According to Isabel Allende, "a good short story begins with the overpowering need to communicate a single idea or feeling. You have to let it go all at once without hesitating, trusting to your intuition and your luck. It's like shooting an arrow. There is no second chance; it's a make-or-break proposition. The very first sentence sets the tone for the entire story, the rhythm, the tension, the point of it all." I love this; it resonates with me; it strikes me as a good way, if not a great way, to judge a short story on its merits. I have felt this way about short stories by Joyce Carol Oates and TC Boyle and Alice Elliot Dark. These are rather dark stories about the relationships between men and women and families; there are no solutions here, no easy endings.
I had trouble with the stories in this book, especially regarding "the point of it all."
--"Imagine a Day at the End..."- A man w/ five children and a wife filled w/ life/purpose seems to lack a personality all his own. For several sentences, after pages of mulling over his children and wife, he thinks about his mortality, about a day filled with peace and the wonders of nature at the end of his life. What? Why put this story first about a man w/ very little personality?
--"In Amalfi" - about a couple with an on-again-off-again relationship vacationing in Italy. Something bizarre happens, a rare moment of utter/complete trust in a stranger, and Andrew expresses very little interest. They seem comfortable as a couple, to have real love for each other, but that the ease of being together outweighs everything else.
--Honey - a story about restless people drinking; the main character Elizabeth, mid-forties, thinks about time spent w a much younger man of her acquaintance; the story ends w/ a precipitous encounter w/ a bee. a female mid-life crisis?
--The Longest Day... - about a visit from the welcoming committee to a woman on her way to her third divorce
--The Working Girl - a story about a writer writing a story, as if we are in her mind as she is trying to decide what will happen to her characters
--Home to Marie - the narrator describes his rocky marriage to Marie; she has left him and come back multiple times. Most of the arguments are about money and about how he is always late for dinner. She plans a cocktail party and indicates to him that a bunch of people are invited; it is catered, expensive based on the vast amounts of food. She then tells him that no one was invited, it was all an effort to teach him how it feels to prepare food and just wait and wait for someone to arrive.
--Installation #6 - about a guy who does lighting for art installations
--Television
--Horatio's Trick - about a divorced mom and her college-age son over the Christmas holidays. She drinks too much, and no one says anything about it, other than to the priest.
--You Know What - You know what? (Of course not; we cannot read another's mind - what do I know?) When someone cannot sleep and gets out of bed late at night, restless, something bad is about to happen. A man with a rising, ambitious wife, takes care of their (to him, much beloved) daughter and thinks thankfully of the times that they have sex.
--What Was Mine - a boy's father dies after returning from Guam; his mother has a long-term boyfriend she refers to as his uncle. what is legacy? what is it to always hold on to the love one felt for someone who has passed?
--Windy Day - about a couple who house-sits some old friends' house, only to realize how little they know their old friends