At 17 Natasha attends her first grown up party, sees handsome playboy Alex and is instantly something (what is this feeling, so sudden, so new?). Alex is the son of her foster family’s bitter enemy, so the glance is all she gets. She’s still thinking about it four years later. He was so hot, and there is much attempt to articulate inarticulate yearnings.
Natasha is an orphan and her Greek millionaire foster father carried her off to Athens to grow up with his own children. She loved him and her foster mother, although their grown up children are pretty rotten. When the foster father dies Natasha is left a seat on the board and a salary (which of course she waives, because she’s good hearted and independent), but it means that she regularly has to leave her nice business in London and travel to Greece to sign Important Papers.
Her foster brothers have made a huge mess of the business and it’s about to go under. I mean, it’s a really huge mess: if they’d just swanned around rich places complaining about how damn busy they were running this big global company while doing nothing, everything probably would have been fine. Now Alex the enemy has offered to buy in, and the brothers have this crazy scheme. They’re going to the banks to say, hey, give us money, we’re attractive to big investors! And to distract Alex, Natasha is to write a letter offering to marry him.
No I bloody won’t, says Natasha, but the brothers and their wives and the evil foster sister who has always hated her say do it, do it, do it! So she does.
Months later the inevitable has happened and Alex the enemy is now actually buying the company out for some tiny pittance, and Natasha has to head back to Athens to sign some Important Papers. At the airport she’s herded into a car and taken to Alex’s lair.
So what’s going on? Ah, Alex is claiming the other thing that he purchased, which is her. Natasha says umm, no, that was marriage and it should have been fairly clear that was phony, so let me go, fiend. But Alex then whips out letter number two and says, haha minx! Explain this filthy missive!
The contents of that letter are never really explained, but it’s sex acts. Both of them will later talk about it as if it’s the most horrific thing that their eyes have ever encountered, so I’m assuming it’s not just position descriptions. It needs to be taken as given that when Alex refers her to paragraph two, it says something like ‘I want you to forcibly seduce me and no matter how hard I beg, don’t take no for an answer.’
Natasha does try to explain that this is fake, that she doesn’t want to, and that this is wrong, but we’re sticking with the paragraph two defence, so it’s on. Natasha pretends to be a block of wood, and Alex has a conversation with her hymen.
So, he says afterwards, had much sex? Oh yeah, tons, she says, all fab except for that one time just then with you. And he says, yeah no, I know a hymen when I pierce one. Let’s take a shower and maybe have chats?
The shower is all confusing tender feels, but Natasha is not up for chats. The next morning, Alex explains that she’s going to jolly well go along with his plan for them to have more sex, otherwise he’s going to take the family’s mansion in Athens and her fragile foster mother will be out on the streets, homeless!
So Important Papers are signed and except for the mother the family are awful and Alex yells at them for being awful. He explains to Natasha that her brothers can now choke on the fact that she took one for the team and it’s all their fault, but I don’t think this is particularly satisfying. The brothers, after all, wrote a creepy sex letter and pretended that it was from their sister, so I’m not convinced that knowing she’s bought their house with her innocence is going to wreck them. I’d have been better satisfied if Natasha cut them, because I’m getting to that stage in reading HP when I just want to take the heroine aside and tell her that, although I know she’s hurting, I really need her to be the slayer right now.
Alex has a flunky who will look after Natasha’s nice business while she’s busy with all the sex he’s going to do to her, and Alex and Natasha sail off around the Greek islands in his boat and eat lots of really amazing food that is lovingly described. Alex’s heart really isn’t in being a brutal seducer, and he keeps trying to be nice to her, which when she notices is awkward and difficult, because she just wants to hate him and maybe they could have hate sex? Not even a little bit?
They go to Alex’s island home and his servants all give her side-eye because they aren’t interested in any hussy sans ring. Natasha is very generous about seeing their pointless point and not cutting them. They work out the bedroom stuff, and Alex’s character is retrofit as a super nice guy … which doesn’t quite blend with his ruthless businessman image, but I appreciated the effort enough to like him, and to like them together. The ending with it’s final devastating misunderstanding is fun.