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Kindle Edition
First published April 4, 2023
"Not for the first time I wondered if our experience might have been different if we'd gone to another island, or if we'd arrived on Kythera in the swoon of high summer. But the point of coming to Greece at all was to experience Kythera specifically, in all its moods, in its glories and failures - at least that was what I had been seeking - but clearly Mum had been seeking something else. I feared I had not been generous enough, or kind enough: I believed that somehow I had failed her. Whatever it was my mother wanted from me, I had not bestowed it." (p.246)Aside from the travel journal element, in which Johnson details the joys and challenges the two women experience on Kythera, she also explores intriguing themes such as parent-child bonds and dynamics as they evolve over a lifetime and the nature and limitations of memoir as a medium.
"If I knew anything it was that it is mostly our own selves who are the elephants in the room, which is why this memoir - any memoir - can only ever be an incomplete brush with the truth." (p.140)
"... I felt stranded between the past and the present, half-woman, half-girl. Everything was the same on the island as when I first saw it - the square of Potamos, the pristine bays, the majesty of its hills - and yet everything was different." (p.166)
"Every child has a different mother and father, even siblings who share the same parents." (p.230)
"I started to think migration could result in a sort of inherited trauma, as if all that leaving, the wrenching away, all that forgetting somehow settled in the blood of subsequent generations. It sometimes seemed that some people I met were cursed to wander like exiles longing for home, caught between one world and another, neither here nor there, cast into some liminal place, forever homeless." (p.230)
"I had looked into her indestructible long-handled mirror and never once found her face, but one day I looked and saw my own, and my mother's face inside it." (p.334)
"And when I am gone I want these words to record that I was a wanderer in many lands whose home was love." (p.334)
I had read and admired The Broken Book (2005, see Kim's review at Reading Matters) when it was longlisted for the Miles Franklin, the IMPAC Dublin Award and the Commonwealth Writers' Prize, shortlisted for the Commonwealth Writers’ Prize, the Queensland Premier’s Prize for fiction, the Nita B Kibble Award, the Association for the Study of Australian Literature (ALS) Gold Medal Award and the CAL Waverley Library Award for Literature...
but I fell in love with Susan Johnson's writing with Life in Seven Mistakes (2008, see my review). That sly black comedy was so brave and honest and true, I almost wept except when I was laughing. I've read everything she's ever published since, and I think I've got her entire backlist on the TBR but Life in Seven Mistakes remains my favourite.
Susan is one of those rare writers who can mine aspects of her family life without making me cringe with embarrassment or pity. She does it again in this memoir, Aphrodite's Breath, where she recounts her 'Greek Island adventure' with her 85-year-old widowed mother. With breathtaking chutzpah she jettisons her secure job in journalism and sets off for a year on Kythera, sharing the exorbitant cost of travel insurance with her brother in case her mother needs to be airlifted back to Australia for health care. The trip was financed on a shoestring with a publisher's advance, to finish the book that turned out to be From Where I Fell (2021) (see my review) and to write the memoir that turned out to be this book, Aphrodite's Breath.
I should note here that my school holiday sojourns to Burleigh Waters to take my 85-year-old housebound mother for a jaunt to Bunnings or Big W were the only (not-even-remotely-similar) mother-daughter expeditions I've ever organised...