I live in a rural area, on seven acres surrounded by fields and woods. We have a contingent of wild turkeys, who show up regularly to raid the bird feeders in our front yard. Sometimes half a dozen, sometimes two dozen, and we've had as many as seventy at one time. They are a riot to watch as they scrounge and bicker and parade about, but I really didn't know much of anything about them. Joe Hutto's book has filled that lacuna with charm and admiration and seriousness.
A gifted naturalist and wildlife artist, Hutto was given several dozen unhatched wild turkey eggs rescued from farm equipment in northern Florida. He set them up in an incubator, and settled in to watch them emerge into the world. And then immersed himself in their world for the next two years. He meets each poult as it struggles wetly out of its shell, and makes a long eyeball-to-eyeball contact with them. This suits the poults just fine. Within a few days, he is escorting his troop of tiny precocial turkeys through the nearby fields and woods. They follow him eagerly, and are never so happy as when he sits down under a tree and they all scramble to snuggle in his lap, on his shoulders, on his head. They are born with the knowledge of what to eat (bugs and seeds, largely), that snakes are maybe dangerous, and equipped with a full vocabulary of alarm calls, lost calls ("Help! Where is everyone?!") and general chitchat. Hutto learns the sounds and himself uses this language to communicate with them. He rarely speaks "human" around them, and if he does by accident, they are disturbed and stare at him "with incredulity". Hutto turns around many encounter-with-wildlife stories, in that his goal is not tame them (no need: the imprinting has done its job) to become pets, but rather to understand them so fully that he becomes one of them. Every day, he and the flock meander out into the surrounding woods to find things to eat, to investigate exciting things (like rattlesnakes!) or empty bottles or arrowheads, and become absolute experts in every plant, berry, seed, insect, and spider they can find. One day, "we eat a lizard!" (He admits that while he never got to the point of actually eating insects, those large smooth green grasshoppers were starting to look appealing...) There are illnesses, attacks, and several deaths. He observes their growth, their ever-changing feather patterns, their moods, their interests (everything!!), their relationships with each other. He knows each one as an individual, but resists naming them until it just becomes easier to make notes on their activities and behaviors if they have an identifying label. Bit by bit, week by week, they grow up, They range farther afield on their own, they don't always come when he utters the "assembly call," finally they refuse to enter the spacious nighttime pen with him, but loft into the trees where wild turkeys roost. They meet up with another band of wild turkeys, and have to sort out the encounters. And finally they are on their own. Except one, a male called Turkey Boy. Hutto and Turkey Boy continue their rambles, their friendship... until one day Turkey Boy decides that this odd turkey-man might be a rival, and attacks him. Feigning submission doesn't work, medications don't help. Hutto has to fight it out, and he wins. Which does not feel like a victory. At all. Turkey Boy leaves and doesn't come back.
Hutto is a fine writer, and also a fine draftsman - his drawings illustrate the book wonderfully. He muses deeply and thoughtfully about everything he observes, and what he learns from the turkeys. He learns from their utter absorption in the world around them, every tiny detail, everything they notice and pay attention to that he just blunders past, as wise and attentive a woodsman as he is. Every turkey is a living, conscious being who sees, thinks, makes decisions and lives every moment attuned to what's around them. Hutto thinks humans could do worse than to improve such faculties in themselves.