Mahiru is a girl who only seems to bring good luck to others. Watching everyone around her win big when her own life seems to be a series of hazards is not much fun. But when she meets members of the Lunar race, who ask her for help, she starts to realize she might have more significance than she knows . . .
I decided to re-read this series since it's been years, curious if my view on things had changed at all. On the one hand, this is very much a collection of the popular tropes at the time: phantom thieves who are supernatural guys (including the obligatory vampire and werewolf, which is probably why the tengu is my favorite). On the other, there's enough unique about this that I still enjoy it for what it is.
Mahiru is drawn to an old song about a princess and a demon, and the underwater imagery that usually accompanies this tends to be really pretty. Her "powers", such as they are, are entirely outside her control. Anyone else only has to touch her to get lucky (or for the Lunar race, to gain the powers they would naturally have on a full moon regardless of the actual moon phase).
The guys are fairly interchangeable at this stage, with only a few things to differentiate them. Which, again, is where the tengu stands out. He's the only one adamantly opposed to Mahiru, and although he's not always mean about it, it's clear he has no intention of changing his mind. He doesn't want her powers, finds her humanity disgusting, and can't wait to get rid of her. Yet his story is drawing up more of a Beauty and the Beast parallel, once it reveals a few things about his past.
I don't actually like most of the art that much. It's not ugly, or bad, but it's too hard for me to tell characters apart, especially some of the secondary characters. The underwater scenes are nice, but in general this isn't a manga I read because I adore the art.
Overall I'm still enjoying this, although I can tell why it never really differentiated itself enough to get an anime. I rate this book Recommended.