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F/32
Lures the reader into a landscape of sexual alienation, continually interrupted by gags, dreams, mirror reflections, flashbacks, and scenes from Manhattan street life
More outrageous than Erica Jong, more sensational than Nicholson Baker's Vox, more explosive than the subsequent Vagina Monologues, f/32 is Eurydice's astonishing award-winning debut. If Gogol had an irrepressible nose, then Ela (a name meaning orgasm) has a less metaphorical organ which is relentless and defining. It whines, it shrieks, it drives Ela mad. Thanks to “ it,” Ela is an urban siren. Ela (a pseudonym meaning orgasm) stops all hearts. No matter how many people love her, she daily inspires more. She spends half her life avoiding the people who love her, and the other half making them love her. Whoever meets her, desires her at their own risk. Then, one day, she loses the instrument of her pleasure, and sets out after it on a quest for it. f/32 is a wild Rabelaisian romp through most forms of amorous excess, but it is also a brilliant and apocalyptic tale orbiting around a macabre assault on the streets of Manhattan. Ela’s mock-quest for self-understanding and unification, f/32 lures the reader into a landscape of sexual alienation, continually interrupted by gags, dreams, mirror reflections, flashbacks, and street scenes from Manhattan. Between the poles of desire and butchery the novel and Ela sail, the awed reader going along for one of the most dazzling rides in recent American fiction. Fasten your safety belts, for the most unforgettable narrative ever written by a woman.
Ela is no matter how many people want her, she daily inspires more. Then one day, she loses the instrument of her “ pleasure,” & sets out after it on a mock-quest for self-understanding & unification. Eurydice's groundbreaking novel examines the Judaeo-Christian dichotomy of flesh & spirit, as it is lived by a modern Everywoman, Ela, in NYC. The narrative, conceived as a neo-fable, follows Ela's urban mock-quest for self-understanding & unification, as she struggles with her alienation from her sexuality & (when seen from the other side of the mirror) her alienation from self-conscious cognition & civilization. Ela's unleashed female signifier (literalized as her estranged vagina) is naturally out of sync with the signified world around her; & the integrity of her quest is undermined by her socially-enforced image of herself. In the final redemption, Ela reunites with her dismembered body &, according to one reviewer, by that act she “ redefines the modern world.” “ f/32” refers to the aperture of the camera lens that presents the central transformation (vagina into viewing lens) in the novel. f/32 exorcises the language of everyday sex, the fear of sexual terms, the secrets of the female body. It reclaims the sexual signifier for women & subverts the Lacanian mirror. It has been called “ the definitive novel on female sexuality.”
Eurydice’s debut novel, f/32, was published as a result of winning a National Fiction Competition to which Ron Sukenick submitted her College thesis on his initiative. She was living in India and working in film. The book was bought by Virago Press, rewritten as f/32: The Second Coming, published as a separate novel by Virago, and translated into many languages, incl. Dutch, Italian, German, French, Japanese. This fable of a vagina on the run, and of its owner’s quest for self-understanding and unity through a landscape of sexual alienation continually interrupted by gags, dreams, mirror reflections, flashbacks, and her Manhattan street life, quickly became a literary cult favorite.
More outrageous than Erica Jong, more sensational than Nicholson Baker's Vox, more explosive than the subsequent Vagina Monologues, f/32 is Eurydice's astonishing award-winning debut. If Gogol had an irrepressible nose, then Ela (a name meaning orgasm) has a less metaphorical organ which is relentless and defining. It whines, it shrieks, it drives Ela mad. Thanks to “ it,” Ela is an urban siren. Ela (a pseudonym meaning orgasm) stops all hearts. No matter how many people love her, she daily inspires more. She spends half her life avoiding the people who love her, and the other half making them love her. Whoever meets her, desires her at their own risk. Then, one day, she loses the instrument of her pleasure, and sets out after it on a quest for it. f/32 is a wild Rabelaisian romp through most forms of amorous excess, but it is also a brilliant and apocalyptic tale orbiting around a macabre assault on the streets of Manhattan. Ela’s mock-quest for self-understanding and unification, f/32 lures the reader into a landscape of sexual alienation, continually interrupted by gags, dreams, mirror reflections, flashbacks, and street scenes from Manhattan. Between the poles of desire and butchery the novel and Ela sail, the awed reader going along for one of the most dazzling rides in recent American fiction. Fasten your safety belts, for the most unforgettable narrative ever written by a woman.
