Basically, I'll review all four books of the Sharing Knife series in this review.
I wanted to read some of Bujold's fantasy after reading her fantastic Vorkosigan series. Unfortunately I started with the Sharing Knife series.
Coming from the Vorkosigan saga's excellent expression of complex characters and clearly delineated political systems, this series was a disappointment.
It has her usual themes from the Vorkosigan series: culture clash, younger woman/older man relationship, women's roles in a patriarchal society, and so forth. However, these themes are more clumsily executed.
The culture clash theme is portrayed in the conflict between the settled farmers who want land to work while the Lakewalkers patrol these lands for evil magical disturbances and would rather the farmers stay in one place so as not to be a ready food source for those magical entities.
Actually, the way the magical entities are described is pretty interesting, hinting at an ancient society of powerful sorcery gone wrong. However, Bujold brushes aside the epic story arc for a micro view.
When Lakewalker Dag and Farmer Fawn get married, that is the minute examination of culture clash when each meets the other's families and tries to live in the other's fairly closed society, in a very similar way to Cordelia and Aral. But the ways in which the two cultures clash is fairly predictable and kind of meh.
The culture clash idea is also a little irritating because it's obvious that the Lakewalkers are basically just white-washed Native American stereotypes. Even the landscape is pretty obviously North America (they boat down the Mississippi at one point) which makes the whole white-ified thing more annoying.
Though one small aspect I did like was the contrast between the Northern Lakewalkers and the Southern Lakewalkers, demonstrating that the society is not one strict homogeneous culture. Still, that's not enough to save the whole book.
Bujold as usual makes one society more feminist than the other, the Lakewalker society being matrilineal while the farmer society is both patrilineal and patriarchal. Fawn and Dag's sex life is very sex-positive in that they both enjoy it and take time with it. It is contrasted to the sex that Fawn had back on the farm which involved the double standards of a patriarchal society. Also, warning for her near rape in the beginning of the first book (which also is something that happens to Cordelia) as sexual violence against women in times of war is another theme of Bujold's. The whole sex positive part is done pretty well.
I was disturbed by the 18 year old Fawn/55 year old Dag's relationship. When we read Fawn and Dag's feelings, we know that it's a pretty equal relationship, but personally, I still am disturbed. Especially when they first met because Dag saved Fawn from a near rape and subsequent miscarriage and then they get married after two weeks after which neither of them can really divorce each other without totally screwing themselves over.
Also, Bujold has a theme of injured men and nursing women. That's pretty much the whole series. Dag has already lost a hand anyway, and then he spends like two books with a useless arm while Fawn nurses him through. Though that was a good theme in the beginning of Cordelia and Aral's relationship, and pretty great in Curse of Chalion with Cazaril (I felt it enhanced his religious blooming), it got a little tiresome in the Sharing Knife series.
Bujold is careful to describe Dag's respect for Fawn's abilities, but it almost comes off as just too...fawning. (pun intended :P) Though both Fawn and Dag's abilities develop throughout the books, their relationship is just too saccharine.
Basically I just thought Fawn and Dag were a little shallow compared to former characters, and that their relationship was too much Dag-as-a-teacher/explainer/awesome-sorcerer and Fawn-as-Dag's-loyal-supporter/military-backup. Though the world is well formed and the magic aspect nicely described, the characters just don't carry it out to the full potential. And the whole microview of a potential epic is also dissatisfying. All in all, a substandard story coming from a great author like Bujold.