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133 pages, Paperback
First published January 1, 2009
There’s only one. But the Dragon appears in a new incarnation in every age of history. Reborn over and over. No one knows why or how the Dragon comes back, only that the cycle keeps repeating itself. Dragon and dragonslayer. Over and over, throughout time…Simply amazing. No wasted words but plenty of information and a wonderful balance between intimate, small scale story and its part in a larger context.
…She saw golden-haired Siegfried, millennia ago, spearing the dragon Fafnir before the mouth of a misty Teutonic cave. Further back in time she saw Thor, his muscles straining through his skin as he thrashed the Midgard Serpent Jormungandr against the rugged, rocky fjords of Norway; and further still to Indra, in his colourful Hindu headdress, wresting with the three-headed serpent Vritra the Enveloper in the jungles of India; and the Hittite storm god Tarhun, bolts of lightning glinting off the edges of his double-bladed axe as he slew the dragon Illuyankas amid the olive groves of Turkey; all the way back to Marduk of Sumer, a titanic shadow against the black emptiness of space, cutting the dragon Tiamet to pieces and creating the world from her bones.
Chasing the Dragon wanted to be epic. It had a dragon, that’s pretty epic. A modern dragon slayer whose whole family -for centuries- had hunted the dragon and tried to kill her- that’s pretty epic. The dragon slayer (Georgia) was addicted to heroin, and the plot knots up her drug addiction and dragon hunting into a pretty neat little symbolic package, which I appreciated. The dragon was gruesome! And could turn the people she killed into zombie- like followers, or as Georgia calls them: meat puppets.
I mean come on! A dragon! Zombies! A modern, female dragon slayer with a drug addiction! THAT’S FUCKING SWEET! But then you get this kind of thing:
“She was pretty sure that was the moment she’d stupidly fallen in love with a dorky philosophy major from Topeka with a girlfriend waiting for him back home.”
And my eyes roll so far back in my head I think they’re going to get stuck there and Georgia’s voice and appearance instantly become something resembling Valley Girl in my head, which is distracting when she’s trying to trash talk the dragon.
This book had the backbone of something great, and if you could forget about Georgia, and focus entirely on the plot, you might have a better opinion of this book, but you would have to ignore this kind of thing:
Georgia meets a guy outside of the hotel she’s staying at (he’s an older black guy with a kid). They start talking about things and she tells him she’s in town on business, he says- “Hell, you should be living in a loft in New York with eight other kids trying to figure out what to do with your life, not traveling all over the damn place on business.”
Is this not the dumbest thing you’ve ever heard? Number one, wtf?! Number two, I would love to be 25 and have a job that paid me to travel around, I mean, that sounds like a pretty kick ass job! Number three, why the fuck NYC in a loft with eight other “kids”? Who would want to live with eight other 25 year olds? That sounds like mental torture.
I’m being persnickety, but I have a real problem connecting to a story where I hate everyone except the nasty, world- devouring dragon.
It’s all just hokey, which detracts from the really strong horror plot that’s going on in the background. I kept thinking the whole time I was reading this- if Nicholas Kaufmann had written this like The Gunslinger, or maybe if Stephen King had written this story, it would’ve been AWESOME, but… alack and alas it became a big ole dud. The ending was awful.