There is a scene in this book (page 81 for me), where the characters discuss what look very much like title options for their story - ‘Comte’s convenient mistress’ and ‘billionaire’s preferred plaything.’ Luc points out that he is neither a comte or a billionaire, but that doesn’t seem to get in the way of other wrongness in titles, and I almost had a strange turn. I have a deep suspicion that Harlequin Presents are always being meta, and then when a book is so blatant about it I don’t know what I’m supposed to think. Was Kelly Hunter really having a gentle poke at HP titles and their wrongness, or should I just accept that Gabrielle is in the habit of coming up with a position description for each of her romantic affairs? Originally, was she the surfer’s innocent sweetheart?
She’s chatty about stuff like that, so I suppose it’s possible. After an absence of seven years one of the first things out of her mouth to Luc was an anecdote about the guy who took her virginity and how she hadn’t liked it all that much. Perhaps it was jet lag.
So seven years ago, Gabrielle was sixteen and living with her horrible mother who was housekeeper for a rich French family who make champagne. Gabrielle was super into Luc and one day she kissed him in the champagne cave (double entendre) and got exiled to Australia. When I skimmed the blurb without really paying much attention I thought that this was a sort-of version of the Audrey Hepburn movie ‘Sabrina,’ but with different countries and jobs and a longer exile. It’s not like ‘Sabrina’ at all which is fine, I made a mistake. Not that I’m desperately into ‘Sabrina’ either - it’s a good thing Audrey Hepburn can really wear clothes and Humphrey Bogart can transcend the wearing of clothes that remind me of my grandad, because if I sit down and think about the plot it doesn’t go well.
Gabrielle’s brother runs a vineyard in Australia with her, and she’s come back to France to sell Australian wine and maybe set up her own vineyard, and she’s doing that in the region she grew up. And she’s also come home because her best friend, Luc’s sister, mentioned that while her mother was sick her mother asked to see Gabrielle, and she thought there might be some chance of reconciliation. She is certainly not returning to get it on with Luc, or to have Luc help her with the wine business, or to buy wine property and maybe someday have a boozy wedding and a bunch of babies. Oh no, not at all.
Luc is almost within the acceptable age bracket to have kissed a sixteen year old without it being too terrible, and he’s good at his wine stuff and really very pretty. Since it’s all French people they are probably doing all their talking in French, and they all have sexy accents, there’s no one to draw attention to how awesomely French they are, which is a little disappointing. I think there is only one non-French character with a speaking role, and he was a King and therefore off in his own category of cool.
There’s these kind of juicy potential conflicts that don’t really go anywhere. Gabrielle had a more terrible childhood than Luc knew about with her horrible mother, but given that Gabrielle discusses this with the sister, and it stays in the ‘Luc doesn’t need to know this’ zone, it’s more in the ‘growth of Gabby’ space than the ‘Gabby and Luc getting it on’ space. The unresolved issues with the mother are presented as ‘here is this awful backstory, here’s a bit of why she was like that, all good now? Right, let’s move on.’ Gabrielle’s brother and Luc’s sister have their own book, and Luc and Gabrielle’s story is their setup, and the backstory is part of their setup too.
All the ‘we must be apart’ conflict is on Gabby – she isn’t high status enough for Luc, she doesn’t want to go into business with Luc, she won’t stay at his house or tell him about stuff. I’m not saying that it’s a bad thing, these are all sensible things to have conflict about, and maybe that’s the problem – this book is missing the crazy. Luc wants to go to bed with Gabby from almost the moment she shows up, and doesn’t seem to have a lot of reasons of his own to not get it on. So while Gabby’s put in a fairly massive effort of becoming a wine rich person so she can be worthy of him, Luc’s just hung around, run his business, and managed to not have a girl around when Gabby does show up. It’s all very nice, but a bit bland.