The latter years of Matisse’s career made up what he described as his "second life". This catalogue is dedicated to Matisse’s late work and provides a greater understanding of the artist through his correspondence with the writer André Rouveyre. It begins with a serious operation Matisse underwent in 1941 and ends with his death in 1954, a period of 13 years during which there was an extraordinary blossoming of his art. Rouveyre was a novelist and artist dreaded for his cruel portraits, and an old friend from Matisse’s student days. These letters (almost 1200 of them) provide unprecedented insight into Matisse’s creative process and artistic aspirations, at a time when he was redefining his modes of expression. Many are adorned with drawings and decorations and for the first time this catalogue relates these letters to works produced, or in production, at the time they were oils on canvas, drawings, illustrated books, tapestries, stained-glass window maquettes, and large and small gouache cut-outs.
I came for the art, which did not disappoint. This catalogue showcased Matisse’s late works in a variety of mediums. I was delighted to learn more about Matisse’s paper cut-outs. (They inspired to make my own cut-out as an homage!)
While I appreciate the authors’ use of primary source materials, particularly the letters between Matisse and Rouveyre, the text ultimately felt tedious. (But hey, that’s an exhibition catalogue for ya).
It informed me much about his friendship with Rouveyre. By reading about their letters I felt like I was peeking into Matisse's feelings during his cut-out phase.
I didn't read the entire book. However, the inspiration of knowing bits of Matisse's "second life" — knowing how he adapted and how it changed his work — was energizing and affirming!