Franklin W. Dixon is the pen name used by a variety of different authors who were part of a team that wrote The Hardy Boys novels for the Stratemeyer Syndicate (now owned by Simon & Schuster). Dixon was also the writer attributed for the Ted Scott Flying Stories series, published by Grosset & Dunlap. Canadian author Leslie McFarlane is believed to have written the first sixteen Hardy Boys books, but worked to a detailed plot and character outline for each story. The outlines are believed to have originated with Edward Stratemeyer, with later books outlined by his daughters Edna C. Squier and Harriet Stratemeyer Adams. Edward and Harriet also edited all books in the series through the mid-1960s. Other writers of the original books include MacFarlane's wife Amy, John Button, Andrew E. Svenson, and Adams herself; most of the outlines were done by Adams and Svenson. A number of other writers and editors were recruited to revise the outlines and update the texts in line with a more modern sensibility, starting in the late 1950s. The principal author for the Ted Scott books was John W. Duffield.
2023 reads, #91-95. I recently discovered that the first three Hardy Boys books, all of them published in 1927, have passed into the public domain, so I thought as a nostalgic treat I would go ahead and read them, since they can now be legally downloaded for free. I'm sure I don't have to tell any of my fellow middle-aged Generation Xers how large this book series loomed over my life as a kid in the 1970s; it was essentially the de facto gift that boys always gave other boys whenever they'd get invited to a birthday party at the rollerskating rink or Showbiz Pizza, because it was one of the few book series in those years still being released as hardbacks, so was deemed a "more substantial present" than the Judy Blume paperbacks we were all actually reading in those days, instead of these badly dated snoozers (or so they were perceived by us at the time). That makes it an ironic situation, that I owned something like 20 or 25 Hardy Boys books at the height of my childhood, but I don't think I ever read even a single one of them all the way from the front cover to the back; so this was another thing that made me curious about reapproaching the series, to see if I had avoided them back then simply because I wasn't a fan of these kinds of action-adventure stories (a genre I still don't like very much, even now in my mid-fifties), or if they're perhaps terribly written and we've all collectively built up this false memory of them being good.
That turned out to be difficult to determine in the case of the first three, which I read almost a hundred years after they were first published, because they can't help but be artifacts of their times by now, and so in many ways are so outdated that it appears ludicrous that the publishing industry was still trying to present these as "contemporary stories" back when I was a kid in the '70s. For those who don't know, the series is centered around two brothers in their late teens named Frank and Joe Hardy who live in the small Atlantic Seaboard town of Bayport; inspired by their father, a retired New York City detective who's now a renowned private investigator, the two are fascinated by the act of solving mysteries, especially easy to do in their case since the local police force are the most incompetent group of boobs this side of the Keystone Cops. (Leslie McFarlane, who bitterly ghostwrote the first 25 titles of the series, made it clear in his correspondence with friends that part of his aim with these books was to make an entire generation of youth suspicious of authority figures, since he otherwise hated writing these kinds of children's books and wanted to do something in them to please just himself.)
The first three books of the series are essentially cookiecutter stories with the same exact plot; namely, some ne'er-do-wells slink into Bayport and set up a criminal operation in an abandoned building "on the edge of town" (shuttered mansions in the first two books, a shuttered mill in the third), which the Hardy brothers accidentally stumble across during their motorcycling adventures in the country with their chums (get ready for a lot of references to "chums" and "pals" and "lads" in these novels), which they're then forced to solve themselves because of the local police force not believing them and Dad off on his own adventure, which invariably leads to the Scooby-Doo-like capture of the criminals ("I would've gotten away with it if not for those meddling kids!") and a huge reward from the wealthy industrialist the criminals had been planning on targeting (all in all, around a quarter-million dollars in today's money when you add up the rewards of the first three books, leading to one of the common complaints this series has received over the decades, that the Hardy Boys can essentially drop everything and travel halfway across the world whenever they want, because of being basically millionaires before they've even graduated high school).
