My plays — the words I put in the characters’ mouths, the plots, and themes, whether they are couched in comedy or drama, are like secret instructions to the people: instructions in things it’s impossible to insinuate into them in any other way.”
As the story progresses, Tribulation finds herself cast in various roles, sometimes simultaneously: actress, assistant prompter, co-writer of plays, playwright and covert surveillance. Success with playwriting affects her: “My heart sang as words I’d penned echoed around me, repeated by familiar and strange mouths. It was a heady, addictive sensation and I relished it. Did all writers feel this way? Did Aphra? No wonder she didn’t allow the spiteful observations of her foes to stop her. No wonder the men wanted to keep this thrill for themselves. The power it bestowed was dizzying.”
Tribulation and Aphra weather various upheavals, domestic, career and political: theatre shutdowns, moving house, mergers, and questions about her paternity that might explain Howell Johnson’s treatment of her, and they somehow get entangled in a royal assassination plot.
Brooks gives the reader a fabulous collision of reality and imagination, interweaving fact with fiction, all of it rich in historical detail. The dual narrative is from the perspectives of Tribulation and Gabriel, who are supported by a marvellously diverse cast of real people and fictional characters, and while it follows actual historical events, there are plenty of twists and turns that keep the reader fully engaged. Thoroughly compelling historical fiction.
This unbiased review is from an uncorrected proof copy provided by NetGalley and HQ Fiction.
The Escapades Of Tribulation Johnson is the fifteenth novel by best-selling Australian author, Karen Brooks. In the early spring of 1679, seventeen-year-old Tribulation Johnson is sent away from her family in Chartham to avoid marriage to a wealthy but boring old baronet.
Tribulation’s interest in writing mocked, barely tolerated by her father, Rev. Howell Johnson, and her wish to become an actress was met with disgust, but apparently noted by her older sister, Bethan, by whose machinations she ends up in London with her widowed older cousin, the rather infamous playwright and poet, Aphra Behn, whose “poetry is excellent, her political writing can be scathing and her ability to lampoon is exceptional.”
After an undignified introduction, “I marvelled that here I was, Tribulation Johnson, the daughter of a country vicar, tucked into a threadbare chair in a London parlour, my belly settled and sated, a glass of perfectly drinkable wine in my hand, opposite one of the most notorious women in the country. Drum roll. Sound the trumpets. The Aphra Behn. My bloody cousin.”
She finds herself with a tiny part in Oedipus, being put on by the Dukes Company at Dorset Garden but though she overcomes the stage fright of her first night, her theatre career goes in a different direction. She makes some friends amongst the cast and crew, but others believe her role was gained through nepotism: her relationship to Aphra. And even though she works tirelessly as the company’s bookkeeper/prompter, there’s a lot of resentment.
The other new member of the cast replaces lead actor Matthew Medbourne, arrested for his suspected part in the Popish Plot. As Jonathan Rickman, he is there to act, but intelligencer Gabriel Freeman is also in the employ of King Charles II’s recently removed spymaster, Joseph Williamson, to identify possibly papist contacts of possibly papist Medbourne.
Tribulation notices that he always listens but seldom says much. And he seems very interested in anything Aphra says or does. Their initial encounters are less than friendly, which doesn’t really bother Tribulation. Sure, she finds him attractive, but a man is the last thing she needs.
Gabriel Freeman has been trying to avoid London, and any reminder of the wife and baby daughter who died while he was conducting battles at sea. But now, the royal succession issue makes his presence essential. Grief and guilt still plague him, but in his role as Jonathan Rickman, he encounters the very distracting Tribulation Johnson, whose name seems apt.
Back when she was a country vicar’s daughter, Tribulation spent a lot of time reading to, and learning from the elderly Lady Adeline, a woman of very diverse interests. It broadened her knowledge and fed her appetite for writing. Some months after she has joined the cast at the Dukes, the unfairness of a certain incident makes her so angry, she impulsively writes and publishes an essay which brings her to the notice of the King, with a surprisingly positive result.
Thereafter, she is encouraged by Aphra to write, this wholehearted support a marked contrast from Howell Johnson’s attitude. Aphra explains that most of all, she wants to reach people: “As a woman, I cannot argue in Parliament or even in a coffee-house. I cannot vote in a guild nor run for office. I cannot take arms but I can write. My plays — the words I put in the characters’ mouths, the plots, and themes, whether they are couched in comedy or drama, are like secret instructions to the people: instructions in things it’s impossible to insinuate into them in any other way.”
As the story progresses, Tribulation finds herself cast in various roles, sometimes simultaneously: actress, assistant prompter, co-writer of plays, playwright and covert surveillance. Success with playwriting affects her: “My heart sang as words I’d penned echoed around me, repeated by familiar and strange mouths. It was a heady, addictive sensation and I relished it. Did all writers feel this way? Did Aphra? No wonder she didn’t allow the spiteful observations of her foes to stop her. No wonder the men wanted to keep this thrill for themselves. The power it bestowed was dizzying.”
Tribulation and Aphra weather various upheavals, domestic, career and political: theatre shutdowns, moving house, mergers, and questions about her paternity that might explain Howell Johnson’s treatment of her, and they somehow get entangled in a royal assassination plot.
Brooks gives the reader a fabulous collision of reality and imagination, interweaving fact with fiction, all of it rich in historical detail. The dual narrative is from the perspectives of Tribulation and Gabriel, who are supported by a marvellously diverse cast of real people and fictional characters, and while it follows actual historical events, there are plenty of twists and turns that keep the reader fully engaged. Thoroughly compelling historical fiction.
This unbiased review is from an uncorrected proof copy provided by NetGalley and HQ Fiction.
August 3, 2023
This is a big book and a big story set in the 1600’s in England and set around the restoration theatres, add to that the political plots from from different factions to remove the King and this story has a lot happening. We meet Tribulation Johnson a young woman who was born in the wrong era, come along and meet her and Aphra Behn the playwright for an adventure.
Tribulation has always been outspoken and when she speaks up once too often her very strict father sends her to London, here she moves in with her cousin Aphra Behn a strong feminist and writer, Aphra has been a spy and is not always treated very well especially by the men in the world, but her and Tribulation become very close, Tribulation takes on work as a thespian in the theatre and is soon also writing for news sheets and plays. Aphra encourages Tribulation to be who she is and she grows stronger by the day.
But with plots growing and a secret uncovered soon both Tribulation and Aphra are stepping in to help save the King this of course is very dangerous but both woman are strong and determined and they have the help and support of Gabriel, will they get through everything that is thrown their way?
I really enjoyed the relationship between firstly Tribulation and Aphra the support they gave each other and then the relationship with Tribulation and Gabriel, this is a story that will appeal to readers who love history and strong woman, Karen Brooks has made this era so real and one thing I learnt was this is an era I would not like to have been born into, woman had to fight for everything.
I did very much enjoy this story and recommend to any reader who loves history.
My thanks to the publisher and Netgalley for my copy to read and review.
Tribulation has always been outspoken and when she speaks up once too often her very strict father sends her to London, here she moves in with her cousin Aphra Behn a strong feminist and writer, Aphra has been a spy and is not always treated very well especially by the men in the world, but her and Tribulation become very close, Tribulation takes on work as a thespian in the theatre and is soon also writing for news sheets and plays. Aphra encourages Tribulation to be who she is and she grows stronger by the day.
But with plots growing and a secret uncovered soon both Tribulation and Aphra are stepping in to help save the King this of course is very dangerous but both woman are strong and determined and they have the help and support of Gabriel, will they get through everything that is thrown their way?
I really enjoyed the relationship between firstly Tribulation and Aphra the support they gave each other and then the relationship with Tribulation and Gabriel, this is a story that will appeal to readers who love history and strong woman, Karen Brooks has made this era so real and one thing I learnt was this is an era I would not like to have been born into, woman had to fight for everything.
I did very much enjoy this story and recommend to any reader who loves history.
My thanks to the publisher and Netgalley for my copy to read and review.
