She could either be the saviour of her people, or the destroyer of their world.
Sanya always felt different. And everyone that knew her—the people in the village she grew up in, her beloved brother, Dada, her Aunt Abike, and even her parents before she was born—knew that there was something special about her, too. After an unspeakable tragedy causes her to leave home and grow up too soon, she is devastated to find that her incredible powers are linked to a future which she must fight, even at the cost of her very soul. She begins life anew, hoping that the dark prophesy would somehow rewrite itself. Soon, however, her carefully crafted life and identity becomes the catalyst for a deadly war that will tear her family apart, and doom everything she holds dear.
Oyin Olugbile’s masterful debut tells the story of dangerous love — lost, found, and lost again — all against the backdrop of a fantastical, enthralling empire that holds even the Òrìsà themselves spellbound.
Sànyà retells the Yoruba mythology of Sango, the god of thunder, as a woman. It’s a story of prophecy, power, and destiny where the Òrìṣàs and Èṣù shape the fate of kingdoms and hearts.
Sànyà and her brother Dada are both destined for greatness from birth. However, having lost their mom at Sànyà's birth and their Dad shortly after, they are left in the care of their aunt. We see the fierce bond between Sanya and her brother Dada, full of love, sacrifice, and heartbreak.
The author beautifully blends rich mythology with emotion. But after all Sànyà endured, the ending felt bittersweet. I thought we would have gotten a better ending 😩🥺. I really hope we get a sequel 🥺.
Sanya has a solid concept to the point that if the story was narrated, you'd love it. But the way it's written leaves a lot to be desired.
1. The prologue of the story was practically pointless. It doesn't come to play until the story is over halfway through, and at that point, it's explained again. I mean, I was taking notes thinking I'd be thrown right into the lore.
2. Inconsistent narrator voice. The author can not seem to decide between a third-person narrator and an omniscient narrator. It just drags you out of the story because you have to re-read and wonder why you are suddenly in the opponent's head for one paragraph.
3. You know how readers complain that some authors don't trust you to draw the well-laid conclusion? Yup, this is it. Example: "...Sanya saw a strange expression cross her face. She was taken aback for a moment because it looked like her aunt was afraid. " A few paragraphs later, "... she watched Sanya's chest rise and fall, and the look on her face was the one that Sanya had spied briefly. A look of fear." Yup, we got that. "The seeds of chaos had been sown" after 3 full leaves of chaos been sown. "She assured him no harm would come to him and offered him payment". Then literally the next line, "not long after and a little poorer, they left..."
4. Very, very clunky and verbose sentences. The book has an unnecessary number of words when simpler ones would have worked just as well, e.g.,"Yes child, you have quickened with Ososi's seed". What does this even mean? "Whoops of joy erupted from the villagers, and they cheered at the Chief's declaration". So they cheered? "Better to use a weapon that knows not it is one"
There's also a tendency to choose tenses that are not wrong, but don't just flow smoothly. E.g "... the giant trees disappeared. And so had Sanya ". Wouldn't "did" have been better here? "They chased after me, but as fast as i was, they began to catch up easily."
All of these just pull you out of the story because you need to re-read, put the book down, and take a deep breath.
Plot-wise, there are gaps that lead you to believe the author plans for a book 2. but even with the prospects or book 2, the missing year could've been handled a lot better. it just seemed like a cheat to train Sanya "off-screen".
just plain 2 stars, and it's for the concept and character building.
I enjoyed Sanya very much. Yoruba Fantasy is now a genre that I’m starting to love. I need this author to make this a series and release more books. The story has a lot of potential. The way the book ended left me wanting more.
I did not like that Sanya, as a character, was impulsive with no foresight and lacked the ability for introspection. It was frustrating and hindered my ability to finish the book in time.
I just threw the book across my room. Fuck everything.
**goes back to pick it up and hugs it**
One thing this book taught me? Stay away from men and love. It will do you no good. I will always defend you, Sanya. All she wanted to do was protect her brother. The intention was good! It was good! I will always defend you, my angel.
I have a lot of feelings about this book, and I hope I can get them all out.
Let me start by saying this was a very enjoyable read. I love fantasy books, so this fell right into my orbit when I was seeking out what next to take off my TBR list. I love the general idea of the story - shed more light on Yourba myths and make it enjoyable. I appreciate the idea of introducing the warring gods and making the central incarnations of the two factions siblings. The storytelling itself was very captivating and had me hooked and frantically turning pages up to a certain point.
