As dismissal and disdain of Jews speak through the art of some leading twentieth-century poets, so the poetry of Rodger Kamenetz artfully answers, framing in subtle terms the questions that haunt our culture-about the voices through which culture speaks, about the identity of poet and poetry, about the capacity of art to harm and to heal. Whether subjecting the anti-Semitic verses of T. S. Eliot to a literary trial; conjuring the eloquence with which "Allen Ginsberg forgives Ezra Pound on Behalf of the Jews"; or drawing upon personal history, the Torah, and Jewish mysticism to explore the tangled relations of Jewish identity and modern literature, Kamenetz's poems attest to the inexorable power of language.
As other reviewers have said, the book is worth reading for "The Lowercase Jew" (a poem imagining T.S. Eliot going on trial for his anti-semitism in "The Wasteland" and "Allen Ginsberg Forgives Ezra Pound On Behalf of the Jews." But the book is full of beautiful, image-laden poems that give pictures of Jewish life and thought. I'm profoundly grateful to have read this book.