Marc Shapiro, Beatle Wives The Women the Men We Loved Fell in Love With, Riverdale Avenue Books 2021
Thank you, NetGalley, for providing me with this uncorrected proof in exchange for a review.
Marc Shapiro has been effective in providing more of the stories of the women who became part of the Beatles’ lives, as wives, lovers and supporters. Although the Beatles’ contribution is quite an important part of the material, they do not take over. Shapiro has been effective in giving the women a voice. Their voices are heard through others’ interviews with the women and reports, rather than first-hand through Shapiro. However, despite the shortcomings of this method – personal interviews (where possible) would surely provide a livelier text based on Shapiro’s own questions, responses and follow up research – this is a useful collection of information about women whose lives were impacted by their relationships with the famous men whose music and lyrics were such an important part of the music world.
The book is chronological, so the young Beatles and their young wives personalise the extraordinary world into which four young men from Liverpool and Cynthia Lennon, Maureen Sharkey and Patti Boyd/Harrison/Clapton were swept into lives they could only have imagined. Although Linda Eastman/McCartney is part of this early period, her role was somewhat different from the other three wives. They were young, with little formal education and few career aspirations of their own.
Linda Eastman was an older early wife, had a career, and the marriage lasted until her death. Her experiences provide another aspect of the impact of marriage within this group impacted on a wife. Second wives, Barbara Bach/ Starkey, Yoko ono and Olivia Arias/Harrison, and later, Heather Mills/McCartney then Nancy Shevell/McCartney also had careers, were older, and, in some cases were dealing with the drug and alcohol problems of their husbands as the Beatles as a group disintegrated and the men began their independent lives.
Whether experienced, older, focussed on lives other than those that were the focus of the young wives’ lives, all the women had to deal with fans, and the requirement that they put themselves second to their roles in their husband’s careers. The impact of this on even their marriage ceremonies makes instructive reading. The women’s lives under public scrutiny, and the attendant criticisms and cruelty to some through the press comes to life through their stories.
The wives’ and Beatles’ shortcomings that are raised in graphic detail in the book are not necessarily peculiar to them, but the publicity attendant on being a Beatle or the wife of a Beatle make them even more prominent. At the same time, the dedication and support provided by some of the wives is also described – possibly receiving less publicity than Shapiro has provided. Shapiro has dealt with the material he has accumulated with a sensitive short chapter at the end of the book, where he is keen to give the wives their due.
The sources used in discussing each wife are listed and are noted where relevant throughout the text.
I would prefer the more engaging material that I believe would be obtainable through more personal observations and analysis by Shapiro where possible, rather than complete reliance on other interviewees’ source material. However, this is just an observation and Shapiro has certainly produced and informative book with a commendable purpose.