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Walking a Line
Tom Paulin's new collection appears just a year after his Selected Poems 1972-1990, of which Edwin Morgan 'It will serve to consolidate Paulin's reputation as an incisively original and dedicated poet.' In Walking a Line, Paulin combines his customary intellectual drive with a new, bracingly airy, lyrical and logical playfulness. The title of the book is taken from a statement by Paul Klee, and the great Swiss Modernist presides over its contents as a sort of guardian angel.
- GenresPoetry
105 pages, Paperback
First published January 1, 1995
5 people want to read
About the author
Tom Paulin
79 books7 followersTom (Thomas Neilson) Paulin is a poet, critic and playwright. He was raised in Belfast in Northern Ireland where his father was the headmaster of a grammar school, and his mother was a doctor. He was educated at Hull University and Lincoln College, Oxford.
He lectured in English at the University of Nottingham from 1972 until 1989, and was Reader in Poetry from 1989 until 1994. He was a director of Field Day Theatre Company in Derry, Northern Ireland. He has also taught at the University of Virginia and was Fellow in Creative Writing at the University of Reading. He is now G. M. Young Lecturer in English at Hertford College, Oxford. He is a well-known broadcaster and a regular member of the panel for the BBC Television arts programme 'Newsnight Review'.
Much of his early poetry reflects the political situation in Northern Ireland and the sectarian violence which has beset the province since the late 1960s. His collections include A State of Justice (1977), winner of a Somerset Maugham Award; The Strange Museum (1980), which won the Geoffrey Faber Memorial Prize; Liberty Tree (1983) and the acclaimed Fivemiletown (1987), which explores Northern Irish Protestant culture and identities. Later collections include Walking a Line (1994) and The Wind Dog (1999), which was shortlisted for the T. S. Eliot Prize. The Invasion Handbook (2002) is the first instalment of an epic poem about the Second World War. His latest collection is The Road to Inver: Translations, Versions and Imitations 1975-2003 (2004), which brings together work from four decades.
His non-fiction includes Ireland and the English Crisis (1984), Minotaur: Poetry and the Nation State (1992), The Day-Star of Liberty: William Hazlitt's Radical Style (1998), a critical study of the nineteenth-century essayist and radical, and (with Amit Chaudhuri), D. H. Lawrence and "Difference": The Poetry of the Present (2003), a study exploring Lawrence's position as a 'foreigner' in the English canon.
Tom Paulin is editor of The Faber Book of Political Verse (1986) and The Faber Book of Vernacular Poetry (1990). His plays include The Riot Act: A Version of Sophocles' Antigone, which toured Ireland in 1984, and All the Way to the Empire Room which was broadcast by the BBC in 1994. His latest book is The Secret Life of Poems (2007).
Tom Paulin lives in Oxford with his wife and two sons.
He lectured in English at the University of Nottingham from 1972 until 1989, and was Reader in Poetry from 1989 until 1994. He was a director of Field Day Theatre Company in Derry, Northern Ireland. He has also taught at the University of Virginia and was Fellow in Creative Writing at the University of Reading. He is now G. M. Young Lecturer in English at Hertford College, Oxford. He is a well-known broadcaster and a regular member of the panel for the BBC Television arts programme 'Newsnight Review'.
Much of his early poetry reflects the political situation in Northern Ireland and the sectarian violence which has beset the province since the late 1960s. His collections include A State of Justice (1977), winner of a Somerset Maugham Award; The Strange Museum (1980), which won the Geoffrey Faber Memorial Prize; Liberty Tree (1983) and the acclaimed Fivemiletown (1987), which explores Northern Irish Protestant culture and identities. Later collections include Walking a Line (1994) and The Wind Dog (1999), which was shortlisted for the T. S. Eliot Prize. The Invasion Handbook (2002) is the first instalment of an epic poem about the Second World War. His latest collection is The Road to Inver: Translations, Versions and Imitations 1975-2003 (2004), which brings together work from four decades.
His non-fiction includes Ireland and the English Crisis (1984), Minotaur: Poetry and the Nation State (1992), The Day-Star of Liberty: William Hazlitt's Radical Style (1998), a critical study of the nineteenth-century essayist and radical, and (with Amit Chaudhuri), D. H. Lawrence and "Difference": The Poetry of the Present (2003), a study exploring Lawrence's position as a 'foreigner' in the English canon.
Tom Paulin is editor of The Faber Book of Political Verse (1986) and The Faber Book of Vernacular Poetry (1990). His plays include The Riot Act: A Version of Sophocles' Antigone, which toured Ireland in 1984, and All the Way to the Empire Room which was broadcast by the BBC in 1994. His latest book is The Secret Life of Poems (2007).
Tom Paulin lives in Oxford with his wife and two sons.
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Displaying 1 of 1 review
October 24, 2011
This collection seems a bit uneven to me, although maybe that's just a way of saying that I wasn't able to figure out some of the poems. But some of them I love--perhaps most of all the opening poem, "Klee/Clover," a rumination on Klee's using of canvas from downed biplanes piloted by "unlovely aristos" to paint on. The whole collection has a kind of breezy skepticism about Literature with a capital L and about institutions in general. And I liked very much the appropriately neat and simple, very effective "A Poor Useless Creature" about Bentham and the cruelty of his rational utilitarianism. But there were also other poems I found it harder to connect with.
Displaying 1 of 1 review