Most of the series I read, and there are a lot, it doesn't necessarily matter in which order you read them. Yes, there are subtle things you miss, but they don't take away from the individual book's plot or even storyline, you can catch up.
I'm finding this isn't 100% one of those. The stories are often interconnected, the characters rotate enough, and some of the relationships ebb and flow that it is best to read them in order. This time I read the one after this one, The Stolen Angel, first and was a teeny tiny bit lost on some things until I read this one. Of course, this is all complicated with Scandinavian writers, their translations, and their publishers releasing them out of order. (WHY OH WHY DO THEY DO THAT? FOR THE LOVE OF GOD< HELP US U.S. READERS HELP YOU BRING YOUR AUTHORS TO THE TOP HERE BY DOING THEM IN ORDER AND DO NOT CHANGE THE TITLES WILLY NILLY!) Jo Nesbo and his work is the biggest culprit I can think of that do this until this one caught me unawares as well.
Anyway, Sara Blaedel has quickly made it to the top two on my charts, next to Nesbo, even with this handicap. I'm starting to think that I need to learn to read Norwegian and Danish just for this two authors like I brushed up on my Spanish for Juan Gomez-Jurado so I can get my hands on their books in order and sooner. (Yes, I am that insane and devoted to Gomez-Juardo that I will sit there with my high school and community Spanish along with the translation dictionary to pull it off.)
What is even more wonderful and powerful is that this is a female author. Yay! Not that I'm some crazy feminist, but it is nice to see powerful yet vulnerable female characters portrayed realistically as police detective Louise Rick and her reporter friend, Camilla Lind are. You won't find me saying that women and men are exactly the same because we aren't and Blaedel knows that. What's even better is that she shows how women choose various life paths that have little to do with their gender. They aren't all locked down to the stereotypical roles of women. News flash, we aren't all cookie cutters either, just as I would assume that men aren't either. Not being a guy, I don't know and try not to make that assumption.
Okay, The Running Girl. There are really two running girls in this book. The victim of a horrific crime and one of the main characters, reporter Camilla Lind. One is in the bloom of life and has what should be a great day, a special celebration, turn into hell and Camilla is running from life and a near breakdown by taking two months off to take her son on an extended vacation in the states. If you look deeper, there are more running girls/women in the story as well, but that would be spoiling it.
Sigrid is a friend of both Louise's foster son and Camilla's son and when her party goes terribly awry, Louise is called in and it only get's worse when the girl's mother is accused of the murder of two of the culprits via arson. She has to dig to get at the truth because she doesn't think the girl's mother is guilty. Also, poor Camilla is thousands of miles away and while she is closer to the mother, she can only do so much from so far away especially in her already fragile condition with her son in tow.
There's another case that starts to seem tangentially related in which a husband and father is murdered and the thugs responsible continue to go after the wife and her baby saying that her husband owed him money. The wife is clueless and no real help in the investigation so it takes the help of a unique forensic accountant to assist in unraveling the mystery. She's nearly on the run from what she doesn't know or understand.
Then there is the Icelandic mother who is the mother of one of the thugs involved in everything and she knows more than she is telling, but is it related to either of the cases?
I'm probably making it sound more complicated than it seemed on paper by trying to point out how perfect the English title is. You won't get lost, trust me.
Lastly, while in California, Camilla makes a connection that will be vital in the next book of the series, The Stolen Angel. It's a small, not even B plot, more of a C or D plot, yet makes sense of the connection later, as I said.
What I enjoy about Blaedel is that she understands that life is messy. Being a woman is complicated and everyone has an opinion about it. Also, there are times that we don't choose a life, it chooses us and there is a period of fighting that, then a period of adjustment, and finally an acceptance. She writes real women, who face real things, and Lousie Rick, as a cop, still gets her damn job done and the perps punished. We're complicated and Blaedel gets that along with telling great crime dramas that keep you turning pages long after you should have turned the lights off.
Kudos, again.