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The Autobiography of LeRoi Jones
Poet, dramatist, novelist, critic, teacher, and political activist Amiri Baraka, born LeRoi Jones, vividly recounts his crusading role in African American literature. A driving force behind the Black Arts Movement, the prolific Baraka retells his experiences from his participation in avant-garde literature after World War II and his role in Black nationalism after the assassination of Malcolm X to his conversion to Islam and his commitments to an international socialist vision. When The Autobiography of LeRoi Jones was first published in 1984, the publisher made substantial cuts in the copy. Under the careful direction of the author, the book has been restored to its original form. This is the first complete and unexpurgated version of Baraka’s life and work.
496 pages, Paperback
First published January 1, 1984
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About the author
Amiri Baraka
154 books396 followersPoems and plays, such as
Dutchman
(1964), of American writer Amiri Baraka originally Everett LeRoi Jones focus on racial conflict.
He attended Barringer high school. Coyt Leverette Jones, his father, worked as a postal supervisor and lift operator. Anna Lois Russ Jones, his mother, worked as a social worker.
He studied at Rutgers, Columbia, and Howard universities but left without a degree and attended the new school for social research. He won a scholarship to Rutgers in 1951, but a continuing sense of cultural dislocation prompted him to transfer in 1952 to Howard. He studied philosophy and religion, major fields. Jones also served three years in the air force as a gunner. Jones continued his studies of comparative literature at Columbia University. An anonymous letter accused him as a Communist to his commanding officer and led to the discovery of Soviet literature; afterward, people put Jones on gardening duty and gave him a dishonorable discharge for violation of his oath of duty.
In the same year, he moved to Greenwich Village and worked initially in a warehouse for music records. His interest in jazz began in this period. At the same time, he came into contact with Beat Generation, black mountain college, and New York School. In 1958, he married Hettie Cohen and founded Totem Press, which published such Beat Generation icons as Jack Kerouac and Allen Ginsberg.
Jones in July 1960 visited with a delegation of Cuba committee and reported his impressions in his essay Cuba libre . He began a politically active art. In 1961, he published Preface to a Twenty Volume Suicide Note , a first book. In 1963, Blues People: Negro Music in White America of the most influential volumes of criticism, especially in regard to the then beginning free jazz movement, followed. His acclaimed controversy premiered and received an Obie Award in the same year.
After the assassination of Malcolm X (1965), Jones left his wife and their two children and moved to Harlem. His controversial revolutionary and then antisemitic.
In 1966, Jones married Sylvia Robinson, his second wife, who later adopted the name Amina Baraka. In 1967, he lectured at San Francisco State University. In 1967, he adopted the African name Imamu Amear Baraka, which he later changed to Amiri Baraka.
In 1968, he was arrested in Newark for allegedly carrying an illegal weapon and resisting arrest during the riots of the previous year, and people subsequently sentenced him to three years in prison; shortly afterward, Raymond A. Brown, his defense attorney, convinced an appeals court to reverse the sentence. In that same year, Black Music, his second book of jazz criticism, collected previously published music journalism, including the seminal Apple Cores columns from Down Beat magazine. In the late 1960s and early 1970s, Baraka penned some similar strongly anti-Jewish articles to the stance at that time of the Nation of Islam to court controversy.
Around 1974, Baraka himself from Black nationalism as a Marxist and a supporter of third-world liberation movements. In 1979, he lectured at Africana studies department of State University of New York at Stony Brook. In 1980, he denounced his former anti-Semitic utterances, declaring himself an anti-Zionist.
In 1984, Baraka served as a full professor at Rutgers University, but was subsequently denied tenure. In 1989, he won a book award for his works as well as a Langston Hughes award.
In 1990, he co-authored the autobiography of Quincy Jones, and 1998 , he served as supporting actor in Bulworth, film of Warren Beatty. In 1996, the red hot organization produced Offbeat: A Red Hot Soundtrip, and Baraka contributed to this acquired immune def
He attended Barringer high school. Coyt Leverette Jones, his father, worked as a postal supervisor and lift operator. Anna Lois Russ Jones, his mother, worked as a social worker.
He studied at Rutgers, Columbia, and Howard universities but left without a degree and attended the new school for social research. He won a scholarship to Rutgers in 1951, but a continuing sense of cultural dislocation prompted him to transfer in 1952 to Howard. He studied philosophy and religion, major fields. Jones also served three years in the air force as a gunner. Jones continued his studies of comparative literature at Columbia University. An anonymous letter accused him as a Communist to his commanding officer and led to the discovery of Soviet literature; afterward, people put Jones on gardening duty and gave him a dishonorable discharge for violation of his oath of duty.