I got so invested in Sanya’s story, that I wasn't just let down when the story seemed to crawl to a painful blur towards the end but also disappointed that she seemed to be the only character that was fully developed in this story. Now, you may argue that Sanya is the protagonist, and that is fair. Bu the author spent a considerable amount of time at the beginning of the book talking about how two characters are intertwined, and it saddened me to see that only one of those characters was developed, and the much-anticipated “destiny” was essentially reduced to a footnote in this story.
It made me feel as though the author only put so much thought into the story she wanted to tell about Sanya, and threw in the rest to fill the book. The end was very underwhelming and felt rushed, and while I do enjoy twists and unexpected endings, I believe his story deserved a more fulfilling end. Whichever way it was to swing.
Regardless, I enjoyed the themes in the book (yes, this took me back to my days in literature class). There are so many comparisons we can make from this story set in mythology and what many believe of gods today. It goes beyond the ongoing battle between “god and evil” but also sheds light on the internal battles we fight- sometimes unknowingly. What makes you good enough? How does one learn to be content? How much power is enough power? What are you willing to give up for that one thing you truly desire? Can you truly change your fate? .
. And the intonations on all those words are very redundant, given there is no glossary and so people unfamiliar with the intonations won’t know the correct pronunciations anyway. But I’m sure the author, her editor and the publishers have their reasons for these choices.
I actually found this quite a fascinating story and wonder if there will be a sequel. I’ll probably read this again at a more leisurely pace, to explore some of the themes I might have glossed over.
Sànyà is a Yoruba historical mythology that reimagines the story of Ṣàngó, the god of thunder, but as a woman. We’re introduced to Àjokè and her husband Aganjú, who welcome their first child, Dàda. Misfortune follows their home for years until Àjokè gives birth to Sànyà and then, life takes a sharp turn.
Sànyà and Dàda leave Bániré, placed under the care of their mother’s twin, Àbíké. Sànyà grows stronger than anyone expected, fiercely protective of her brother. While Dàda appreciates it, deep down he feels overshadowed. Then tragedy strikes again. While trying to protect Dàda, Sànyà makes a grave mistake that banishes her from Arómiré.
In her new home, Olùjí, she steps into her power and defends the community. Meanwhile, Dàdá although grieving, thrives in his freedom finally out of her shadow. Their paths cross again, and this time, Sànyà’s saviour complex clashes with Dàda’s hunger for power.
✨ Talk about excellent storytelling! @heyitsoyin truly deserves her flowers.
I’ve barely read Yoruba mythology before, but I was engulfed in this world from start to finish. Reading Sànyà was an experience.
I’m not sure I loved how it ended (now I understand why everyone wants a sequel). I went from rooting for Sànyà to secretly switching sides and joining Team Dàda (maybe because we both have locs 🌚). If this ever becomes a movie, Dàdá deserves more screen time. I also would have loved to see more of Sànyà’s story with her lover. What they had felt short-lived.
Her downfall could’ve been avoided, but that’s what happens when power intoxicates someone, especially someone with a saviour complex. Still, I thoroughly enjoyed this book. I could see every character in my mind’s eye; Sànyà’s red regal attire, Ọya’s rise from the river, to the descriptive battles.
I’d easily recommend Sànyà to anyone who loves fantasy, myth, or powerful female leads. And for a debut? @heyitsoyin did amazing!! PS: I panicked a lot during Sànyà’s time in Olùjí. My heart was racing like her secret was mine to keep.
For me, it’s the immersion. The ability to be transported into the characters’ lives, to follow their every move, to feel their struggles and triumphs. Sànyà gave me all of that. Immersion. Connection. A well-structured plot. Strong, layered characters.
If you’re into Yoruba mythology, you need to pick up this book ASAP. Personally, this is the best Yoruba mythological novel I’ve read in my entire reading history. The storytelling hooked me right from the prologue to the end.
Quick Synopsis: Sànyà tells the story of a young girl born of orisha blood and destined to become a great warrior. Her brother, Dada, is born of Eshu’s lineage and carries within him the power of chaos. What begins as sibling rivalry escalates into an epic confrontation that will determine the fate of their world.
The first thought that came to my mind while reading was: this book would make a blockbuster if adapted into a movie. The writing is so vivid and cinematic. The war-fighting scenes remind me of those in Jagun Jagun the movie.
One of the strongest aspects of this book, in my opinion, is its impressive command of character and plot development. Each character has a voice and a reason. It’s hard to believe this was Oyin’s debut novel.
One of the core themes the book explored was the intricate relationship between pride, the obsession with power, and many other powerful themes.
