As a kid, I loved Cross-Over comic stories. You know-- Superman teams up with Batman, or Spiderman fights the Incredible Hulk-- stuff like that.
I used to imagine a television episode where the Cartwrights from Bonanza fought a range war against the Barkley's from the Big Valley. Or, what if Paladin and the Rifleman teamed up to clean up North Fork?
Blue Screen is a cross-over story. Two of Parker's leading characters, Sunny Randall, private investigator with her bull terrier, and Jesse Stone, soft spoken serious police chief of small Massachussetts town.
Sunny is hired to protect movie star, Erin, a gorgeous babe with natural beauty and practically no acting talent. Soon, Erin's personal assistant is murdered and Sunny is asked to find out who did it. Because the crime occurs in Stone's jurisdiction the two champions of justice began to pursue Erin's past and uncover (as usual) a boatload of filth that might be connected to the murder.
I have to say that Sunny Randall is almost a female mirror-image of Parker's most popular hero, Spenser, who is often for hire! She's tough, wise-cracking, and stubborn. Parker manages to give her an odd dog and a different background than Spenser, but take away the dog and the divorce and put a dress on Robert Urich (who played Spenser in the television series, and yes, I know he is deceased) he could play Sunny with very little effort. She is much too much like Spenser.
However, I like the Jesse Stone character. He, unlike Sunny and Spenser, often holds his tongue. When he does speak, it is with provoking questions. Occasionally, he uses his office to verbally bludgeon someone into place with warnings and not-so-veiled threats like "You should stop or I might have to physically restrain you for the public safety and you might lose some teeth." The fact that Stone has a serious character flaw, an alcohol problem, makes him very real. However, it seems odd that Parker's characters all seem to need some psychological help.
The style is typical Parker. He writes crisp, short, chapters that make the reader read "just one more." He invents situations that are interesting and backgrounds that are ominous.
However, this time around, even Jesse Stone can't keep this novel afloat. His sexual liasons with Sunny and their growing relationship become the focus of the story, which flaws this novel greatly. Instead of being a great mystery-- it just becomes about their own character flaws. While my reviews often gripe about a lack of characterization, in this case Parker goes too far with romance and not far enough with a good story. The conclusion and resolution left me angry at what I consider to be a HUGE hole in the plot. Not wanting to write spoiler-- I'll let that be nuff said...
I will continue to read Parker from time to time-- as I am constantly running into cheap copies of his books at local library sales, etc. However, I consider his material, for me, at least, to be nothing more but "filler" material. Something to fill time that is fairly enjoyable, but that I don't expect to be great stuff.