In the same year, he moved to Greenwich Village and worked initially in a warehouse for music records. His interest in jazz began in this period. At the same time, he came into contact with Beat Generation, black mountain college, and New York School. In 1958, he married Hettie Cohen and founded Totem Press, which published such Beat Generation icons as Jack Kerouac and Allen Ginsberg.
Jones in July 1960 visited with a delegation of Cuba committee and reported his impressions in his essay Cuba libre . He began a politically active art. In 1961, he published Preface to a Twenty Volume Suicide Note , a first book. In 1963, Blues People: Negro Music in White America of the most influential volumes of criticism, especially in regard to the then beginning free jazz movement, followed. His acclaimed controversy premiered and received an Obie Award in the same year.
After the assassination of Malcolm X (1965), Jones left his wife and their two children and moved to Harlem. His controversial revolutionary and then antisemitic.
In 1966, Jones married Sylvia Robinson, his second wife, who later adopted the name Amina Baraka. In 1967, he lectured at San Francisco State University. In 1967, he adopted the African name Imamu Amear Baraka, which he later changed to Amiri Baraka.
In 1968, he was arrested in Newark for allegedly carrying an illegal weapon and resisting arrest during the riots of the previous year, and people subsequently sentenced him to three years in prison; shortly afterward, Raymond A. Brown, his defense attorney, convinced an appeals court to reverse the sentence. In that same year, Black Music, his second book of jazz criticism, collected previously published music journalism, including the seminal Apple Cores columns from Down Beat magazine. In the late 1960s and early 1970s, Baraka penned some similar strongly anti-Jewish articles to the stance at that time of the Nation of Islam to court controversy.
Around 1974, Baraka himself from Black nationalism as a Marxist and a supporter of third-world liberation movements. In 1979, he lectured at Africana studies department of State University of New York at Stony Brook. In 1980, he denounced his former anti-Semitic utterances, declaring himself an anti-Zionist.
In 1984, Baraka served as a full professor at Rutgers University, but was subsequently denied tenure. In 1989, he won a book award for his works as well as a Langston Hughes award.
In 1990, he co-authored the autobiography of Quincy Jones, and 1998 , he served as supporting actor in Bulworth, film of Warren Beatty. In 1996, the red hot organization produced Offbeat: A Red Hot Soundtrip, and Baraka contributed to this acquired immune def
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Displaying 1 - 9 of 9 reviews
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March 14, 2011I love everything Jones/Baraka wrote in his younger days. He was the most intense, brilliant, fearless of the black writers of the '60s. His plays -- "The Toilet," "J-E-L-L-O," "Slave Ship" -- were eviscerating, and his essays -- "Home" --had a skewering depth that nobody else reached. But like the rest of us, he got older, and though he didn't exactly lose his edge, by the time of the autobio (1984) he'd lost the cohesion that made his writing unique. I can read 3 or 4 pages of this at a time, but it's exhausting without being enlightening. I'm hoping that if I give it to a thrift shop, somebody in these very white hills will pick it up, but I doubt that.
June 23, 2013
probably my favorite autobiography of all time.
December 20, 2007
Amiri Baraka is an important figure in US literary and piolitical history, but i read this book primarily because of his connection to the city of Newark. In his highly personal style, he describes his life up to the mid-seventies, from his childhood in Newark to the time he spent in the armed forces, to his beginnings in the NY literary scene, and finally to his role in the black liberation struggle.
i wasn't spell-bound by it, by i definitely found it to be interesting and a worthwhile read.
i wasn't spell-bound by it, by i definitely found it to be interesting and a worthwhile read.
September 3, 2014
Everything you've ever wanted to know about Amiri Baraka but were afraid to ask.
December 11, 2024
This book has revolutionized my life
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August 6, 2024The paragraph where Calvin hernton calls his gf a lesbian bc she talks back to them and Baraka does nothing? Pretty emblematic. He felt he had to say male chauvinism every 7 pages instead of actually just calling himself a physical/emotional abuser but for a nerd of the Black Arts like me I found this book to be full of tremendously rich and hole-filling anecdotes. I really really agree with Greg tates essay about Baraka “growing up in public”—the book was not good and at the same time I don’t hate that it exists. Can’t even think of a star rating so will leave it here.
November 5, 2013
I liked the first half of the book, since it was more personal and said a lot about what was going on inside and outside of LeRoi Jones. I would definitely prefer to read the same kind of account about his days in black movements. Here it looks more like a list of names hastily collected than a story of one man's development.
May 21, 2012
Wow, this man's story is very interesting and inspiring when you learn about all the things he did and how great of a writer he became. He has an awesome sense of humor as well.
June 13, 2012
I read this nearly 20 years ago and still vividly remember how he wrote about the Newark Eagles and going to baseball games with his father ... truly lyrical.
Displaying 1 - 9 of 9 reviews