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Camera Man's Journey: Julian Dimock's South
A poignant collection of 150 photographs, Camera Man's Journey takes us to a place at once familiar and foreign. Set in the South early in the twentieth century, these photographs bridge a distance not only of time but also of contrasting attitudes and customs.
The images show African Americans in or around Columbia, Beaufort, and Hilton Head, South Carolina. Some photographs were taken in surroundings where blacks might associate with whites―out of necessity and according to strict custom. Most of the images, however, are set in "colored sections" or other remote areas of town and country where blacks were obliged to fashion lives apart. Under segregation and disenfranchisement, men, women, and children are portrayed in ordinary occupations and a peddler selling his wares, a woman tying a toddler's shoes, a barber and his young apprentice taking a break outside their shop.
Julian Dimock, whose works appeared often in major travel and nature magazines, took the photographs in 1904-5. So many photographers of the era tended to romanticize or politicize their African American subjects; Dimock was different. Signs of want and inequity are plain to see in these images, but Dimock portrays his subjects as they really were in all of their dignity, strength, and beauty.
The images show African Americans in or around Columbia, Beaufort, and Hilton Head, South Carolina. Some photographs were taken in surroundings where blacks might associate with whites―out of necessity and according to strict custom. Most of the images, however, are set in "colored sections" or other remote areas of town and country where blacks were obliged to fashion lives apart. Under segregation and disenfranchisement, men, women, and children are portrayed in ordinary occupations and a peddler selling his wares, a woman tying a toddler's shoes, a barber and his young apprentice taking a break outside their shop.
Julian Dimock, whose works appeared often in major travel and nature magazines, took the photographs in 1904-5. So many photographers of the era tended to romanticize or politicize their African American subjects; Dimock was different. Signs of want and inequity are plain to see in these images, but Dimock portrays his subjects as they really were in all of their dignity, strength, and beauty.
208 pages, Hardcover
First published June 17, 2002
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December 25, 2024
Incredible photography- I can’t believe I’ve never heard of these photos before! And the quality of the printing makes them look so crisp fresh and as if they could’ve been taken yesterday. And amazing work, recommended for anyone interested in photography, South Carolina, Beaufort, Columbia, artistic photography, honest depictions of African-Americans. This photographer offers a gift of deserved dignity to the people he photographs.
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