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Red London
Fellatio Jones and his crew shoot, fuck, stab, bludgeon, and plunder their way from the mean streets of Mile End, to aristocratic Belgravia. The Skinhead Squad are a new breed of malcontent. Their brand of mayhem has an ideological twist and the gang targets its violence with deadly effect. As class anger explodes from the rotting heart of inner city London, corpse is piled upon corpse, and the streets run red with blood. Red London is an authoritative novel of sex, violence, and pathological sadism that wells over into total mania as the plot races towards its cataclysmic conclusion. Read this book and discover why the wealthy want it banned.
- GenresFictionLiterature
160 pages, Paperback
First published January 1, 1994
111 people want to read
About the author
Stewart Home
95 books288 followersStewart Home (born London 1963) is an English writer, satirist and artist. He is best known for novels such as the non-narrative "69 Things to Do With A Dead Princess" (2002), his re-imagining of the 1960s in "Tainted Love" (2005), and more recent books such as "She's My Witch" (2020) that use pulp and avant-garde tropes to parody conventional literature.
Home's unusual approach to writing is reflected in the readings he gives from his novels: he recites from memory, utilises ventriloquism, stands on his head and declaims his work and even shreds his own books.
Home's first book "The Assault on Culture: Utopian Currents from Lettrisme to Class War" (Aporia Press and Unpopular Books, London, 1988) is an underground art history sketching continuations of dadist and surrealist influences on post-World War II fringe radical art.
Home's first novel "Pure Mania" was published 1989 (Polygon Books), and details a violent neo-punk subculture. Unmistakenly postmodern but nfluenced by surrealism and the nouveau roman, it pushes the appropriation of pulp tropes and use of repetition found within historical avant-garde fiction to such an extreme that some critics mistook it for a piece of low-brow writing.
Home continued in much the same vein with his next four novels, starting with "Defiant Pose" (Peter Owen, 1991) and continuing with "Red London" (AK Press 1994), "Blow Job" (published in 1997 but written in 1994) and Slow Death (Serpent's Tail 1996).
All Home’s early fiction collages in large amounts of prose from a wide variety of sources – and while it is often close in spirit to the work of ‘postmodern extremists’ such as Kathy Acker, the appropriated material is much more heavily reworked than in the latter’s books.
The novels Home wrote after the mid-nineties featured less subcultural material than his earlier books and focus more obviously on issues of form and aesthetics. Home’s sixth novel "Come Before Christ And Murder Love" (Serpent's Tail 1997) featured a schizophrenic narrator whose personality changed every time he had an orgasm. This was the first novel Home wrote in the first person, and much of the fiction he wrote after this utilised the device of an unreliable first-person narrator.
"Cunt" (Do Not Press 1999) is a postmodern take on the picaresque novel. "69 Things to Do With A Dead Princess" (Canongate 2002) mixes porn with capsule reviews of dozens of obscure books as well as elaborate descriptions of stone circles, while in "Down and Out In Shoreditch & Hoxton" (Do Not Press 2004) every paragraph is exactly 100 words long. "Tainted Love" (Virgin Books) is based on the life of the author's mother, who was part of the London subcultural scene in the 1960s. "Memphis Underground" (Snow Books 2007) has a long conventional literary opening that is slowly unravelled.
Home’s 2010 novel "Blood Rites of the Bourgeois" (Book Works) is to date his only work written in the second person. The plot – as far as there is one - concerns an artist hacking the computers of London’s cultural elite to infect them with modified penis enlargement spam. Reviewing Home’s incredibly weird campus novel "Mandy, Charlie & Mary-Jane" (Penny-Ante Editions 2013) for The Guardian, Nicholas Lezard observes: “I think one of the great virtues of Home's work is the way it forces us to address our own complacency.”
"The 9 Lives of Ray The Cat Jones" (Test Centre 2014) is a fictional exploration of the life of one of the author's more infamous criminal relatives. "She's My Witch" (London Books 2020), is a love story exploring an unlikely relationship between a fitness instructor and a heroin addicted witch. "Art School Orgy" (New Reality Records, 2023) is a 'BDSM extravaganza'. Before this Home published his collected poems "SEND CA$H" (Morbid Books 2018) and a book about martial arts films "Re-Enter The Dragon: Genre Theory, Brucesploitation & The Sleazy Joys of Lowbrow Cinema" (Ledatape 2018).
Home's unusual approach to writing is reflected in the readings he gives from his novels: he recites from memory, utilises ventriloquism, stands on his head and declaims his work and even shreds his own books.