June 4, 2023
Tribulation Johnson, overly tall with a’ tainted’ eye, is the defiant daughter of a Kent vicar at a time when females were expected to be silent and agreeable, having no voice or choice. Holding with her Puritan moniker, trouble results in Tribulation being sent away in disgrace to live with a cousin in London. What a boon that notorious cousin Aphra is a writer, who attracts awe and disapproval with her tracts and plays. Tribulation has escaped her tormentor and now, after making a less than memorable entrance, has a London mentor: she flourishes as a writer and actor under Aphra’s encouragement, disrupting and challenging the status quo though at times necessarily anonymously.
The stage is set, it’s 1679, in walled London. The Popish Plot to assassinate Charles II is full of theatrical politics, while political theatrics catch the attention of plotters, audiences and spymasters alike. London and the Dorset Garden Theatre are full of pretenders: major and minor players connive, lie, accuse. Secrets and coded messages abound. Enter stage right curmudgeonly and mysterious actor Jonathan Rickman - what role will he play in Tribulation’s life? Who is the tragic heroine and who will be the villain of the piece? And what will be the great revelation?
Karen Brooks ensures that every scene in each act is steeped with vivid descriptions that deftly defy any lack of imagination. Her research is exemplary and the alternate title ‘ A Woman Writes Back’ is an homage to the historical figure Aphra Behn one of the first women to earn a living writing and perhaps the first English novelist.
BRPreview.
The stage is set, it’s 1679, in walled London. The Popish Plot to assassinate Charles II is full of theatrical politics, while political theatrics catch the attention of plotters, audiences and spymasters alike. London and the Dorset Garden Theatre are full of pretenders: major and minor players connive, lie, accuse. Secrets and coded messages abound. Enter stage right curmudgeonly and mysterious actor Jonathan Rickman - what role will he play in Tribulation’s life? Who is the tragic heroine and who will be the villain of the piece? And what will be the great revelation?
Karen Brooks ensures that every scene in each act is steeped with vivid descriptions that deftly defy any lack of imagination. Her research is exemplary and the alternate title ‘ A Woman Writes Back’ is an homage to the historical figure Aphra Behn one of the first women to earn a living writing and perhaps the first English novelist.
BRPreview.
July 7, 2023
Karen Brooks can always be relied upon for an absolute cracker of a read. Her latest release, The Escapades of Tribulation Johnson, is epic: in scope, size, entertainment value, fabulous characters, sensational scenes, and history, history, history! The history – it always makes me swoon how much research Karen does and how effortlessly she seems to weave this into her fantastic tales.
This one is for the writers and the theatre lovers, along with those interested in the history of women in the arts. Karen’s love of the theatre shines through with the very many in depth theatre scenes, but it was the writing side of things that set my heart a flutter. Intrigue, spies, corruption, and turmoil abound. There is just so much going on in this story – it’s a marvel how Karen brings so many pieces of history together with such finesse.
Set some time aside though to really sink into this one. It’s a big book, and by big, I mean huge and involved; it’s not well suited to dipping in and out of. It’s more of an immersive read.
Bravo Karen Brooks! Another feather in your very talented writing cap.
Thanks to the publisher for the review copy.
4.5 stars
This one is for the writers and the theatre lovers, along with those interested in the history of women in the arts. Karen’s love of the theatre shines through with the very many in depth theatre scenes, but it was the writing side of things that set my heart a flutter. Intrigue, spies, corruption, and turmoil abound. There is just so much going on in this story – it’s a marvel how Karen brings so many pieces of history together with such finesse.
Set some time aside though to really sink into this one. It’s a big book, and by big, I mean huge and involved; it’s not well suited to dipping in and out of. It’s more of an immersive read.
Bravo Karen Brooks! Another feather in your very talented writing cap.
Thanks to the publisher for the review copy.
4.5 stars
May 25, 2023
The Escapades of Tribulation Johnson really knocked me off my feet! Kept me glued to the pages and up all hours reading it. Such a powerful riveting novel filled with fascinating characters, beautiful poetic descriptions, gorgeous literary references and a plot that has more twists and turns that you can count. There’s a lot to keep you interested, considering it is a very long story. But with the ample intrigue, drama, mystery, danger, treachery, suspense, love and romance happening, you are pinned to the actions of Tribulation and the rest of the cast. It is one power packed treasure!
There’s a lot to say about this book but there’s a danger of saying too much and spoiling the journey for readers, so I will try to stick to a few things, but be assured I highly recommend The Escapades of Tribulation Johnson to historical fiction lovers who enjoy imagining the lives of those that have gone before us. Here we get to see what it might have been like to be Tribulation and, of course, to have known the famous Aphra Behn, (born 1640 and died 1689) the first English woman to actually make a living from her writing.
Karen Brooks has a soaring reputation herself as an ‘author, columnist, journalist, book reviewer, corporate speaker, semi-retired academic and social commentator.’ She wears many hats like Aphra. In this novel she shows us quite well Aphra’s variety of writing skills as a playwright, poet, prose writer and translator from the Restoration era. This intriguing woman from the past wrote lively bold material for her day, always heralding her feminist opinions and displaying her gifted vision. Her determination was admirable and the effect she had on future women writers. Karen does an incredible job of painting her in our minds so that we feel as those we have become friends with this woman. Someone we can look up to. A mentor or sorts. We love her just as Tribulation does and learn from her brilliant phrases and draw courage from her positive advice. She is an amazing character and I won’t forget her. Just as I won’t forget Tribulation. To watch her blossom throughout the story into a strong confident woman writer was in part due to the influence of Aphra (which in many ways represents all of us women writers who have come after her). The battles women faced back then, as we know from history, were pretty horrific.
There are numerous characters in this novel and Karen has listed them at the back to keep track. Three men who affect Tribulation’s life, first is her papa. His strict attitudes and harsh treatment dents her self-confidence immensely. But she continues to rebel against the archaic views of the age that women were to remain silent, have no opinion unless given one by a man. Tribulation dreams of leaving Chartham village to see London and other places as she feels there has to be ‘more to life than simply listening’. Her departure from her hometown proves to be her greatest move. Her arrival in London certainly opens new avenues through her cousin Aphra. Her entry into the theatre is a bumpy one but there she meets Jonathon Rickman. He carries two names for reasons you will learn. He is an impressive actor but so much more than meets the eye. He saves her from an embarrassing moment on the stage but later seeks her assistance for a job she never expected to do. Their journey together is an intriguing one with a few flips and turns but he is a constant in her background. Then eventually she meets William Scot, a scoundrel-traitor figure, who also poses under another name. The revelation of his connection to Tribulation will explain so much about her past. And it is not a pretty one. But she will rise above the discord and trials with a determination that fills a heart with hope.
Tribulation’s sister, Bethan, holds one of the large pieces of the family puzzle. She is the one who manages to have Tribulation sent to the home of cousin Aphra. (The greatest gift she could have given her—even if it first appears a strange move on Bethan’s part. But all will be revealed!) I thought her presence and outcome were appropriately handled. Her trials and eventual happiness are quite moving. Plus, her enormous part in Tribulation’s rescue.
I have already mentioned Aphra who is the shining star in Tribulation’s life. But I want to make a quick mention also of the quiet steady hand and loving heart of Nest, Aphra’s maid, who cared for Tribulation as well. There were some very endearing moments in the story with these three. Especially during difficult times. She is like family to them.
Karen’s attention to detail for every aspect of the novel is quite outstanding. Everything felt believable and never once did I feel I was pulled out of the setting or plot—it all just flowed along like a well-oiled machine. Karen’s exceptional writing transported me to 1600’s London, with theatre scenes that are so authentic I felt I was there in the crowd or behind the stage. It presented the chaos and charisma of such a place in the 17th Century. And Aphra’s and Tribulation’s part made it all the more relatable.
The novel also explores the political upheaval and relationship scandals of the time. A large part of the story’s fabric is the constant threat to the crown, those who tried to take the King down. Plus, the characters who are always spying and trying to keep tabs on the traitors to prevent the King’s death. These ruthless adversaries are lurking in many arenas. This battle of strengths is woven like a theme thread through the heart of the novel but even these are interlaced with Aphra and Tribulation’s actions and reactions. For these two ladies are part of the inner circle. But being women, their words are not taken seriously and they must take drastic measures to prove their points.