Ela is no matter how many people want her, she daily inspires more. Then one day, she loses the instrument of her “ pleasure,” & sets out after it on a mock-quest for self-understanding & unification. Eurydice's groundbreaking novel examines the Judaeo-Christian dichotomy of flesh & spirit, as it is lived by a modern Everywoman, Ela, in NYC. The narrative, conceived as a neo-fable, follows Ela's urban mock-quest for self-understanding & unification, as she struggles with her alienation from her sexuality & (when seen from the other side of the mirror) her alienation from self-conscious cognition & civilization. Ela's unleashed female signifier (literalized as her estranged vagina) is naturally out of sync with the signified world around her; & the integrity of her quest is undermined by her socially-enforced image of herself. In the final redemption, Ela reunites with her dismembered body &, according to one reviewer, by that act she “ redefines the modern world.” “ f/32” refers to the aperture of the camera lens that presents the central transformation (vagina into viewing lens) in the novel. f/32 exorcises the language of everyday sex, the fear of sexual terms, the secrets of the female body. It reclaims the sexual signifier for women & subverts the Lacanian mirror. It has been called “ the definitive novel on female sexuality.”
Eurydice’s debut novel, f/32, was published as a result of winning a National Fiction Competition to which Ron Sukenick submitted her College thesis on his initiative. She was living in India and working in film. The book was bought by Virago Press, rewritten as f/32: The Second Coming, published as a separate novel by Virago, and translated into many languages, incl. Dutch, Italian, German, French, Japanese. This fable of a vagina on the run, and of its owner’s quest for self-understanding and unity through a landscape of sexual alienation continually interrupted by gags, dreams, mirror reflections, flashbacks, and her Manhattan street life, quickly became a literary cult favorite.
- GenresFiction
257 pages, Paperback
First published April 1, 1991
76 people want to read
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Displaying 1 - 9 of 9 reviews
August 15, 2025
2,5
Niet zo leuk als verwacht en gehoopt, maar ook niet helemaal kut
Niet zo leuk als verwacht en gehoopt, maar ook niet helemaal kut
half-read
October 7, 2013I tried and I failed. You may think a novel featuring a disembodied vagina in a jar would be hilarious, but trust me, it isn’t. Feisty feminist fiction whose sell-by date expired in 1992. Reads pretty much like Mrs Robert Coover or Mr Kathy Acker. Blerk.
July 22, 2008
This is just pointlessly offensive, revealing absolutely nothing about the nature of the human experience. I really despise this author. I read this book years before I read her annoying Satyricon expose of the bdsm community.
August 12, 2011
This was my second reading of this book, and my second attempt to find any literary value in it. The first time, I suspected it was written purely for shock value. This time I could see some meaningful metaphors in that shocking imagery. I learned of this book through the web site
Alternative-X
, a site I discovered in my early days on the Internet and thought I had discovered an exciting new literary world. This was one of four or five avant-pop books I bought after reading about them or their authors on Alt-X. They were all disappointing - this one shockingly so.
April 13, 2008
"ela had the tightest cunt in the world"
post modern, post feminist, not for everyone. fun for me.
post modern, post feminist, not for everyone. fun for me.
July 25, 2008
very, very, very original writing style and over-the-top wild ride.
August 1, 2009
Surrealist erotica.
June 4, 2015
Feminist naked lunch!
Displaying 1 - 9 of 9 reviews