(7/10) After a prologue that tells the story of residential schooling in a mythical, almost fairy-tale way, Porcupines and China Dolls jumps right into the visceral and the raunchy. Over the next hundred pages Alexie expertly depicts a Northern Aboriginal town full of people and relationships, most of them heavily dysfunctional, and with the whole town caught in an endless rhythm of alcoholism and meaningless sex. Alexie's greatest feat in this novel is depicting the town as a believable, if very dark, human ecosystem. What's more, he makes it clear how the social decay of Aberdeen, NWT is a direct result of Canada's economic and social policies towards First Nations people over the past century, most notably the scarring trauma of residential schools.
And then the plot comes along. Characters confront their demons, the story seemingly reaches a climax, then the resolution starts to fall apart, and then there's a second, more tentative resolution. Throughout Alexie's style is hyperbole and maximalism, exemplified by the chapter in which a healing workshop and the disclosing of sexual abuse is described as an epic battle, but also in the endless sexual and bodily debasement. It's striking and at least initially fun to read, but after a while it starts to come off as kind of gimmicky. The climax and resolution also seemed distinctly unnatural -- we're presented at first with a hopeless cycle, and then it suddenly stops being hopeless and people start being able to face their problems, for reasons that are unclear.
It's a very strange thing to say, but I would have preferred to stay in the hopeless Aberdeen of the first half of the novel for a little longer. It could have made for a great rural noir, although that's clearly not the story that Alexie wanted to tell. The story he does tell is heavy-handed to the point of didacticism, although the style and huamnity Alexie does it with make it something a bit more. A flawed novel, but definitely an interesting entry into the corpus of Aboriginal literature.