I could rave forever about this novel as I truly loved it. There are so many memorable phrases – many that came from Aphra, wonderful insightful observations and advice. And even Tribulation’s thoughts and spoken words are brilliant. With Tribulation, you just never knew what is going to come out of her mouth. So often she rose to the occasion with a wit and determination that made me cheer! Even when she first arrived on Aphra’s doorstep, before she was guided by this woman to achieve greater heights, her raw honesty and thirst to learn and explore the world was ever present. What her father mistakenly called ‘unnatural’ ways was true individuality. She really was a girl ahead of her time. A younger version of Aphra as Aphra said herself. And of course, the meaning of her name was soon to be realised. Along with its positives— ‘two sides of the same coin’. Trouble and Hope. And how they go hand in hand.
I deeply encourage everyone who loves extraordinary historical fiction to read The Escapades of Tribulation Johnson when it is out. Another sparkling jewel added to Karen's exquisite literary crown! A novel truly worthy of high praise and worth more than just 5 Stars. ⭐️⭐️⭐️⭐️⭐️*
Many thanks to HQ Australia and Netgalley for my review copy.
There’s a lot to say about this book but there’s a danger of saying too much and spoiling the journey for readers, so I will try to stick to a few things, but be assured I highly recommend The Escapades of Tribulation Johnson to historical fiction lovers who enjoy imagining the lives of those that have gone before us. Here we get to see what it might have been like to be Tribulation and, of course, to have known the famous Aphra Behn, (born 1640 and died 1689) the first English woman to actually make a living from her writing.
Karen Brooks has a soaring reputation herself as an ‘author, columnist, journalist, book reviewer, corporate speaker, semi-retired academic and social commentator.’ She wears many hats like Aphra. In this novel she shows us quite well Aphra’s variety of writing skills as a playwright, poet, prose writer and translator from the Restoration era. This intriguing woman from the past wrote lively bold material for her day, always heralding her feminist opinions and displaying her gifted vision. Her determination was admirable and the effect she had on future women writers. Karen does an incredible job of painting her in our minds so that we feel as those we have become friends with this woman. Someone we can look up to. A mentor or sorts. We love her just as Tribulation does and learn from her brilliant phrases and draw courage from her positive advice. She is an amazing character and I won’t forget her. Just as I won’t forget Tribulation. To watch her blossom throughout the story into a strong confident woman writer was in part due to the influence of Aphra (which in many ways represents all of us women writers who have come after her). The battles women faced back then, as we know from history, were pretty horrific.
There are numerous characters in this novel and Karen has listed them at the back to keep track. Three men who affect Tribulation’s life, first is her papa. His strict attitudes and harsh treatment dents her self-confidence immensely. But she continues to rebel against the archaic views of the age that women were to remain silent, have no opinion unless given one by a man. Tribulation dreams of leaving Chartham village to see London and other places as she feels there has to be ‘more to life than simply listening’. Her departure from her hometown proves to be her greatest move. Her arrival in London certainly opens new avenues through her cousin Aphra. Her entry into the theatre is a bumpy one but there she meets Jonathon Rickman. He carries two names for reasons you will learn. He is an impressive actor but so much more than meets the eye. He saves her from an embarrassing moment on the stage but later seeks her assistance for a job she never expected to do. Their journey together is an intriguing one with a few flips and turns but he is a constant in her background. Then eventually she meets William Scot, a scoundrel-traitor figure, who also poses under another name. The revelation of his connection to Tribulation will explain so much about her past. And it is not a pretty one. But she will rise above the discord and trials with a determination that fills a heart with hope.
Tribulation’s sister, Bethan, holds one of the large pieces of the family puzzle. She is the one who manages to have Tribulation sent to the home of cousin Aphra. (The greatest gift she could have given her—even if it first appears a strange move on Bethan’s part. But all will be revealed!) I thought her presence and outcome were appropriately handled. Her trials and eventual happiness are quite moving. Plus, her enormous part in Tribulation’s rescue.
I have already mentioned Aphra who is the shining star in Tribulation’s life. But I want to make a quick mention also of the quiet steady hand and loving heart of Nest, Aphra’s maid, who cared for Tribulation as well. There were some very endearing moments in the story with these three. Especially during difficult times. She is like family to them.
Karen’s attention to detail for every aspect of the novel is quite outstanding. Everything felt believable and never once did I feel I was pulled out of the setting or plot—it all just flowed along like a well-oiled machine. Karen’s exceptional writing transported me to 1600’s London, with theatre scenes that are so authentic I felt I was there in the crowd or behind the stage. It presented the chaos and charisma of such a place in the 17th Century. And Aphra’s and Tribulation’s part made it all the more relatable.
The novel also explores the political upheaval and relationship scandals of the time. A large part of the story’s fabric is the constant threat to the crown, those who tried to take the King down. Plus, the characters who are always spying and trying to keep tabs on the traitors to prevent the King’s death. These ruthless adversaries are lurking in many arenas. This battle of strengths is woven like a theme thread through the heart of the novel but even these are interlaced with Aphra and Tribulation’s actions and reactions. For these two ladies are part of the inner circle. But being women, their words are not taken seriously and they must take drastic measures to prove their points.
I could rave forever about this novel as I truly loved it. There are so many memorable phrases – many that came from Aphra, wonderful insightful observations and advice. And even Tribulation’s thoughts and spoken words are brilliant. With Tribulation, you just never knew what is going to come out of her mouth. So often she rose to the occasion with a wit and determination that made me cheer! Even when she first arrived on Aphra’s doorstep, before she was guided by this woman to achieve greater heights, her raw honesty and thirst to learn and explore the world was ever present. What her father mistakenly called ‘unnatural’ ways was true individuality. She really was a girl ahead of her time. A younger version of Aphra as Aphra said herself. And of course, the meaning of her name was soon to be realised. Along with its positives— ‘two sides of the same coin’. Trouble and Hope. And how they go hand in hand.
I deeply encourage everyone who loves extraordinary historical fiction to read The Escapades of Tribulation Johnson when it is out. Another sparkling jewel added to Karen's exquisite literary crown! A novel truly worthy of high praise and worth more than just 5 Stars. ⭐️⭐️⭐️⭐️⭐️*
Many thanks to HQ Australia and Netgalley for my review copy.
June 23, 2023
Thank you Harlequin and Karen for gifting us a copy to read and review.
Bravo, bravo as I figuratively stand for a well deserved ovation.
The stage is set and curtains are drawn as a strong female character from history re emerges with a vivid factsheet and reimagining of her life.
Please meet Aphra Behn.
In 1679 Tribulation Johnson leaves her family to live with a cousin in London.
Upon her arrival she is immediately drawn to a theatre complete with its patrons and actors near where she is about to live.
The colourful and joyful spectacle of the arts are offset against a grey and a dirty city with its rancid odour.
Cousin Aphra was not what she expected but she was captivated nonetheless.
Aphra was a well known playwright, poet and writer from the Restoration period and was as Virginia Woolfe claimed the reason women earned the right to speak their minds.
A strong bond formed between them, they both shared a passion for theatrics and writing and adhered to the fact that being female was no obstacle in life.
Like a stage production, life has its dramas.
Family secrets, political climates, religious upheavals and danger are at the forefront.
The gorgeous cover cloaks a story that is as elaborate and show stopping as an intricate and designer evening gown.
A rich tapestry of words are woven and threaded to create vivid images.
Delivered to the reader in a series of apt Acts and Scenes, it is a top quality read. Every aspect and detail of this work is beautifully done.
I think it is my favourite of this very talented author.
My hands hurt from the clapping.
Bravo, bravo as I figuratively stand for a well deserved ovation.
The stage is set and curtains are drawn as a strong female character from history re emerges with a vivid factsheet and reimagining of her life.
Please meet Aphra Behn.
In 1679 Tribulation Johnson leaves her family to live with a cousin in London.
Upon her arrival she is immediately drawn to a theatre complete with its patrons and actors near where she is about to live.
The colourful and joyful spectacle of the arts are offset against a grey and a dirty city with its rancid odour.
Cousin Aphra was not what she expected but she was captivated nonetheless.
Aphra was a well known playwright, poet and writer from the Restoration period and was as Virginia Woolfe claimed the reason women earned the right to speak their minds.
A strong bond formed between them, they both shared a passion for theatrics and writing and adhered to the fact that being female was no obstacle in life.
