3.5★s
Thirst For Salt is the first novel by Australian-born author, Madelaine Lucas. Some thirteen years after her love affair with a man almost two decades her senior, the Unnamed Protagonist returns to Sydney from New York City for a short stay with her mother in the Blue Mountains. Together again, and having recently seen a picture of Jude online, UP recalls the details of that intense almost-twelve-month interlude, and skims over its effect on her later life.
Having just completed her Uni degree, twenty-four-year-old UP travels to Sailors Beach where her (also unnamed) mother has rented a whaler’s cottage for a month. Spending time on the beach, she encounters a charismatic antique dealer. Jude is forty-two. UP is instantly attracted, and begins an affair that she initially conceals from her mother, even as she believes that her mother’s earlier bohemian, transient lifestyle indicates she wouldn’t object.
UM goes home, but UP returns to Sailors Beach repeatedly, eventually coming to live with Jude in his big old house. They adopt an ageing stray dog. They live a secluded life together, when Jude isn’t selling furniture. Hearing about his previous women, UP wonders: “What kind of woman would I have to be to keep him?”
UP’s somewhat unconventional upbringing, devoid of a steady male presence, is probably responsible for her naivete, her lack of emotional maturity at age twenty-four that sees her tolerating Jude’s poor behaviour when she might otherwise realise that Jude’s glib excuses about trust and freedom rely on her enthrallment with him to seem valid. “The freedom to leave and return at will – that was true love, Jude had told me. We should be a pleasure to each other, not a necessity. A gift.”
It must have taken no small effort to avoid naming the protagonist, and her mother, over some three hundred pages. Coupled with the omission of quote marks for speech, this results in an irritating ambiguity that, for many readers, will not be entirely compensated by the gorgeous descriptive prose. The narrative flips around between various periods of UP’s life which are not always clear, another source of ambiguity. Literary gimmicks that may please critics but are not always appreciated by the average reader.
Lucas does give her characters some insightful observations: “…time in the absence of someone you love cannot be measured in the same way as regular time” and “… it’s not so easy to forget, to leave the past behind. It follows after, like a loose hem or a wake in water. You drag it with you when you go” are examples.
Anyone who has visited a south-coast NSW town will agree that Lucas easily evokes her era and setting. None of the main protagonists is particularly likeable, so it’s difficult to connect with or invest in them. While the prose is often beautiful, parts of the story are slow and, frankly, boring, and what the blurb promises is not necessarily delivered for every reader.
This unbiased review is from an uncorrected proof copy provided by Allen & Unwin.