In the Fullness of Time: 32 Women on Life After 50, edited by Emily W. Upham and Linda Gravenson, is an excellent look into women's lifes in their years of maturity. Women from age 55-101 who have undergone a maelstroms of change. Reading another book it referred to Ntozake Shange's essay, how she had a major stroke and had to relearn to talk and to read. Loving her play For Colored Girls Who Have Considered Suicide/When The Rainbow Is Enuf I was compelled to find this book to read her essay. Turns out she suffered not only a stroke but water intoxication or low sodium. Despite these setbacks she continued and changed from teaching to making metal sculptures at the foundry and performing. She felt the need to work and fought back against these major physical afflictions till she passed in 2018 just after her 70th birthday.
Other women in the book whose work I know included: Vivian Gornick, Carolyn See (passed in 2016), Laurie Stone, Sharon Olds, Erica Jong, and Dr. Christine Northrup. I was glad to be introduced to many others in the total of 32 essays and interviews.
Some quotes:
Elizabeth Frank in her essay "Woman with a Pink" interviews women, K whose marriage broke up said, "Perhaps hardest of all, those revelations came at a time when she would never again possess that bookended eternity, the thirty or so years between twenty and fifty, when life can flower the way you think it's supposed to and you have energy and looks and a body that obeys your commands."
And another friend in her nineties with cancer and in pain said, "It may be that with age certain illusions die before we do."
Gail Godwin, who was turned down for a home care insurance policy because she kept too good care of herself, reflects on her life and how she didn't have enough money to go to college as a young woman. She reads from a letter:
"This is your life, but you may not get to do what you want in it.
I can't see a way out of this.
Things will not necessarily get better."
"That's the kind of language that speaks to you in the losing-ground place, whether it happens to be oppressive living conditions you lack means to escape from, the crushing realization that someone you love does not love you back, a sudden falling off of health, the lost of prestige in your profession, the death of someone who did love you back—or being turned down for a health insurance policy that would enable you to "die at home"—a code phrase for remaining in control until the end? Or maybe even for cheating death altogether?"
She quotes from Helen M. Luke, "King Lear," in her book OLD AGE, 1987
"At every age, in every person, there comes a partial imprisonment, a disabling psychic wound, an unavoidable combination of circumstance, a weakness that we cannot banish but must simply accept."
Frances Itani, a Canadian novelist, gives us a quote from her artist friend: "[the work each of us are doing} has so much to do with being able to contain the feeling—love—in a fine structure." And Itani writes, "And I think, yes, that's exactly what we do. As artists, we draw not only on our defeats but on all experience. We draw on the past and use it as a kind of energy that will provide extra vision to balance loss. We add constantly to our bundles and take from them what we must. And then, with fierceness, we pour love into the finest structures we are able to create."
Tina Howe headed the creative writing program at Hunter College in NY and died in 2023. In her essay, "Bubble, Bubble, Toil and Trouble," she wrote of women: Since life begins and passes through us, the membranes between what we should do and what we want to do get thinner and thinner as we age. As a result, there's no rage like old-lady rage, just as there's not tenderness like old-lady tenderness. Beware the aging saint, witch, or whore. One way or another, she'll bring you to your knees!"
I find it excellent to read the writing of wise older women.