Where The Dark & Light Folks Meet

by Randall Sandke

Where the Dark and the Light Folks Meet tackles a controversial Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint.

Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has so encumbered it. The result is a truer appreciation of the music and a greater understanding of the positive influence racial interaction and jazz music have had on each other.

Genres: Music, Jazz

288 pages, Hardcover

First published January 1, 2010

Reviews

[L.A. Review · Rating 5 out of 5]

Where the Dark and the Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke offers an in-depth exploration of the complex relationship between race and jazz, providing valuable insights into its historical, social, and economic dimensions. Sandke's extensive experience as a jazz musician and historian lends credibility to his analysis, allowing readers to gain a deeper understanding of the subject matter.

One of the book's notable strengths is its comprehensive coverage, tracing the evolution of jazz from its origins in African American communities to its global dissemination and commercialization. Sandke skillfully navigates through complex terrain, illuminating how racial dynamics have shaped the perception and reception of jazz over time. Additionally, his exploration of jazz mythology adds an intriguing dimension to the discussion, revealing how romanticized notions of authenticity have often obscured the realities of racial injustice in the music industry.

However, the book occasionally adopts a didactic tone, which may alienate some readers. Sandke's impassioned arguments, while well-intentioned, sometimes overshadow the nuanced complexities of the subject matter, making it less accessible to a broader audience.

In conclusion, "Where the Dark and the Light Folks Meet" offers valuable insights into the intersections of race, identity, and power within the realm of jazz. While it may not appeal to all readers due to its occasionally didactic tone, the book provokes important conversations about race, culture, and the enduring legacy of jazz music, making it a worthwhile read for those interested in delving deeper into these topics.

L.A.Review

Where The Dark & Light Folks Meet

[David Becker · Rating 3 out of 5]

An in-depth study of how racism has affected jazz over the decades. Consensus seems to be that jazz hasn’t been particularly better or worse at dealing with race than other American institutions. Slightly spoiled by an odor of sour grapes and use of Anne Coulter as a source.

[Garret · Rating 4 out of 5]

This is a well researched, well written, well thought out and fascinating look at racism and inequality in the jazz world -- past and present. It sets a lot of misconceptions straight. The author is a brilliant jazz musician himself. It is an easy, quick read. It is interesting to follow the changes in attitudes over the decades covering well over a century. It will give you a lot to think about.