Like a stage production, life has its dramas.
Family secrets, political climates, religious upheavals and danger are at the forefront.
The gorgeous cover cloaks a story that is as elaborate and show stopping as an intricate and designer evening gown.
A rich tapestry of words are woven and threaded to create vivid images.
Delivered to the reader in a series of apt Acts and Scenes, it is a top quality read. Every aspect and detail of this work is beautifully done.
I think it is my favourite of this very talented author.
My hands hurt from the clapping.
April 23, 2023
I received a complimentary copy of this book. Opinions expressed in this review are completely my own. Many thanks to the Publishers for this opportunity.
This read is centred around one independent and outspoken young woman and the tumultuous times of rebellion, conspiracy and murder; Protestants versus Roman Catholics and vice versa as well as the Dutch involvement. Protestant King Charles II and his minders ever on guard for any such rebellion and likely removal or assassination attempt, the "Popish Plot".
The read is beautifully developed and the narrative full of colourful descriptions all the while highlighting the plight of women who had no voice and no choice in their lives. Tribulation, such an uncomplimentary name for this era, she is unusually tall and very slender and for the times has too much to say for herself.
Tribulation arrives in London and is astounded at the opulence and dress code of everyone she sees, men with enormous periwinkles, lace, ruffles adorning every available part of their clothing, high heel shoes and the women also dressed as such so as not to be outdone by the men. She wishes her sister Bethan could see such wonderment and is glad that her puritan father cannot. Through Bethan's intervention she has escaped a unsavoury proposed marriage and reveals to her that she has tweaked the truth about the cousin Tribulation will board with, a woman who lives alone, which would have been totally unacceptable to their father and even better still she is an author. A passage is arranged along with a chaperone companion who fails miserably and Tribulation is forced to pay her off and to leave her in her alcohol induced condition. Smart enough to be concerned about her welfare as a female travelling alone she is forced to dress in the male clothes of her brother's she had packed as a keepsake, a soldier brother she never knew in the hope to ensure her courage and in this case her safe passage. Her arrival at her cousin's house is anything but desirable, in male clothes and in bad health, she makes a poor entrance. However Cousin Aphra is not perturbed in the least and Tribulation is welcomed into the household.
From here on in the read is captivating and fabulously rewarding with the author cleverly bringing Aphra Behn one of the first female authors, playwrite to life and for Tribulation a true adventure through Aphra into a new world of performance along with her own dalliance into writing, a love interest and a revelation from Bethan.
This read is centred around one independent and outspoken young woman and the tumultuous times of rebellion, conspiracy and murder; Protestants versus Roman Catholics and vice versa as well as the Dutch involvement. Protestant King Charles II and his minders ever on guard for any such rebellion and likely removal or assassination attempt, the "Popish Plot".
The read is beautifully developed and the narrative full of colourful descriptions all the while highlighting the plight of women who had no voice and no choice in their lives. Tribulation, such an uncomplimentary name for this era, she is unusually tall and very slender and for the times has too much to say for herself.
Tribulation arrives in London and is astounded at the opulence and dress code of everyone she sees, men with enormous periwinkles, lace, ruffles adorning every available part of their clothing, high heel shoes and the women also dressed as such so as not to be outdone by the men. She wishes her sister Bethan could see such wonderment and is glad that her puritan father cannot. Through Bethan's intervention she has escaped a unsavoury proposed marriage and reveals to her that she has tweaked the truth about the cousin Tribulation will board with, a woman who lives alone, which would have been totally unacceptable to their father and even better still she is an author. A passage is arranged along with a chaperone companion who fails miserably and Tribulation is forced to pay her off and to leave her in her alcohol induced condition. Smart enough to be concerned about her welfare as a female travelling alone she is forced to dress in the male clothes of her brother's she had packed as a keepsake, a soldier brother she never knew in the hope to ensure her courage and in this case her safe passage. Her arrival at her cousin's house is anything but desirable, in male clothes and in bad health, she makes a poor entrance. However Cousin Aphra is not perturbed in the least and Tribulation is welcomed into the household.
From here on in the read is captivating and fabulously rewarding with the author cleverly bringing Aphra Behn one of the first female authors, playwrite to life and for Tribulation a true adventure through Aphra into a new world of performance along with her own dalliance into writing, a love interest and a revelation from Bethan.
June 19, 2023
The Escapades of Tribulation Johnson was an entertaining romp of a read from start to finish. I loved the setting of the London theatre and it was fun to see the characters reacting and interacting around real historical events. The romance element felt a little forced to me, perhaps because of how little page time it received as a percentage of the novel, but that aside the pacing of the story was good, the characters well drawn and interesting, and the conclusion pleasing. While I was aware of Aphra Behn, having read Oroonoko, I knew little about her, so it was fascinating to see her play a major role in this story and I was left keen to learn more about her life and works. All up, I am giving this book 4 stars. It is a delightful read for fans of historical fiction.
I received this book as a free eBook ARC via NetGalley in exchange for an honest review.
I received this book as a free eBook ARC via NetGalley in exchange for an honest review.
June 30, 2023
This story is indeed an adventure into problems, trouble and misfortune; a test of patience if you will. There are things in life that must be endured. It is patience and hope for these moments that Tribulation Johnson seems to have, unbeknown to her own self. Her life is sprinkled among the colourful scenes of Restoration London as well as the array of historical characters of the times. There’s even a catalog at the back of the book that lists everyone who featured in this story. And the infamous Aphra Behn, who was famous for her writing is at the top of this list, as Tribulation’s cousin.
This is more than a story about London in the 1600s; it’s almost as if the actual historical events and persons throughout this story play second fiddle to the life and times of Tribulation (even King Charles). The many pathways that she and Aphra navigate highlight the struggle of women in this era, trying to make a living on their own, and without the firm hand of a husband behind them. Women had to be very sensuous on stage and off-stage, and they used this to influence men in whatever way they could – women added drama! Aphra pushed for more women to be part of acting and the stage as a statement about women, and manipulating theatre goers with subtle messages about gender, politics and sexuality.
The historical detail seemed impeccable and there are a lot of elements that are squeezed into each act (about a year or two in length). I loved that each chapter and part was a scene or an act by name; as if the reader is watching it all unfold on the sidelines of a play. Aphra also pushed tribulation onto the stage and as a writer as a test of empowerment to live successfully as a woman in London and its issues presented.
So many characters to look out for like Nest and Jonathan Rickman, however I would not be surprised if they could hold a light against Tribulation. She is the bright spark in the darkness, even though it is a light she does not understand has come from herself all along.
Thanks to @betterreadingau and Harlequin Books for the opportunity to read an advanced copy of this book.
This is more than a story about London in the 1600s; it’s almost as if the actual historical events and persons throughout this story play second fiddle to the life and times of Tribulation (even King Charles). The many pathways that she and Aphra navigate highlight the struggle of women in this era, trying to make a living on their own, and without the firm hand of a husband behind them. Women had to be very sensuous on stage and off-stage, and they used this to influence men in whatever way they could – women added drama! Aphra pushed for more women to be part of acting and the stage as a statement about women, and manipulating theatre goers with subtle messages about gender, politics and sexuality.
The historical detail seemed impeccable and there are a lot of elements that are squeezed into each act (about a year or two in length). I loved that each chapter and part was a scene or an act by name; as if the reader is watching it all unfold on the sidelines of a play. Aphra also pushed tribulation onto the stage and as a writer as a test of empowerment to live successfully as a woman in London and its issues presented.
So many characters to look out for like Nest and Jonathan Rickman, however I would not be surprised if they could hold a light against Tribulation. She is the bright spark in the darkness, even though it is a light she does not understand has come from herself all along.
Thanks to @betterreadingau and Harlequin Books for the opportunity to read an advanced copy of this book.
July 4, 2023
‘And still, you never learn.’ ‘But I do. I just refuse to accept the lesson.’ ‘Life is not a series of escapades, Tribulation,’ she said impatiently, quoting Papa, ‘but a matter to be taken seriously. Nevertheless, you’ve been given an opportunity. What you choose to do from hereon is entirely up to you.’
