This children’s classic concerns a nameless bear who arrives off the production line feeling smug and superior – after all, a bear’s character is defined by his facial features – only to be tossed in a bin, rescued, rejected, burnt, used as a duster, savaged by a dog, repaired, briefly welcomed, relegated, forgotten, lonely, nameless, catatonic and bombed by the Nazis, on the way to a cathartic and happy ending. Telling the story in the third person but from the bear’s perspective, Ahlberg’s prose is beautiful, witty and whimsical, offering a lesson in humility and empathy, and peppered with memorable, perfectly-sketched characters and bits of human (or bearish) warmth – even as the story becomes perilously melancholy and dark.
It also economically evokes the vanished Britain of the author’s childhood: that world of smoking chimneys, cobbled streets and poky working-class houses which he wrote about so memorably in his great memoir, The Boyhood of Burglar Bill (and its sister title, My Brother’s Ghost), while ushering in a little of the timeless warmth of contemporary popular song, from 'My Blue Heaven' to 'Look for the Silver Lining'. It’s an offbeat, timeless and chokingly poignant book, and the line drawings by Janet Ahlberg (Handsome bears staring out of giant windows? Check. Chubby women with chubby sock noses? Check) are the perfect accompaniment.