That makes the books okay for what they are, and certainly prototypes for the "kids have actual agency" school of thought about children's literature that didn't become the mainstream norm until the 1950s, easily explaining why they were so explosively popular from the moment they began being released (when these were first published, most kids' books were still being written in the Victorian style, in which it was the adults who actually saved the day and children were presented as silent admirers who always deferred to the superior wisdom of "dear Papa"); but they're still a product of their times, including badly outdated slang and technology, a focus on activities no actual teens have been into since your grandparents' times (get ready for a lot of talk about speedboats and ham radios), and clues that by today's standards would be considered cartoonishly obvious (an entire major plot point in the first book, for example, revolves around all of these people being too stupid to understand that a criminal might wear a wig when committing a crime, leading to dozens of pages of teens standing around saying, "But he can't be the robber! HE HAS BLACK HAIR!!!!!!1!!"), making these interesting historical documents but in no way at all fun reading experiences that can be enjoyed in a contemporary way.
However, this still didn't answer my question about why I in particular didn't seem to connect with the Hardy Boys books back in my '70s youth, when the latest titles were being written in the contemporary culture; so after finishing these three, I went to the Chicago Public Library and checked out two of the titles written during my own childhood and that I in fact personally owned back in the day, 1972's The Masked Monkey (ghostwritten by Vincent Buranelli) and 1975's The Mysterious Caravan (ghostwritten by Andrew Svenson). They weren't exactly bad, which means that I definitively rejected them at the time mostly because I simply didn't like the action-adventure genre in general (interestingly, both of these titles are from the Hardy Boys' proto-Indiana-Jones "globetrotting years," in which the stories start in Bayport but before they're over take the brothers to such exotic locations as the South American rainforest and the Moroccan desert); but the pre-read assumption I did confirm is that a big part of why I rejected them at the time was simply because in the '70s they were still being written in the stilted, awkward prose of 1950s Mid-Century Modernism (and being illustrated in this outdated style as well), and all of us back then had gotten used by that point* to adults trying to feed us old 1950s crap and telling us it's still great for contemporary times, and us summarily ignoring all this old 1950s crap without ever going back and giving it even a second thought.
[*It's surreal and hilarious to me now to think back to my childhood in the 1970s and remember just how incredibly much of it still revolved around popular culture from the 1950s; keep in mind that "children's entertainment" hadn't yet become the trillion-dollar industry it now is, and that at that point the '50s were only twenty years old, so back then we didn't think twice about the idea that the only thing on television on weekday afternoons were reruns of things like The Lone Ranger and George Reeves' Superman and ancient old Three Stooges and Little Rascals shorts. Watching those now, another entire 50 years after the fact, it's hard to believe that these kinds of shows were being presented to us as perfectly fine and normal contemporary entertainment, stuff we actual kids just essentially ignored altogether, one of the major reasons Generation X became so obsessed with producing quality children's entertainment once we became adults ourselves.]
So all in all, my mini-dive into the world of the Hardy Boys this month was the kind of mixed bag these experiments always tend to be; illuminating from a historical standpoint, sort of nominally worth my time from an entertainment aspect, but not even close to being anymore the actual contemporary stories appropriate for contemporary kids that Simon & Schuster still desperately want to convince you they are. Have fun if you're an oldie like me, reapproaching them for nostalgic reasons; but for God's sake, don't force these badly dated relics anymore on any actual ten-year-old boys in your life.
First off, The Hardy Boys is a really good series for those of you that like to be on the edge of your seats, who like mystery, thrills, and action. The two Hardy Boy twins, Frank (18), and Joe (17), are the sons of world famous detective, Fenton Hardy, but they are also really talented detectives that have been on a lot of cases. It all starts when someone kidnapped a richmans son, Graham Retson. He is 18 years old, like Frank Hardy. He and his dad had gotten in fights in the past. They had been searching for clues. Finally, they found something that talked about running away, and it was Grahams handwriting. They were finding clues all over the place. Graham, or someone faking to be Graham, sent a cable that said he was at a hotel in Hong Kong and that he needed help right away. The Hardy boys went, but they were just lured into a trap by a monkey wearing a vicious mask, and some thugs. They figured it out and went back to the states, where they located Graham.
The Hardy boys are hired to look for a missing youth by his father. But things are weird right from the beginning. Chet starts a golf ball salvage business and Tony and Phil are helping him. They also help Joe and Frank as a country club seems to tie into the investigation. The boys end up in a wild goose chase....or a wild monkey chase in South America but that doesn't lead them to finding the lost youth. Graham Retson might have actually run away from home. There's some talk of him not being happy there and feuding with his father. Even if Graham did leave on his own the Hardy's need to know so they continue investigating even when they're threatened to quit. Not knowing who to trust they follow the clues hoping to solve the mystery.
