2.5
I'm sort of torn on how I feel about this book. On one hand, it was very readable. It was a pretty quick and easy read, and there was nothing annoyingly tedious or boring about it, or any of that.
But on the other hand, and it's a big other hand, I sort of hated everyone, except for Andrea, but I didn't always understand why she did some of the things she did. Sometimes she acted very childish, which didn't really work with how I felt the character started out. I mean, we're all prone to occassional outbursts, but her outbursts didn't always make sense in placement and intensity.
And I couldn't like most of the other people, especially Tio Ramero and the Queen. A lot of times it seemed like the Queen didn't really love her daughter, nor did the King. And I suppose, in some ways, the historical element of that could be true - she was a fourth daughter to royalty, and chances are her life would've been bought and sold for alliances and whatnot. But I suppose I prefer my fairy tales to be a bit more fairy-taleish, where the princess is raised with a sense of duty and obligation, but also love.
But the Queen irritated me doubly because she's originally from our world. She should understand what it is for a girl to not want to follow in the traditional roles of a woman. I had a hard time imagining a woman who trained to be a doctor to fitting so easily and so comfortably into a medieval like setting where women were very second-class, let along forcing her daughters to do the same, and not being remotely sympathetic when her daughter said she didn't want to follow that life. I would think the mother would understand that maybe Andrea would be better off in her world, and have sent her to Raymond long before.
And speaking of Raymond/ Tio Ramero - he irritated me even more, I think, in part, because I liked him in the beginning. It seemed he would be the sympathetic one, the one that was on her side - but he went from hot to cold so quickly and easily. I mean, the man was seriously bi-polar.
And everyone laid into Andrea for everything. I mean, on one hand she's this naive girl, but they expect her to act mature and grown-up, but then the dismiss her and treat her like a child. How can she be grown-up if no one will tell her anything?
That's another thing that irked me. This book had so much misunderstanding and bs that could've been easily resolved if people just talked, or if her mother or uncle would just sit and have a conversation with Andrea.
For instance, the mother didn't want her to become a squire not just because of the proper place of a woman, but because she did care for her and couldn't bear to think of her going off and getting killed. But this only comes across in one scene, where she forces Andrea to see the damage done by an arrow wound.
Why not have told her this before? Why not actually show the girl some love and care and concern, instead of always harping on her because she's not the perfect little princess.
Anyway, lastly, John is a jerk. He is the jerkiest jerk of jerkdom, aside from, perhaps, the younger brother, who I also sort of liked at first and then didn't. But not much of what happened with John really made much sense, either.
***
Anyway, the love story angle was kind of cute, even though I saw it coming. Again it was a lot of silliness which could've ben averted if anyone ever just came out and said anything - but ah well.
It's not a bad book, for a freshman effort, and there are some other issues (like the arrow wound of death, in the shoulder... and were there ever stitches done? I was unclear on this point?) - but, overall, it was readable.
But character consistency and interpersonal relationships need to be fleshed out, because a lot of stuff done and said, when it was said, didn't always seem to make sense.