Once again Karen Brooks takes her readers on an epic journey back in time - 1600s England - and introduces her readers to a remarkable independent woman. With her attention to detail and gobsmacking amount of research, Karen crafts a story for the ages about women in history and giving them their voice back through tumultuous times of conspiracy and rebellion.
The Escapades of Tribulation Johnson is an amazing tale to add to Karen’s shelf of exceptional historical fiction writing. Sensational writing that keeps readers engaged through each and every page with poetic prose, astounding literary references and a cast of characters that command attention. There is never a dull moment with the many twists and turns, danger and drama, hope and healing.
‘While it was gratifying to be seen, what I truly desired was to be a woman who was heard. Not just uttering words a playwright put in my mouth, or sweet nothings to pander to a man’s pride, but like Aphra, my own considered views and damn the consequences. Time again to wield my pen. Wield my words.’
Set in the brave new world of English theatre where for the first time women were allowed to tread the boards, enter Aphra Behn. A spy and playwright who cut a path for other women to follow that would be felt through the many decades/centuries to follow. Thank you Karen for shining the spotlight on this incredible woman from history and bringing Aphra and her story very much back to life. As Karen wrote in her Author’s Note, “I sought to repatriate Aphra Behn, and present a real working woman - two of them! - seeking to simply earn a living wage and contribute creatively and intellectually to their society.”
‘Through words - words I write, and which actresses like Elizabeth Barry, Mary Lee, Elizabeth Currer, your Charlotte and the rest perform - we speak to the audience, to other women especially. They hear us. They see us. It’s one of the reasons I make sure there’s plenty for my female characters to say. There’s a strength in numbers, Tribulation.’
The creative license Karen claims to take simply enriches what was already a marvelous tale to be told. With attention to detail on every aspect of the novel, Karen’s book is quite outstanding. It is so believable and flows along at quite a pace given its length. Readers walk the streets of London in the 1600s, trod the theatre boards and jeer along with the crowd, geting caught up with Aphra and Tribulation as they face friends and foes. I highly recommend lovers of rich and well researched historical fiction to read The Escapades of Tribulation Johnson. Karen is truly proving herself time and again to be a masterful storyteller, giving voice to women who time and tide refused to hold back. Bravo!
‘One last thing, Tribulation.’ My heart began to do strange manoeuvres. What now? ‘You were never “unnatural”, simply “unconventional”. A woman for whom life is a series of adventures to be savoured. May it always be so.’
This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.
Once again Karen Brooks takes her readers on an epic journey back in time - 1600s England - and introduces her readers to a remarkable independent woman. With her attention to detail and gobsmacking amount of research, Karen crafts a story for the ages about women in history and giving them their voice back through tumultuous times of conspiracy and rebellion.
The Escapades of Tribulation Johnson is an amazing tale to add to Karen’s shelf of exceptional historical fiction writing. Sensational writing that keeps readers engaged through each and every page with poetic prose, astounding literary references and a cast of characters that command attention. There is never a dull moment with the many twists and turns, danger and drama, hope and healing.
‘While it was gratifying to be seen, what I truly desired was to be a woman who was heard. Not just uttering words a playwright put in my mouth, or sweet nothings to pander to a man’s pride, but like Aphra, my own considered views and damn the consequences. Time again to wield my pen. Wield my words.’
Set in the brave new world of English theatre where for the first time women were allowed to tread the boards, enter Aphra Behn. A spy and playwright who cut a path for other women to follow that would be felt through the many decades/centuries to follow. Thank you Karen for shining the spotlight on this incredible woman from history and bringing Aphra and her story very much back to life. As Karen wrote in her Author’s Note, “I sought to repatriate Aphra Behn, and present a real working woman - two of them! - seeking to simply earn a living wage and contribute creatively and intellectually to their society.”
‘Through words - words I write, and which actresses like Elizabeth Barry, Mary Lee, Elizabeth Currer, your Charlotte and the rest perform - we speak to the audience, to other women especially. They hear us. They see us. It’s one of the reasons I make sure there’s plenty for my female characters to say. There’s a strength in numbers, Tribulation.’
The creative license Karen claims to take simply enriches what was already a marvelous tale to be told. With attention to detail on every aspect of the novel, Karen’s book is quite outstanding. It is so believable and flows along at quite a pace given its length. Readers walk the streets of London in the 1600s, trod the theatre boards and jeer along with the crowd, geting caught up with Aphra and Tribulation as they face friends and foes. I highly recommend lovers of rich and well researched historical fiction to read The Escapades of Tribulation Johnson. Karen is truly proving herself time and again to be a masterful storyteller, giving voice to women who time and tide refused to hold back. Bravo!
‘One last thing, Tribulation.’ My heart began to do strange manoeuvres. What now? ‘You were never “unnatural”, simply “unconventional”. A woman for whom life is a series of adventures to be savoured. May it always be so.’
This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.
April 11, 2023
I love Karen Brooks' books. This one is a ripper. I love that it is based on a real woman, Aphra Behn and around real events. Set in 1600s London, it is based around the world of theatre and writing, amidst a time of political turmoil around the monarchy. The proliferation of rumours, intrigue and false news made for tense times. The restrictions that women faced on so many levels is beautifully illustrated in this book. Tribulation Johnson is a marvellous character, who flourishes under Aphra's tutelage. I thoroughly enjoyed my immersion into this world, and thank my lucky stars I wasn’t born back then, although there is still a long way to go. The authors notes at the end are also fascinating. For lovers of well researched historical fiction, this book will be a treat. Thanks to NetGalley for a preview copy to review .
March 8, 2024
If you know who Aphra Behn is and you are a fan, then you are really going to love this book! I could not put this one down and I fully intend to reread it at some point. Basically the premise is Tribulation Aphra's cousin, comes to live with her at the height of her career as a writer in the restoration period (which she was in real life), and of course chaos ensues, with much fun and intrigue. Brook's writing is very impressive which added to my enjoyment, it's fast paced and often extremely funny. I'm now a huge fan!
August 25, 2023
A hundred pages too long. Much of it is self-indulgent and boring,
September 16, 2023
Loved this book. The characters are real and vibrant. Reading the book was like a warm hug. I was sorry to finish reading the book.
Read
January 30, 2024DNF @ 22%. I probably would’ve enjoyed this if it hadn’t dragged on so much with very little happening.. and way too many characters to keep track of who’s who (166!!). Not for me!
April 11, 2025
What started off as a slow build suddenly twisted and took off at a run! Tribulation and Aphra are characters that you find you just can’t get enough of as two very determined women in the late 1600s. From the theatre to plots against the king, this book is a historical fiction lover’s dream that places you firmly in the time and place with every detail drawing you in.
September 8, 2024
A lot happens but also nothing much happens.
August 17, 2024
Another 10/10 book by Karen Brooks. I fell in love with Aphra Behn and I had never heard of her (now to look up her Wikipedia page).
Tribulation was such a real and relatable character, though the story was set in very early centuries, she had the same hopes and dreams of any woman. She wanted independence, recognition, love, appreciation, passion and creativity. In the end, just like her aunt, she achieved it all. Yet it was as grueling to get there as real life can be to live it.
Tribulation was such a real and relatable character, though the story was set in very early centuries, she had the same hopes and dreams of any woman. She wanted independence, recognition, love, appreciation, passion and creativity. In the end, just like her aunt, she achieved it all. Yet it was as grueling to get there as real life can be to live it.
February 20, 2024
There are plenty of reviews that explain the good better than I. So take the time to read those.
So my reasons for 3 stars: I found that the book was just so dense with so many characters (166 apparently!) and multiple events over a period of years that it was just so much to remember. I couldn’t keep track of who had done what so wasn’t floored or moved when something new happened.
I also didn’t fall in love the Tribulation - so like others have reported - the book just seemed to drag on when I wasn’t interested in her journey.
I will say that if you’re interested in history, feminism, playwrights etc of the 17thC then you may like this.
It definitely covers a rich account of the times - but for me this was tiresome and there were no stakes.
Additionally I can applaud that the writing style and story layout did reflect the actual playwright’s style of the times, however in every play there is a climax and resolve and this story has none.
So my reasons for 3 stars: I found that the book was just so dense with so many characters (166 apparently!) and multiple events over a period of years that it was just so much to remember. I couldn’t keep track of who had done what so wasn’t floored or moved when something new happened.
