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The Form of Ideology and the Ideology of Form: Cold War, Decolonization and Third World Print Cultures

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This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War.

The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms.

With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.

451 pages, Kindle Edition

Published February 23, 2022

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About the author

Francesca Orsini

23 books11 followers
Francesca Orsini is Reader in the Literatures of North India. She took her undergraduate degree in Hindi at the University of Venice, followed by a long spell in Delhi. Her PhD research at SOAS was on the Hindi public sphere of the 1920s and '30s. She taught at the University of Cambridge for 11 years and joined SOAS in 2006. She teaches undergraduate and postgraduate courses in Hindi literature.

Dr Orsini's main area of research is modern Hindi literature, where she has published on Hindi literary life during the nationalist period; commercial genres such as detective fiction and "social romances"; women writers and women's journals; nineteenth-century commercial publishing in Hindi and Urdu. She has organized several workshops and conferences, including one on Love in South Asia.

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