Home's first book "The Assault on Culture: Utopian Currents from Lettrisme to Class War" (Aporia Press and Unpopular Books, London, 1988) is an underground art history sketching continuations of dadist and surrealist influences on post-World War II fringe radical art.
Home's first novel "Pure Mania" was published 1989 (Polygon Books), and details a violent neo-punk subculture. Unmistakenly postmodern but nfluenced by surrealism and the nouveau roman, it pushes the appropriation of pulp tropes and use of repetition found within historical avant-garde fiction to such an extreme that some critics mistook it for a piece of low-brow writing.
Home continued in much the same vein with his next four novels, starting with "Defiant Pose" (Peter Owen, 1991) and continuing with "Red London" (AK Press 1994), "Blow Job" (published in 1997 but written in 1994) and Slow Death (Serpent's Tail 1996).
All Home’s early fiction collages in large amounts of prose from a wide variety of sources – and while it is often close in spirit to the work of ‘postmodern extremists’ such as Kathy Acker, the appropriated material is much more heavily reworked than in the latter’s books.
The novels Home wrote after the mid-nineties featured less subcultural material than his earlier books and focus more obviously on issues of form and aesthetics. Home’s sixth novel "Come Before Christ And Murder Love" (Serpent's Tail 1997) featured a schizophrenic narrator whose personality changed every time he had an orgasm. This was the first novel Home wrote in the first person, and much of the fiction he wrote after this utilised the device of an unreliable first-person narrator.
"Cunt" (Do Not Press 1999) is a postmodern take on the picaresque novel. "69 Things to Do With A Dead Princess" (Canongate 2002) mixes porn with capsule reviews of dozens of obscure books as well as elaborate descriptions of stone circles, while in "Down and Out In Shoreditch & Hoxton" (Do Not Press 2004) every paragraph is exactly 100 words long. "Tainted Love" (Virgin Books) is based on the life of the author's mother, who was part of the London subcultural scene in the 1960s. "Memphis Underground" (Snow Books 2007) has a long conventional literary opening that is slowly unravelled.
Home’s 2010 novel "Blood Rites of the Bourgeois" (Book Works) is to date his only work written in the second person. The plot – as far as there is one - concerns an artist hacking the computers of London’s cultural elite to infect them with modified penis enlargement spam. Reviewing Home’s incredibly weird campus novel "Mandy, Charlie & Mary-Jane" (Penny-Ante Editions 2013) for The Guardian, Nicholas Lezard observes: “I think one of the great virtues of Home's work is the way it forces us to address our own complacency.”
"The 9 Lives of Ray The Cat Jones" (Test Centre 2014) is a fictional exploration of the life of one of the author's more infamous criminal relatives. "She's My Witch" (London Books 2020), is a love story exploring an unlikely relationship between a fitness instructor and a heroin addicted witch. "Art School Orgy" (New Reality Records, 2023) is a 'BDSM extravaganza'. Before this Home published his collected poems "SEND CA$H" (Morbid Books 2018) and a book about martial arts films "Re-Enter The Dragon: Genre Theory, Brucesploitation & The Sleazy Joys of Lowbrow Cinema" (Ledatape 2018).
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Displaying 1 - 7 of 7 reviews
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September 8, 2016I won't recommend this to anyone because I refuse to accept responsibility for such an act. I certainly will not rate it. I am simply acknowledging that I have read it.
December 13, 2008
Stupid sex and violence pulp parody about gay communist skinheads. If you like this, there's definitely something wrong with you, too.
April 11, 2008
Stewart Home is one of the interesting writers to come out of the U.K. in the past twenty years. On the borderline of the visual arts as well as on the edge of pulp writing with a mixture of sitautionist thought - and the over the top violence makes a fascinating read. People either hate his work or love it. I find it super interesting and I really enjoy his novels. This particular book made me check out the source or inspiration for Red London, the works of Richard Allen. He wrote a series of exploitation novels regarding the Skinhead movement as well as the Mods.
So what Home does is play with his sources. But it is also very respectful to those sources as well. For those who want a bit of adventure in their literature...
So what Home does is play with his sources. But it is also very respectful to those sources as well. For those who want a bit of adventure in their literature...
July 25, 2007
there is a lot about class struggle and lots of gay sex scenes.. and its very funny....
July 19, 2012
Insane blend of the old Richard Allen skinhead pulps and half-assed post-Situ philosophy. Wot larks!
July 13, 2013
Stunningly trashy. Like a cannibalistic parody of a parody. Includes skinheads having gay sex. Recommended.
December 27, 2011
There is more about this book here: http://www.stewarthomesociety.org/red...
Displaying 1 - 7 of 7 reviews