I also didn’t fall in love the Tribulation - so like others have reported - the book just seemed to drag on when I wasn’t interested in her journey.
I will say that if you’re interested in history, feminism, playwrights etc of the 17thC then you may like this.
It definitely covers a rich account of the times - but for me this was tiresome and there were no stakes.
Additionally I can applaud that the writing style and story layout did reflect the actual playwright’s style of the times, however in every play there is a climax and resolve and this story has none.
February 11, 2025
Poorly edited, intensely researched. Could have been written in half the pages with a quarter of the characters. It was allocated for Book Club and that’s the only reason I finished it. Cutting out the weather descriptions in every single chapter would have helped. I don’t need to hear CONTINUALLY about clouds that glowered or cold and threatening downpours. Or about sodden cloaks. Would have been a good story otherwise. I was not transported or attached to the place or the people.
August 15, 2023
I started out giving this 4 stars but have revised it to 3 stars. The story was a wonderful romp through a fascinating time in London. Unfortunately there were times when the romp (I can’t help but use this word over and over in relation to this book) came to a screeching halt and it just seemed to drag. A really good edit would have brought this book to 4 stars for me.
June 29, 2023
This is another absorbing, fascinating historical novel from Karen Brooks. It grabbed me immediately – unlike some historical fiction, which can take a while to get into – and held me till the last page.
It’s 1679, and the roles women are “allowed” to occupy are few and bound by strict societal expectations. If you can’t or don’t live up to those expectations, the consequences are enormous. You’re automatically assumed to be a whore, poverty is a constant danger, and you’re blocked from polite society.
This environment is excruciating for Tribulation Johnson. Stuck with a puritan name – although neither she or her family are puritans – her father claims that she lives up to it. Tribulation wants to be a writer, and her father scorns her “silly scribbles”. Worse, she never seems to be able to act like a proper woman.
The final straw is when Tribulation not only rejects a marriage to Sir Marmaduke – an elderly and unpleasant man, but rich and well placed in society – but derails the longer planned marriage between him and her older sister Bethan. In a rage, her father sends her away.
But Bethan has arranged for Tribulation to go to a distant relative in London. Their father thinks this is a respectable widow who may tame Tribulation. Bethan knows that Aphra Behn actually makes a living as a writer, behaves in a way their father would disapprove of – and is just the right person to help Tribulation find her happiness.
There’s a solid dose of history here, with many real people and events appearing in the novel. Aphra, for example, was a real historical figure, and many of the details of her life depicted in this novel are real. However, this isn’t a history lesson. It’s a story full of energy and life, boiling over with events and people, and with truly vivid characters, real and imagined. I’ve actually barely touched on the plot; there’s so much happening and so many characters, that it’s hard to sensibly summarise it for a review.
However, it’s easy to keep it all straight and it’s mightily entertaining. I was swept up in Tribulation’s story, and the stories of those she interacts with. Readers will sympathise with her, and will sometimes be horrified by the realities of her life. These are brought to life in a vivid way that resonates far better than any history lesson.
Although this is very much a story of its’ time and place, many women are going to recognize a lot of the behaviour that Tribulation and Aphra have to negotiate every day, from sexual harassment to men outright ignoring their views. They’re perhaps a little more accepting of it – their society doesn’t see much wrong with it – but they rail against it in terms any modern woman will connect with.
Tribulation is the central character, and I found her both empathetic and understandable. Her choices are pretty limited but she does the best she can with what’s available to her. She has gumption, and readers will be on her side from early in the novel.
Other characters are also strong and believable, but even though some are prominent throughout the novel, it was Tribulation who stood out to me.
The full plot is both fascinating and entertaining. As I said, there’s a lot going on – much of it historically accurate – and it covers around a decade. As a result, it’s not at fever pitch all of the time, but even the quieter periods are full of detail and interesting.
I really enjoyed this. It’s a good read, a really enjoyable story, and the bonus is the historical detail. I appreciated the detailed note at the back of the novel which outlined who and what was historically accurate – I always feel these sorts of notes add depth to the novel when I’m thinking it over. But first and foremost, this was an engrossing and engaging read.
You may also be interested in my reviews of other novels by Karen Brooks:
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If you enjoyed this review, please visit www.otherdreamsotherlives.home.blog to read more.
It’s 1679, and the roles women are “allowed” to occupy are few and bound by strict societal expectations. If you can’t or don’t live up to those expectations, the consequences are enormous. You’re automatically assumed to be a whore, poverty is a constant danger, and you’re blocked from polite society.
This environment is excruciating for Tribulation Johnson. Stuck with a puritan name – although neither she or her family are puritans – her father claims that she lives up to it. Tribulation wants to be a writer, and her father scorns her “silly scribbles”. Worse, she never seems to be able to act like a proper woman.
The final straw is when Tribulation not only rejects a marriage to Sir Marmaduke – an elderly and unpleasant man, but rich and well placed in society – but derails the longer planned marriage between him and her older sister Bethan. In a rage, her father sends her away.
But Bethan has arranged for Tribulation to go to a distant relative in London. Their father thinks this is a respectable widow who may tame Tribulation. Bethan knows that Aphra Behn actually makes a living as a writer, behaves in a way their father would disapprove of – and is just the right person to help Tribulation find her happiness.
There’s a solid dose of history here, with many real people and events appearing in the novel. Aphra, for example, was a real historical figure, and many of the details of her life depicted in this novel are real. However, this isn’t a history lesson. It’s a story full of energy and life, boiling over with events and people, and with truly vivid characters, real and imagined. I’ve actually barely touched on the plot; there’s so much happening and so many characters, that it’s hard to sensibly summarise it for a review.
However, it’s easy to keep it all straight and it’s mightily entertaining. I was swept up in Tribulation’s story, and the stories of those she interacts with. Readers will sympathise with her, and will sometimes be horrified by the realities of her life. These are brought to life in a vivid way that resonates far better than any history lesson.
Although this is very much a story of its’ time and place, many women are going to recognize a lot of the behaviour that Tribulation and Aphra have to negotiate every day, from sexual harassment to men outright ignoring their views. They’re perhaps a little more accepting of it – their society doesn’t see much wrong with it – but they rail against it in terms any modern woman will connect with.
Tribulation is the central character, and I found her both empathetic and understandable. Her choices are pretty limited but she does the best she can with what’s available to her. She has gumption, and readers will be on her side from early in the novel.
Other characters are also strong and believable, but even though some are prominent throughout the novel, it was Tribulation who stood out to me.
The full plot is both fascinating and entertaining. As I said, there’s a lot going on – much of it historically accurate – and it covers around a decade. As a result, it’s not at fever pitch all of the time, but even the quieter periods are full of detail and interesting.
I really enjoyed this. It’s a good read, a really enjoyable story, and the bonus is the historical detail. I appreciated the detailed note at the back of the novel which outlined who and what was historically accurate – I always feel these sorts of notes add depth to the novel when I’m thinking it over. But first and foremost, this was an engrossing and engaging read.
You may also be interested in my reviews of other novels by Karen Brooks:
https://otherdreamsotherlives.home.bl...
https://otherdreamsotherlives.home.bl...
If you enjoyed this review, please visit www.otherdreamsotherlives.home.blog to read more.
December 14, 2023
Karen Brooks, The Escapades of Tribulation Johnson, Harlequin Australia, HQ, July 2023.
Thank you, NetGalley, for providing me with this uncorrected proof for review.
Unlike The Good Wife of Bath where Karen Brooks’ Eleanor instantly endeared herself to me, it took me longer to warm to Tribulation. However, it was well worth taking that journey with this flawed, determined, uninhibited and courageous woman. Tribulation leaves an unloving household to live with her cousin, Aphra Behn, in London. Unknown to her exacting father, Tribulation is about to enter the home of an infamous playwright, her second home in the theatre, and another in the world of spies, intrigue and duplicity. Tribulation finds each a source of excitement, burgeoning career opportunities, love and hate, far removed from her early years as a dismissed daughter of the vicar of Chartham in Kent, and older sister, Bethan.
