The Stud by Jackie Collins
Rating: 3 ½ stars
First things first, I got this book free from Amazon. Second, Jackie Collins has been deceased for only two years. Her sister, Dame Joan Collins, is more than an honorable mention and a legend. So the least that I could do is write a full-bodied review, pouring it straight from the lead crystal decanter of my opinion. Here goes.
Now, on to the good stuff-
In the era of pop culture television shows like
Dallas
,
Dynasty
,
Knots Landing
, and
Falcon Crest
prevailed. Plus there were a slew of novelists –with spin-off made-for-television and movie films—such as Sidney Sheldon (writer-producer mogul), Danielle Steele, V.C. Andrews, Maeve Binchy, Diana Palmer and Fern Michaels. You get the picture. Jackie Collins is part of this esteemed group but even then, she was in a class of her own making. As prolific as she was stylish, Jackie C was the reigning queen of literary smut in her heyday.
The Stud kicks off in late swinging 1960’s London. At the heart of the narrative is ambitious, hormone and ego-driven (if a little idealistic at times) Tony Blake who becomes the sexual play-thing and employee of Fontaine Khaled, a retired model and the wife of mega millionaire Benjamin Khaled. Tony helps Fontaine open a disco called Hobo’s which becomes The Spot where all the celebs, perverts, predators, fakes, freaks and hipsters frequent. Everything turns sour as Tony’s interest in debauched Fontaine wanes, while her contempt for him grows as he fails to keep her amused. Following a chance meeting at Hobo, Tony decides he’s in love with Fontaine’s stepdaughter, Alexandra, who later uses him—unbeknownst to Tony—to make her childhood crush jealous.
Tony: He’s intelligent, sexy, and at heart a romantic. Sadly, he gets caught up in a popularity contest, the hedonism, in over his head with a text-book sociopath, and the desire to rise above his lower-middle class background. This makes him ripe for Fontaine’s vicious self-indulgence. I wanted Tony to find success, love and happiness. He was full of himself at times but no more than any other good-looking, horny young man his age. What I liked most about him is that no matter how much he strayed from his upbringing, he had some morals and a sense of right and wrong. Unlike the avaricious and narcissistic Fontaine.
Fontaine: This greedy, amoral disgusting woman is the antagonist that you love to hate. She is The Devil to Tony’s Faust and boy, does she play things to the hilt. Some would say she is a man trapped in a woman’s body. No maternal instinct. No boundaries. No sentiment. Her appetite for sex, power and money, along with her ruthless focus on what she wants, are not identified with anything that makes a lady a woman. I am interested in reading the sequel,
The Bitch
just to see what happens to this vile and fascinating creature. Do I want her to get her comeuppance? Yep. And then… Not really. What makes a good antagonist is just how much hell they can raise. I’m just glad that Tony made it out of her web—eventually. There are few that can outwit this woman. Still, it is a change to see a woman playing the games men play with women, and winning at besting them.
Alexandra: She’s just seventeen years old which is why I can excuse her stupidity and a great deal of the foolishness. At times, I could see her potential. For Tony, she represents innocence lost, except this is all illusion. This chickadee knows her own mind and has spunk and a bit of intelligence. Alexandra is a spoiled little rich bitch, plain and simple.
I got a kick out of reading about this era and the Brit slang/language, descriptions and people were fascinating. There are some really taboo subjects and offensive dialogue so be warned! This book was written in a time where the term “politically correct” did not exist. Collins takes you back to a period where anything goes--transsexuals were in the mix and pedophiles were uncomfortably common.
It would be ab-fab to see the films. Joan Collins (Jackie’s sister) stars in the movie version of The Stud. For those who remember, Joan was the infamous Alexis Carrington from the 80’s hit series
Dynasty
and became an icon. Although Fontaine is described as a blonde, I could see Joan Collins bringing this voracious vixen to life on the screen! For the current times, Kate Winslet or Tilda Swinton would make an amazing Fontaine, though Tilda fits the model arch type more. Zac Efron would make a delish Tony Blake, right?
Whatever your take on things, Ms. Collins does a superb job of capturing the voice of each character authentically, recreating a time a place that most of us can only fantasize about, while leading you into a story that spins a contemporary Faustian tale of corruption and redemption.