The dramatic secret behind Laureley stands revealed, as does everything that Shiho was trying to hide. Which is important, of course, but not as much as the outcome of Yori and Himari’s date.
There’s a lot to love in this series and it would be near perfect if a couple things about it didn’t ring well with me, but what it gets right is so good that it’s important to acknowledge the whole package.
The reason we’re here, Yori and Himari’s relationship, is fantastic and terribly fun. In fact, you could pretty much jettison everything else and just run with that based on how satisfying it is and the series would arguably be less emotionally deep but better for it.
After they got caught in the rain, let’s just say that the water quickly vaporizes when the two of them turn up the heat on one another at Yori’s place. I appreciate the manga that knows the joy of seeing your partner wearing your clothes and the flirting here is out of control. I also loved the quiet suggestion that Himari’s mom knows exactly what’s been going on in her daughter’s life and supports it all the way.
Beyond this, it’s an amazing choice that we absolutely and completely destroy any concerns about rivals or trying to steal Himari away or crap like that. And that happens because of, you know, trust and communication. I was glad to see that thread carried on from last volume and just stated plain as can be here.
This section is the star of the show - Himari has gotten progressively bolder as the series has gone on and she is just destroying poor Yori’s resolve every moment of this arc. Enough so that a little impromptu exhaustion (welcomely telegraphed from earlier) keeps things from going straight to the final frontier.
As much as I’ve enjoyed the way this rival band arc has dealt with a lot of its potential curves by not doing the most dramatic thing, it does walk that back a bit with the very fraught story of how Laureley came together.
Dead sisters, lost girlfriends, Shiho’s feelings of insecurity. It’s a whole lot of a whole lot piled into one to make what should be the most emo band of all time. I get that they need something to draw them all together, but this is probably bleaker than the series deserves.
I do like the mangaka’s steadfast refusal to make Shiho more sympathetic than is absolutely necessary. She takes everything pretty much the worst way possible and her reaction to her rival’s death is believable, but still pretty eyebrow raising. I’m always fascinated by stories where people feel they owe something to the dead and this entire band is filling a debt of that nature.
Oh, but don’t worry, Himari and Shiho get a little alone time and when Yori comes up we get a brand new side of Himari, plus a lot of revelations of things we already knew. But now everybody knows them and putting that elephant smack in the middle of such a small room means it just has to be looked at. Shiho’s misplaced spite is fantastic.
Also, it’s almost too bad that this series sits completely enmeshed in a yuri paradise, honestly, as the story steadfastly refuses to acknowledge men even exist. It might be a bit ‘of its genre’ that way, but I do feel it always makes these stories more fantastical when they’re otherwise quite grounded.
So, some okay band stuff, even our regular side characters are kind of just there this time out, but the parts that make up the meat of the series are as strong as they’ve ever been. Himari and Yori absolutely anchor this series, as they should.
4 stars - Whisper has always been a series about big emotions and I do believe the genesis of Laureley might be a bit too much, so a knock there, but the other stuff is just killing it.