Captain America and the Falcon, two unlikely partners, united in battle against threats domestic, extraterrestrial, and extradimensional; evil psychiatrists, druids, and scientists; monsters, super-villains, and armies; and all the while balancing their love lives with Sharon Carter and Leila Davis! Featuring the threats of the Druid, the Alchemoid, Deadly Nightshade and her robot assassin, Stilt-Man, Dr. Faustus, the Secret Empire, the Night-People, and Agron! Plus, the first appearance of Karla Sofen, the future Moonstone and Ms. Marvel! And the mysterious Mister Buda leads Cap on a tour of the world's wars! Collecting CAPTAIN AMERICA (1968) #187-205, CAPTAIN AMERICA ANNUAL #3 and MARVEL TREASURY SPECIAL: CAPTAIN AMERICA'S BICENTENNIAL BATTLES.
Jack Kirby (born Jacob Kurtzberg) was one of the most influential, recognizable, and prolific artists in American comic books, and the co-creator of such enduring characters and popular culture icons as the Fantastic Four, the X-Men, the Hulk, Captain America, and hundreds of others stretching back to the earliest days of the medium. He was also a comic book writer and editor. His most common nickname is "The King."
These are mostly Jack Kirby's issues, and unsurprisingly, they are....different. I appreciate Kirby's endless imagination and his art has an undeniable energy, but he has never been my cup of tea. These issues are almost surreal and they seem to take place in their own universe, divorced from not only the rest of the Marvel Universe, but previous issues in the Cap title as well.
This is a period that n the title that completely turns me off. Between the artwork of Robbins and Kirby, I definitely lost some interest. Here’s hoping the next volume is better.
This is pretty disappointing and a bit all over the place, especially disappointing given that we're getting into the mid/late 70s now, this is when comic books are supposed to be ironing out their old fashioned storytelling problems.
It seems like they don't know how to use the Falcon as a supporting character. Falcon's dialogue is a bit goofy, as he constantly complains about how white people are taking him down, while Captain America mostly just goes along with Falcon's rambling, not really agreeing or complaining about it.
And the Falcon is the subject of most of the stories, which on the one hand usually makes him a victim that Captain America has to bail out of some kind of harm, and also prevents Captain America the attention to develop as a character or deal with Cap's own personal life.
This divided billing basically ends up creating anguish for two characters, but the divided focus prevents the character from feeling attached to either.
The stories by the likes of John Warner, Bill Mantlo, and Marv Wolfman aren't that great, with forgettable villains and easy plot resolutions/mediocre action, but at least they maintain a solid action line, connect from issue to issue, maintain suspense.
When Jack Kirby, co-creator of Captain America way back when, inexplicably comes back to write/draw Cap's issues, the outcome is more ambiguous. On the one hand, Kirby has a strong sense of applied humor, writing good dialogue and stuff, the stories kind of blend together. Captain America and the Falcon jump into battle with a baddy, they punch each other a lot, and slightly different outcomes carry the victory. It's like an old war comic, or a retread of Fantastic Four from the 60s (obviously also co-created by Kirby).
Also, while having cliff hanger endings and prolonged fighting can be exciting to a reader, stretching out stories to 5 issues or more is a little frustrating if little changes per issue and emotional attachment is minimal.
I'm sort of being mean to an ok collection, but I expected more. Especially because Essential Captain America 4 and to a lesser extent earlier volumes were much better.
Re-reading this again in one volume. It makes more sense. I even get to appreciate Frank Robbins artwork after being suckered earlier with Gil Kane's lovely covers. Contains Capt America's Bicentennial Battles Treasury, so it was worth the price to get hold of this volume. The cracks are starting to show in The King's work and times were a-changing, but even Kirby at half speed is still way above the usual stuff.