Tribulation takes matters into her own hands during the journey to London, donning her deceased brother’s clothing and dispensing with her chaperone. She arrives at Aphra Behn’s home thus clad, alone, and all too obviously ill from eating stale oysters. Despite this poor introduction, she is to begin a life that brings her the motherly love she has never experienced, and a theatrical and writing career. She continues to be independent, at the same time as craving maternal love and companionship. She and Aphra live, work and enjoy life as well as despairing, together. Most importantly, they recognise the discrimination they suffer as women, and seek to change this through their behaviour, but most importantly, their work in the theatre as playwrights.
Tribulation is just one of the thoughtfully created fictional characters in this novel which also introduces real historical figures who made up the theatrical, royal and conspiratorial world in the last years of the reign of Charles 11. For those not familiar with the period the explanatory material at the end of the book, denoting fictional characters and real historical figures in the novel is a marvellous assistance. Not only that, but it also provides information that cannot be conveyed through the fictionalised events of Tribulation’s life in London. The list of plays that are referred to throughout the novel is also an excellent addition. Both of these sources and Karen Brooks’ explanation of her motivation for writing The Escapades of Tribulation Johnson, information about her research and detailed information about some of the more important historical figures enhance reading of this engaging and inspiring novel.
Brooks has been ingenious in her portrayal of Tribulation as a character with whom the reader cannot fully sympathise. She provides the fictional counterpart of Aphra Behn with whom also it is difficult to ignore some grating characteristics. Both characters are fighting for equal rights for women, they are strong and admirable. But at the same time, each has her flaws that create difficulties in their own lives, the lives of their companions and in the reader’s mind. With her portrayal of Tribulation, Brooks makes it easy to understand Aphra Behn as a complex character. As I noted at the beginning of this review, I could not warm to Tribulation immediately. This, I now see as an advantage rather than a problem. Brooks has shown how difficult women have valid concerns and their manner of expressing these, however uncomfortable for others, is also valid. Indeed, such execution of crucial ideas is often essential and to be admired. She draws the reader into the complexities of being a woman demanding rights for women, enhancing a reader’s understanding not only of the real figure, Aphra Behn and of the fictional figure, Tribulation, but of feminist aims and ideas and the difficulties of voicing and achieving them.
The Escapades of Tribulation Johnson is an engaging, illuminating read. One that I enjoyed on a first reading and shall enjoy rereading.
Thank you, NetGalley, for providing me with this uncorrected proof for review.
Unlike The Good Wife of Bath where Karen Brooks’ Eleanor instantly endeared herself to me, it took me longer to warm to Tribulation. However, it was well worth taking that journey with this flawed, determined, uninhibited and courageous woman. Tribulation leaves an unloving household to live with her cousin, Aphra Behn, in London. Unknown to her exacting father, Tribulation is about to enter the home of an infamous playwright, her second home in the theatre, and another in the world of spies, intrigue and duplicity. Tribulation finds each a source of excitement, burgeoning career opportunities, love and hate, far removed from her early years as a dismissed daughter of the vicar of Chartham in Kent, and older sister, Bethan.
Tribulation takes matters into her own hands during the journey to London, donning her deceased brother’s clothing and dispensing with her chaperone. She arrives at Aphra Behn’s home thus clad, alone, and all too obviously ill from eating stale oysters. Despite this poor introduction, she is to begin a life that brings her the motherly love she has never experienced, and a theatrical and writing career. She continues to be independent, at the same time as craving maternal love and companionship. She and Aphra live, work and enjoy life as well as despairing, together. Most importantly, they recognise the discrimination they suffer as women, and seek to change this through their behaviour, but most importantly, their work in the theatre as playwrights.
Tribulation is just one of the thoughtfully created fictional characters in this novel which also introduces real historical figures who made up the theatrical, royal and conspiratorial world in the last years of the reign of Charles 11. For those not familiar with the period the explanatory material at the end of the book, denoting fictional characters and real historical figures in the novel is a marvellous assistance. Not only that, but it also provides information that cannot be conveyed through the fictionalised events of Tribulation’s life in London. The list of plays that are referred to throughout the novel is also an excellent addition. Both of these sources and Karen Brooks’ explanation of her motivation for writing The Escapades of Tribulation Johnson, information about her research and detailed information about some of the more important historical figures enhance reading of this engaging and inspiring novel.
Brooks has been ingenious in her portrayal of Tribulation as a character with whom the reader cannot fully sympathise. She provides the fictional counterpart of Aphra Behn with whom also it is difficult to ignore some grating characteristics. Both characters are fighting for equal rights for women, they are strong and admirable. But at the same time, each has her flaws that create difficulties in their own lives, the lives of their companions and in the reader’s mind. With her portrayal of Tribulation, Brooks makes it easy to understand Aphra Behn as a complex character. As I noted at the beginning of this review, I could not warm to Tribulation immediately. This, I now see as an advantage rather than a problem. Brooks has shown how difficult women have valid concerns and their manner of expressing these, however uncomfortable for others, is also valid. Indeed, such execution of crucial ideas is often essential and to be admired. She draws the reader into the complexities of being a woman demanding rights for women, enhancing a reader’s understanding not only of the real figure, Aphra Behn and of the fictional figure, Tribulation, but of feminist aims and ideas and the difficulties of voicing and achieving them.
The Escapades of Tribulation Johnson is an engaging, illuminating read. One that I enjoyed on a first reading and shall enjoy rereading.
June 22, 2023
In 1679 Tribulation Johnson is cast out by her father, a vicar in Kent, for speaking up to oppose the marriage of her widowed older sister Bethan to a loathsome elderly Lord. Bethan, who more or less raised Tribulation since her mother died when she was very young, organises for her to be taken in by a cousin who lives in London. To Tribulation’s delight, she discovers her cousin is the famed playwright Aphra Benn and soon Tribulation is enjoying life amidst London’s vibrant theatre scene, learning to act, prompt and work behind the scenes and later write herself at the Dorset Garden theatre. Aphra and Tribulation will grow really close, helping to replace the family who banished her.
This is a marvellous tale set in late 17th century London based on real characters and politics of the time. A protestant king, Charles II is on the throne and anti-catholic is rampant. However, there is rumoured to be a ‘popish plot’, a catholic-led plan to remove Charles and replace him with his catholic brother James, Duke of York. Spies and agents for both sides abound both at home and abroad. Joining the Dorset Garden theatre troupe as a leading man, Jonathan Rickman seems a surly type of man who keeps to himself, but he is also playing a part in a bigger scheme and will play an important role in Aphra’s and Tribulation’s lives.
Although this is a long book with a long cast of characters, both real and fictional, but rest assured you will never be bored or confused. There is so much happening – intrigue, romance, plotting and politics – history in the making! As well as excellent research into the history and key players, Karen Brooks masterfully evokes the atmosphere of the rumbunctious London theatre of that era. The sights and sounds of the crowd heckling the actors and other members of the audience, the orange sellers moving around selling their wares and the actors spying from behind the curtains to see which notables in the audience tonight. I enjoyed the way the playwrights weave politics of the day into the plays with characters often being satirical renderings of those involved, as well as the the prologues and epilogues written to make some political comment, sometimes causing the play to be shut down. A brilliant combination of fact and fiction, this engaging and enjoyable novel is sure to delight fans of historical fiction.
With thanks to Harlequin Australia via Netgalley for a copy to read
This is a marvellous tale set in late 17th century London based on real characters and politics of the time. A protestant king, Charles II is on the throne and anti-catholic is rampant. However, there is rumoured to be a ‘popish plot’, a catholic-led plan to remove Charles and replace him with his catholic brother James, Duke of York. Spies and agents for both sides abound both at home and abroad. Joining the Dorset Garden theatre troupe as a leading man, Jonathan Rickman seems a surly type of man who keeps to himself, but he is also playing a part in a bigger scheme and will play an important role in Aphra’s and Tribulation’s lives.
Although this is a long book with a long cast of characters, both real and fictional, but rest assured you will never be bored or confused. There is so much happening – intrigue, romance, plotting and politics – history in the making! As well as excellent research into the history and key players, Karen Brooks masterfully evokes the atmosphere of the rumbunctious London theatre of that era. The sights and sounds of the crowd heckling the actors and other members of the audience, the orange sellers moving around selling their wares and the actors spying from behind the curtains to see which notables in the audience tonight. I enjoyed the way the playwrights weave politics of the day into the plays with characters often being satirical renderings of those involved, as well as the the prologues and epilogues written to make some political comment, sometimes causing the play to be shut down. A brilliant combination of fact and fiction, this engaging and enjoyable novel is sure to delight fans of historical fiction.