This novel moves like an ancient song, full of grief, courage, jealousy and destiny. It opens with a family marked by repeated loss until Sànyà’s birth changes everything. Her arrival costs more than anyone imagines and sets off a chain of choices that ripple through generations.
We follow siblings Sànyà and Dada as their lives split and circle back, a brother searching for belonging and a sister whose quiet strength keeps reshaping every space she enters. Their journey crosses villages and battlefields, royal courts and sacred shrines. There are disguises, rivalries, betrayals, and whispers of gods who walk among mortals. Every character, from the steadfast aunt who shelters them to rulers driven by fear and desire, feels vivid and unforgettable.
What stayed with me is how effortlessly Olugbile layers real emotions into the mythic, the tension of family expectations, the weight of sacrifice, the quiet ache of loyalty tested over and over. The story keeps asking how far love can stretch, how power reshapes relationships, and how destiny can feel like both a burden and a gift.
Longlisted for the NLNG Nigeria Prize for Literature, Sànyà stands out as a modern classic in the making...layered, fearless, and unforgettable. If you crave a Nigerian fantasy steeped in myth, sibling bonds, and the cost of becoming extraordinary, Sànyà is a journey you won’t forget.
Although I think more attention could have been paid to world building and all... Letting the story tell itself instead of an all-seeing narrator doing so, with time skips and all...
I also had an issue with scale. I mean, how can you have the army of an empire numbering 30 men. And a massive army numbering over 100?
If it was Nollywood, it's excusable because of budget constraints. But this is a book. There's no limit, except for pages tho. You can have armies of 10,000 squaring off against 50,000 and it would make the story much more epic.
That aside. I did love the story. I was hooked from beginning to end.
My 18th read of 2025 is this debut novel shortlisted for this year's Nigerian literacy Prize. Sanya is Yoruba mythology, and as the author's note states, it's a retelling of the story of Sango, a mythical demigod and popular historical legend in Western Nigeria.
A big book of 395 pages divided into three parts starting from the love relationship of Sanya's parents and ending where it does. No spoilers 🤩
You will read a lot of *Exhaled* and *Chuckled* in this book, but beyond that, as my friend Princess says it's a "Good read"
If you like fantasy books, add Sanya to your TBR, you might enjoy it more than I did.
this book was such a lovely book but the ending felt way too rushed , it felt as though the author had so much left to say but was forced to cut it short , from the way her lover died to the way she also died , there wasn't even an epilogue , i can imagine an ending where she and her lover live happily in the spirit realm , or an ending where she runs to the east and rules over there and she becomes one of the most powerful rulers , then she takes back her kingdom or she unites the east and the west , but instead we got nothing , all in all it was a beautiful book
This entire review has been hidden because of spoilers.
Beautiful storytelling . I enjoyed the Yoruba lore. It’s not every time…Zeus and Poseidon. Glad to see mythology that is close to home.
I will say that Sanya was not a good king and I even dare say she was not too good a person. Formidable,yes. Fearsome, absolutely. But proud and brash and forward.
Looking forward to the sequel.
I’m so happy I read this. Will be reading more fantasy novels from here on out.
This book was sent to me for review. I’m a big fantasy lover and I never expected a retelling of the stories of Yoruba gods to be this thrilling. The book is fantastically exciting, unexpected and without a single moment of dullness. It realistically looks at the evolution of most of the characters except one (no spoilers so I won’t say) and takes you to another world completely. There are many twists and turns and revelations that make this book compelling and also looks into the gender of heroes. So great reading about a Yoruba hero & some origin stories. Worth the read and I look forward to the next book in this series.
I really enjoyed reading this book, kept me on edge until the end. I will definitely look out for more Yoruba methodology books. I didn’t get the ending I imagined, I really want to know how things ended for dada 😭
Yet another yoruba fantasy which I really enjoyed.
This is a story about two siblings whose lives take very different paths. Dada, the older brother, has lost many siblings, but finally has one who survives—Sanya, his strong and stubborn sister. While Dada remains weak and fragile, Sanya grows tough and determined to protect him. But one reckless decision forces her to leave their village in disguise.
Though their journeys are different, they eventually face each other in a dramatic way. It took me a few chapters in to realize that Sanya’s story is like a female version of Sango, with the book painting a vivid picture of the creation of gods and Orisas.
One thing that bugged me was the lack of growth in Sanya’s character compared to her brother. She stayed the same impatient, overzealous child right up until her death. I kept wondering, why couldn’t she just wait for Oya?
This entire review has been hidden because of spoilers.