The tirade through Brazil was interesting, rigged with dangers in Amazonian forests. The trademark journeys of Hardy boys outside the States always turn out to be fun reads, with their adventures and sleuthing wrapped in a neat package of villains and dangers left loose after them! This book was no different.
The Olympic health club angle was a repeat from one of the previous books in the series, where a similar high-class establishment was being used for plastic surgeries. Diabo was a nice touch, though I'm not sure you can really train a monkey that well! The whole connection with golf balls and monkey masks, and plastic surgeries seemed a bit forced at places.
Usually, Chet falls into the mystery naturally, here it is a bit forced..
The Hardy Boys and Nancy Drew are the first series that I remember reading. I was still in elementary school, but I remember thinking I was reading more grown up books because these were long (more than 20 pages, lol) and there was more than one book you could read with the same main characters! The innocence of these mysteries and recalling my own innocence just makes me happy. All parents should give their kids Hardy Boys and Nancy Drew when they're young - only good things can come of it.
The Hardy Boys were given a great deal of freedom, more than kids right now. They get to run off to Brazil unsupervised. However, I think there is still an audience for this book. Kids who don't have cell phones yet might not question the lack of cell phones and it is a good, short escape into another time. The monkey in this book doesn't quite seem realistic. Chet was great comic relief whenever the boys got into trouble.
I first read this book over 40 years ago, in the late 1970s. I was a huge Hardy Boys fan, thanks to the TV show at the time. I had most of the books, and this was one of my favorites in the series. Frank and Joe are looking for a missing young man, their age. The search takes them to Brazil, and back again. It's non stop action. Unbelievable at times, but to the 10 year old me, it was fantastic. And I must admit I enjoyed this re-reading of it...
A rare miss with an okay storyline and a clearly false trail to Brazil that was completely unnecessary except to introduce the title simian. The Hardys could have been led 20 miles outside of Bayport and achieve the same effect.
The person they sought was perhaps the dumbest hostage in the history of this series. This is definitely one for younger readers, as even teen readers are going to roll their eyes.
I got this book from a friend. He gave it for free! And because I love these and Nancy Drew, I have been looking for books like these but couldn't find any even in thrift shops.
But after reading this one, it gave me goosebumps because of young boys doing risky things because they love it. And their parents are go for it! Asians couldn't relate.
Whenever it's a book that depends on the villains failing to be efficient, it's just an okay Hardy Boys story. In this one they get saved by their father's friend, and got toyed with, so I wouldn't say this was among their better exploits.
Not a bad story for the Hardy's, but just as unlikely as the rest of them. The monkey notion seemed to come out of nowhere, and once again Chet's hobby of collecting golf balls to sell neatly fits in with the mystery of the week.
In terms of chaos you have it here in droves. Why even include extraneous friends if they have nothing to do or say (I'm referring to Tony and Phil) and just disappear from consideration? Probably one of the worst of these books.
This one was good... if a little weird. It was certainly quite an adventure, far-flung and away from most of their past adventures. Good mystery overall.
Frank and Joe are called upon to find a rich industrialist's son who has mysteriously disappeared. The only clue in the case leads the two young detectives to South America, where the encounters of evil men almost cost them their lives. Through their struggles Frank and Joe struggle to solve the case.
This book was very good and intriguing. It was a lot different from the other books in the series but it was still a good read. I really liked the part when they were trying to find out who wrote the letter.
This book is a good read for any age 11 and up. This book has a lot of adventure and suspense. You will not be able to put down this book.
When I first read Hardy Boys, I think I was in class 5, I had such a crush on Frank Hardy. I liked the brainy one over the brawny one and that sums up my first impression of Hardy Boys. In their late teens, Frank and Joe Hardy take after their detective father Fenton Hardy. Frank is the older of the two and has more breakthroughs in the cases because he is the brainy one. Joe is the younger brother who more often than not is useful when things get hot and they need to fight their way out. Like Nancy Drew, the books in the The Hardy Boys series re written by ghostwriters under the collective pseudonym Franklin W. Dixon. And yes, the earlier books were better than the latter ones.
Hired by a wealthy man not far from Bayport to find his missing son, Frank and Joe end up travelling to Brazil for answers - but the truths they seek may be back home, revolving around stolen passports and one vicious monkey accomplice! Dixon will keep fans chuckling and gasping with every chapter of this exciting mystery. Can the Hardy Boys and their pals get to the bottom of their missing persons case, or will all this monkey business end up cutting their travels short?