With thanks to Harlequin Australia via Netgalley for a copy to read
July 3, 2023
The Escapades of Tribulation Johnson by author Karen Brooks is full of escapades of women, cast out by her Father because she dares to speak her mind. This book is full of interesting characters, engaging dialogue, descriptive scenes, and plots. I loved that it is told in Acts, as this mostly takes place around Tribulation’s role at a London theatre. It is insightful into the characteristics of society at the time. The dynamics of the relationships of the characters in the theatre friendships and drama. It delves deep into the drama of the time, treasonous plots against the King, Political unjust, and religious disharmony. Yet through Tribulation’s story, I get to understand the hardship of being a woman who dares to follow her own path, independently work a career, and even dare to speak out with her words with her writing. This is not surprising as she is supported and encouraged by a great woman the playwright and poet Aphra Behn a woman who dared to make a living from her writing. I am so glad I was made aware of this amazing woman Aphra Behn, she was a trailblazer of her time.
I loved this book, it kept me engaged the whole way through, it brought characters to life, and so much was going on as the story was being told. I love the dialogue it was witty and engaging, and the descriptive nature of the book brought it to life. Whilst Tribulation's character was big, bold, and extremely interesting, I loved her independence and boldness to speak her mind.
I loved this book, all the pages, and the whole story from start to finish. Karen Brooks's novel is delightfully engaging, well researched, and written. It is historical fiction at its best.
Now I wishfully hope it will be made into a mini-series.
Thank you, Better Reading for giving me the opportunity to read and review this novel.
I loved this book, it kept me engaged the whole way through, it brought characters to life, and so much was going on as the story was being told. I love the dialogue it was witty and engaging, and the descriptive nature of the book brought it to life. Whilst Tribulation's character was big, bold, and extremely interesting, I loved her independence and boldness to speak her mind.
I loved this book, all the pages, and the whole story from start to finish. Karen Brooks's novel is delightfully engaging, well researched, and written. It is historical fiction at its best.
Now I wishfully hope it will be made into a mini-series.
Thank you, Better Reading for giving me the opportunity to read and review this novel.
June 25, 2023
I love the title of this book: “the escapades” perfectly conjures the experiences of Tribulation, whose name denotes misfortune, trouble, heartache. She is sent away from her family to stay with a cousin, Aphra Johnson, the infamous playwright, and enters into the scandalous world of the theatre. It is the late 1600’s, a time when women were allowed to assume roles on the stage, and Aphra Johnson was crafting a life for herself as a writer of plays, poems and treatises, despite the scorn and derision heaped on any woman who dared to take up a pen.
Don’t be put off by the size of this novel (over 500 pages); it races along through sections titled Acts and Scenes well suited to the theatrical world it describes. The “scenes” are short and carry the drama forward, so that you can’t wait to see what happens next. And Brooks is a master at the depiction of London in the 17th century, with all its filth, squalor, and bawdy humour. This is historical fiction at its best. The themes are still relevant: blatant sexism and prejudice, political intrigue, and false information and deceit. For romance lovers, there is the heart throb, the dark, mysterious hero who wins Tribulation’s heart, but the true romance is the love and friendship between two women, Aphra and Tribulation, who stand strong and dare to take on the male-dominated world that seeks always to oppress them.
Outstanding! I thoroughly recommend this book.
Don’t be put off by the size of this novel (over 500 pages); it races along through sections titled Acts and Scenes well suited to the theatrical world it describes. The “scenes” are short and carry the drama forward, so that you can’t wait to see what happens next. And Brooks is a master at the depiction of London in the 17th century, with all its filth, squalor, and bawdy humour. This is historical fiction at its best. The themes are still relevant: blatant sexism and prejudice, political intrigue, and false information and deceit. For romance lovers, there is the heart throb, the dark, mysterious hero who wins Tribulation’s heart, but the true romance is the love and friendship between two women, Aphra and Tribulation, who stand strong and dare to take on the male-dominated world that seeks always to oppress them.
Outstanding! I thoroughly recommend this book.
February 5, 2025
Thank you to Harlequjn Australia for sending me a copy of this book to review!
In 1679, Tribulation is cast out by her family as ungodly and unworthy and sent to London to live with her cousin. On arriving in London, Tribulation is astounded to discover that the widowed cousin she has been sent to live with is the most infamous woman in London: former spy and playwright Aphra Behn.
Under Aphra’s guidance, Tribulation is encouraged to write, speak and think for herself, but as women aren’t supposed to have a voice, they both face vilification and mockery as well as danger as plots to overthrow the monarchy gain momentum.
As The Good Wife of Bath is one of my favourite books, I was really looking forward to reading this book. It has all the same meticulous research and detail that I have come to expect from this author, from life in London and the theatre and the politics of the day.
Personally, I never really formed any attachment or particular interest in Tribulation as a character which made the story feel very long. I found Aphra far more interesting (and she has been based on a real person, which is fascinating!) This book is well worth reading for its historical context and bringing a voice to a strong, independent woman who appeared to be well before her time! ⭐️⭐️⭐️/5.
In 1679, Tribulation is cast out by her family as ungodly and unworthy and sent to London to live with her cousin. On arriving in London, Tribulation is astounded to discover that the widowed cousin she has been sent to live with is the most infamous woman in London: former spy and playwright Aphra Behn.
Under Aphra’s guidance, Tribulation is encouraged to write, speak and think for herself, but as women aren’t supposed to have a voice, they both face vilification and mockery as well as danger as plots to overthrow the monarchy gain momentum.
As The Good Wife of Bath is one of my favourite books, I was really looking forward to reading this book. It has all the same meticulous research and detail that I have come to expect from this author, from life in London and the theatre and the politics of the day.
Personally, I never really formed any attachment or particular interest in Tribulation as a character which made the story feel very long. I found Aphra far more interesting (and she has been based on a real person, which is fascinating!) This book is well worth reading for its historical context and bringing a voice to a strong, independent woman who appeared to be well before her time! ⭐️⭐️⭐️/5.
February 28, 2025
Tribulation Johnson the daughter of a Vicar who often derided her and made her feel inadequate. Bethan her sister was being courted by an older and uncouth man. She had no choice, as a widow she needed a new husband, her father was arranging it for her. When the would be husband decided the younger daughter Tribulation was more to his liking. Bethan was appalled and suggested to their father that she be sent to live with a cousin she’d never met.
She arrived at her cousins doorstep and tried not to disgrace herself, but vomiting on the doorstep was not a good beginning. Her cousin her friends welcomed her. They were unconventional and tolerant. Her cousin Aphra listened to the journey Tribulation had made to get there and the background of her life.
She was a writer and her plays were performed at the Duke Theatre. Tribulation found herself accepted and for the first time in her life, she had a family. Her cousin helped her adapt to the theatre and writing, and to have her own voice.
The story itself is wound around Popish Plots, intelligence gathering, rumours and accusations that resulted in the King's wrath, executions, and lives threatened. It was a dangerous world, one Tribulation learned to be involved in. She fell in love with the theatre and writing guided by her cousin. She also fell in love with Gabriel, who watched the plotters and reported to Williamson.
This is a detailed account of a turbulent time in the history of Great Britain.
She arrived at her cousins doorstep and tried not to disgrace herself, but vomiting on the doorstep was not a good beginning. Her cousin her friends welcomed her. They were unconventional and tolerant. Her cousin Aphra listened to the journey Tribulation had made to get there and the background of her life.
She was a writer and her plays were performed at the Duke Theatre. Tribulation found herself accepted and for the first time in her life, she had a family. Her cousin helped her adapt to the theatre and writing, and to have her own voice.
The story itself is wound around Popish Plots, intelligence gathering, rumours and accusations that resulted in the King's wrath, executions, and lives threatened. It was a dangerous world, one Tribulation learned to be involved in. She fell in love with the theatre and writing guided by her cousin. She also fell in love with Gabriel, who watched the plotters and reported to Williamson.
This is a detailed account of a turbulent time in the history of Great Britain.
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